Currently the definitive text in the field and now available in an expanded third edition, Eighteenth-Century Poetry presents the rich diversity of English poetry from 1700-1800 in authoritative texts and with full scholarly annotation. Balanced to reflect current interests and "favorites" (including prominent poets like Finch, Swift, Pope, Montagu, Johnson, Gray, Burns, and Cowper) as well as less familiar material, offering a variety of voices and new directions for research and learning Includes 46 new poems with more texts by women poets and the inclusion of four additional poets (Mary Barber, Mehetabel Wright, Anna Seward, and Mary Robinson); poems reflecting new ecological approaches to 18th-century literature; and poems on the art of writing Accessible and user-friendly, with generous head notes, full foot-of-page annotations, an expanded thematic index, and a visually appealing text design

Beginning with a brief examination of the importance of the concept of happiness to the European Enlightenment as well as to the growing 18th -century interest in women, especially in Spain, this study focuses on the literary expressions of happiness by Spanish women as exemplified in the writings of three authors: essayist Josefa Amar y Borbon, poet Maria Gertrudis Hore and playwright Maria Rosa Galvez. Author Elizabeth Lewis traces the theme of 'happiness' through the texts, explicating how important the concept is for understanding eighteenth-century culture. Lewis shows how happiness for women could be considered subversive, associated as it was (among other things) with the freedom to make lifestyle choices, with a sense of harmony that extended far beyond the domestic sphere, and with a feminine virtue that defied traditional notions of fidelity to God and husband, and instead encouraged responsibility to other women, especially to future generations.

This is an impressive and lucid survey of eighteenth-century intellectual life, providing a real sense of the complexity of the age and of the cultural and intellectual climate in which imaginative literature flourished. It reflects on some of the dominant themes of the period, arguing against such labels as 'Augustan Age', 'Age of Enlightenment' and 'Age of Reason', which have been attached to the eighteenth-century by critics and historians.