Why do people work hard, and take pride in what they do? This book, a philosophically-minded enquiry into practical activity of many different kinds past and present, is about what happens when people try to do a good job. It asks us to think about the true meaning of skill in the 'skills society' and argues that pure competition is a poor way to achieve quality work. Sennett suggests, instead, that there is a craftsman in every human being, which can sometimes be enormously motivating and inspiring - and can also in other circumstances make individuals obsessive and frustrated. The Craftsman shows how history has drawn fault-lines between craftsman and artist, maker and user, technique and expression, practice and theory, and that individuals' pride in their work, as well as modern society in general, suffers from these historical divisions. But the past lives of crafts and craftsmen show us ways of working (using tools, acquiring skills, thinking about materials) which provide rewarding alternative ways for people to utilise their talents. We need to recognise this if motivations are to be understood and lives made as fulfilling as possible.

Excellent study examines lives and work of American cabinetmakers, silversmiths, pewterers, printers, painters, blacksmiths, and many other artisans, before 1775. "A fascinating study." — The New Yorker. 18 illustrations.

Hartford Seen is the first modern-day art photography book focused exclusively on Connecticut's capital city. Born and raised in Puerto Rico, Pablo Delano relocated from Manhattan to Hartford in 1996 to teach photography at Trinity College. On his daily drive to work, he was struck continually by the city's visual beauty and complexity. He left the car and began to explore, using his camera as a means of gaining a deeper understanding of what he found. In this personal meditation on Harford's built environment, Delano implements a methodical but intuitive approach, scrutinizing the layers of history embedded in the city's fabric. He documents commercial establishments, industrial sites, places of worship, and homes with a painter's eye to color and composition. His vision tends to eschew the city's better-known landmarks in favor of vernacular structures that reflect the tastes and needs of the city's diverse population at the dawn of the 21st Century. Over the last 100 years Hartford may have transformed from one of America's wealthiest cities to one of its poorest, but as suggested by Hartford Seen, today it nevertheless enjoys extraordinary cultural offerings, small entrepreneurship, and a vibrant spiritual life. The city's historical palette consists mostly of the brownstone, redbrick, and gray granite shades common in New England's older cities. Yet Delano perceives that it is also saturated with the blazing hues favored by many of its newer citizens. With more than 150 full-color images,Hartford Seen vitally expands the repertoire of photographic studies of American cities and of their contemporary built environments.

The preeminent study of Connecticut’s silvercraft, back in print with a new introduction

"Stunning..." - Parade Magazine"A rare pictorial journey across America." - Bookpage Portraits of the American Craftsman is a collection of portraits of the people and products made in small workshops all over the country, with lyrical descriptions of what they make, who they are, and the tradition embedded in their trade. This book is a celebration of the handmade at a time when it’s being embraced by a new generation of DIY and local-focused consumers who are averse to the mass-produced. Award-winning photographer Tadd Myers is four years into a cross-country journey to capture images of the American craftsman engaged in his work. At a time when the public is growing disenchanted by the disposable items that litter the American landscape, the workers in Tadd’s portraits are still using human eyes to guide human hands; the objects they make carry the souls of their makers. His beautifully rendered photographs and profiles celebrate the thriving American culture of true craftsmanship, which is alive and well in all parts of the country: from the Steinway factory in Queens, NY to hatmakers in Tennessee; from a carousel works shop in Ohio to guitar makers in Texas; from hatmakers in Chicago to boatbuilders in Vermont. In the connected realm of photo-rich social media platforms such as Pinterest and Etsy, and in reaction to the mammoth corporations that create and sell us our wares, we’re seeing a boom of Americans of all ages re-evaluating the values that actually inspire them. Away from these conglomerates, the American craftsman keeps a different, more personal kind of work alive – work that is uniquely inspirational and genuine.