Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

When 'Poetry, A Magazine of Verse', was first published in Chicago in the autumn of 1912, an Illinois poet, Vachel Lindsay, was, quite appropriately, one of its first discoveries. It may be not quite without significance that the issue of January, 1913, which led off with 'General William Booth Enters into Heaven', immediately followed the number in which the great poet of Bengal, Rabindra Nath Tagore, was first presented to the American public, and that these two antipodal poets soon appeared in person among the earliest visitors to the editor. For the coming together of East and West may prove to be the great event of the approaching era, and if the poetry of the now famous Bengali laureate garners the richest wisdom and highest spirituality of his ancient race, so one may venture to believe that the young Illinois troubadour brings from Lincoln's city an authentic strain of the lyric message of this newer world.

The Congo is one of the best-known poems by American poet Vachel Lindsay (1879-1931). It was revolutionary in its use of sounds and rhythms - as sounds and rhythms - and includes elaborate annotations to guide its spoken performance. Lindsay categorized The Congo as "higher Vaudeville" and was famous for his exuberant performances of it. The poem's imagery is racist, but Lindsay was a product of his time - born 14 years after the end of the American Civil War in Abraham Lincoln's hometown, he revered Lincoln and viewed himself as a friend and supporter of African-American culture.

More than 75 works, including a number of Lindsay's most popular performance pieces, "The Congo" and "The Santa Fe Trail" among them.