Finalist for 2020 National Book Critics Circle Award in Fiction Longlisted for the 2020 National Book Award for Fiction Finalist for the 2021 Aspen Words Literary Prize Mingling the earthy with the otherworldly, these ten stories chronicle ineffable events in ordinary lives. In Kenan’s fictional territory of Tims Creek, North Carolina, an old man rages in his nursing home, a parson beats up an adulterer, a rich man is haunted by a hog, and an elderly woman turns unwitting miracle worker. A retired plumber travels to Manhattan, where Billy Idol sweeps him into his entourage. An architect who lost his famous lover to AIDS reconnects with a high-school fling. Howard Hughes seeks out the woman who once cooked him butter beans. Shot through with humor and seasoned by inventiveness and maturity, Kenan riffs on appetites of all kinds, on the eerie persistence of history, and on unstoppable lovers and unexpected salvations. If I Had Two Wings is a rich chorus of voices and visions, dreams and prophecies, marked by physicality and spirit. Kenan’s prose is nothing short of wondrous.

Return to the extraordinary world of Miss Peregrine's Peculiar Children . . . A fragile peace. An apocryphal warning. Chaos waiting in the heart of the storm. With his dying words, H - Jacob's final connection to his grandfather Abe's secret life - entrusts Jacob with a mission: Deliver newly contacted peculiar Noor Pradesh to an operative known only as V. Noor is being hunted. She is the subject of an ancient prophecy, one that foretells a looming apocalypse. Save Noor, save the future of all peculiardom. With only a few bewildering clues to follow, time is running out. With enemies behind him and the unknown ahead, Jacob Portman's story continues as he takes a brave leap forward into The Conference of the Birds, the newest installment of the beloved, #1 bestselling Miss Peregrine's Peculiar Children series. .................................................................................................................. Praise for the Miss Peregrine's Peculiar Children series: 'The popularity of the Miss Peregrine's book series cannot be overstated' Entertainment Weekly 'Creepy in the best way possible' The Guardian 'Readers searching for the next Harry Potter may want to visit Miss Peregrine's Home for Peculiar Children' CNN 'A thrilling, Tim Burton-esque tale with haunting photographs' USA Today

"A brilliant examination of literary invention through the ages, from ancient Mesopotamia to Elena Ferrante, showing how writers created technical breakthroughs as sophisticated and significant as any in science, and in the process, engineered enhancements to the human heart and mind"--

The first book in the spine-tingling Dark Matter trilogy about the frightening effects of a biological experiment gone wrong. An epidemic is sweeping the country. It spreads fast, mercilessly. Everyone will be infected. . . . It is only a matter of time. You are now under quarantine. Young teen Callie might have been one of the first to survive the disease, but unfortunately she didn't survive the so-called treatment. She was kidnapped and experimented upon at a secret lab, one that works with antimatter. When she breaks free of her prison, she unleashes a wave of destruction. Meanwhile her older brother Kai is looking for her, along with his smart new friend Shay, who was the last to see Callie alive. Amid the chaos of the spreading epidemic, the teens must find the source of disease. Could Callie have been part of an experiment in biological warfare? Who is behind the research? And more importantly, is there a cure?

This book is designed to be like a conference in a book where each chapter is written by a different author who is a subject matter expert on the topic covered in their chapter. Each chapter is also independent of the others so you can read one chapter, ten chapters, or all of them. You can start with the first chapter, the last one, or somewhere in-between and not miss out on anything related to that particular topic. This book is written for the intermediate to advanced audience. Prior experience with PowerShell is highly recommended.100% of the royalties from this book are donated to the PowerShell + DevOps Global Summit's OnRamp Scholarship Program. Learn more at PowerShellSummit.org.

The Conference of the Tongues offers a series of startling reflections on fundamental questions of translation. It throws new light on familiar problems and opens up some radically different avenues of thought. It engages with value conflicts in translation and the social accountability of translators, and turns the old issue of equivalence inside out. Drawing on a wealth of contemporary and historical examples, the book teases out the translator's subject-position in translations, makes notions of intertextuality and irony serviceable for translation studies, tries to think translation without transformation, and uses a controversial sociological model to cast a cold eye on the entire world of translating. This is a highly interdisciplinary study that remains aware of the importance of theoretical paradigms as it brings concepts from international law, social systems theory and even theology to bear on translation. Self-reference is a recurrent theme. The book invites us to read translations for what they can tell us about translating and about translators' own perceptions of their role. The argument throughout is for more self-reflexive translation studies.

The Halifax Conference presents a transcript of a conference held at the Nova Scotia College of Art and Design on October 5–6, 1970, transcribed and adapted by artist Craig Leonard. Organized by Seth Siegelaub, the Conference was conceived as a means of bringing about a “meeting of artists...[from] diverse art making experiences and art positions...in as general a situation as possible.” Infamously, the conference was held in the college’s boardroom, while students and other interested parties watched the proceedings on a video monitor in a separate space. The result was a conversation that devolved—technologically and ideologically—into a quasi-tragicomic farce, punctuated by remarkable moments of rupture initiated by activist resistance to the Conference from the outside and dissenting voices from within. Attendees at the Conference included Carl Andre, Joseph Beuys, Ronald Bladen, Daniel Buren, Gene Davis, Jan Dibbets, Al Held, Mario Merz, Robert Morris, Robert Murray, N.E.Thing Co. (Iain and Ingrid Baxter), Richard Serra, Richard Smith, Robert Smithson, Michael Snow, and Lawrence Weiner.