From the critically acclaimed author of Crazy '08 comes the thrilling true story of the most colorful and notorious law firm in American history. Scoundrels in Law offers an inside look at crime and punishment in the nineteenth century, and a whirlwind tour of the Gilded Age. Gangsters and con men. Spurned mistresses and wandering husbands. Strippers and Broadway royalty. Cat killers and spiritualists. These were the friends and clients of Howe & Hummel, the most famous (and famously rotten) law firm in nineteenth-century America. The partners gloried in their reputation and made a rich living from it. William Howe left London a step ahead of the law to find his destiny defending the perpetrators of murder and mayhem in post-Civil War New York, in an age of really good murders. A dramatic, diamond-encrusted presence, Howe was one of the great courtroom orators of his era, winning improbable acquittals time after time. Abraham Hummel enjoyed a quieter but perhaps more fearsome notoriety, shaking down high society so well and so often that receiving an envelope with the law firm's name on it became almost a rite of passage. The partners bestrode Gilded Age New York with wit and brio, and everyone from Theodore Roosevelt to Lola Montez had a part in their story. In Howe & Hummel's prime, it would not have been unusual to see a leading politician, a pickpocket, a Broadway star, a bank robber, and a socialite all crowded together into the waiting room of their offices, located conveniently across the street from the city jail. Howe and Hummel were not particularly good men. They were perfectly ready—even eager—to lie, cheat, and bribe on behalf of their clients. They did stop short of murder, though, a principle that played a critical role when the famous firm imploded in a truly spectacular web of deceit gone wrong. Through the windows of the dingy premises of Howe & Hummel, readers can glimpse the Gilded Age in all its grime and grandeur. Cait Murphy restores this once-famous duo to their rightful place in the pantheon of great American characters.

Arthur Cheney Train (1875-1945) was an American lawyer and legal thriller writer, particularly known for his novels of courtroom intrigue and the creation of the fictional lawyer Mr. Ephraim Tutt. This volume collects 38 novels, books, and short stories. A note for the culturally sensitive: these stories are not all "politically correct" and are a product of their time, with dialect and racial stereotyping. Please keep this in mind as you read. Included are: THE SHYSTER THE KID AND THE CAMEL CONTEMPT OF COURT BY ADVICE OF COUNSEL 'THAT SORT OF WOMAN' YOU’RE ANOTHER! BEYOND A REASONABLE DOUBT THE HUMAN ELEMENT MOCK HEN AND MOCK TURTLE SAMUEL AND DELILAH THE DOG ANDREW WILE VERSUS GUILE THE HEPPLEWHITE TRAMP LALLAPALOOSA LIMITED McALLISTER’S CHRISTMAS THE EXTRAORDINARY ADVENTURE OF THE BARON DE VILLE THE ESCAPE OF WILKINS THE GOVERNOR-GENERAL'S TRUNK THE GOLDEN TOUCH McALLISTER'S DATA OF ETHICS McALLISTER'S MARRIAGE THE JAILBIRD IN THE COURSE OF JUSTICE THE MAXIMILIAN DIAMOND EXTRADITION MORTMAIN THE RESCUE OF THEOPHILUS NEWBEGIN THE VAGABOND THE MAN HUNT NOT AT HOME A STUDY IN SOCIOLOGY THE LITTLE FELLER RANDOLPH, '64 THE CONFESSIONS OF ARTEMAS QUIBBLE TRUE STORIES OF CRIME FROM THE DISTRICT ATTORNEY'S OFFICE COURTS AND CRIMINALS THE "GOLDFISH" THE MAN WHO ROCKED THE EARTH If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 260+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!

A basic text for radical faeries, but very loose on historic veracity.--Jim Kepner.

In this first extensive Jungian treatment of Milton's major poems, James P. Driscoll uses archetypal psychology to explore Milton's great themes of God, man, woman, and evil and offers readers deepened understanding of Jung's profound thoughts on Godhead. The Father, the Son, Satan, Messiah, Samson, Adam, and Eve gain new dimensions of meaning as their stories become epiphanies of the archetypes of Godhead. God and Satan of Paradise Lost are seen as the ego and the shadow of a single unfolding personality whose anima is the Holy Spirit and Milton's muse. Samson carries the Yahweh archetype examined by Jung in Answer to Job, and Messiah and Satan in Paradise Regained embody the hostile brothers archetype. Anima, animus and the individuation drive underlie the psychodynamics of Adam and Eve's fall. Driscoll draws on his critical acumen and scholarly knowledge of Renaissance literature to shed new light on Jung's psychology of religion. The Unfolding God of Jung and Milton illumines Jung's heterodox notion of Godhead as a quarternity rather than a trinity, his revolutionary concept of a divine individuation process, his radical solution to the problem of evil, and his wrestling with the feminine in Godhead. The book's glossary of Jungian terms, written for literary critics and theologians rather than clinicians, is exceptionally detailed and insightful. Beyond enriching our understanding of Jung and Milton, Driscoll's discussion contributes to theodicy, to process theology, and to the study of myths and archetypes in literature.