The Computer in the Visual Arts

The Computer in the Visual Arts
Title The Computer in the Visual Arts PDF eBook
Author Anne Morgan Spalter
Publisher Addison-Wesley Professional
Pages 572
Release 1999
Genre Art
ISBN

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For anyone interested in how computers are used in art and design, this introduction to computer graphics is uniquely focused on the computer as a medium for artistic expression and graphic communication.

Processing for Visual Artists

Processing for Visual Artists
Title Processing for Visual Artists PDF eBook
Author Andrew Glassner
Publisher CRC Press
Pages 904
Release 2011-09-27
Genre Computers
ISBN 0429552297

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Walk with veteran author Andrew Glassner; see exactly how each of his pieces evolves, including the mistakes he's made along the way (and how to fix them!), and the times when he changed direction. As your knowledge and skills grow, you'll understand why Processing is such a powerful tool for self-expression. It offers a 21st-century medium for expressing new ideas. This book gives you everything you need to know to explore new frontiers in your own images, animations, and interactive experiences.

Computer Graphics — Computer Art

Computer Graphics — Computer Art
Title Computer Graphics — Computer Art PDF eBook
Author Herbert W. Franke
Publisher Springer Science & Business Media
Pages 188
Release 2012-12-06
Genre Computers
ISBN 3642702597

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Ten years have passed since the first edition of this book, a time sary to stress that the availability of colors further assists artistic span during which all activities connected with computers have ambitions. experienced an enormous upswing, due in particular to the ad The dynamics of display which can be achieved on the screen is vances in the field of semiconductor electronics which facilitated also of significance for the visual arts. It is a necessary condition microminiaturization. With the circuit elements becoming small for some technical applications, for example when simulating er and smaller, i. e. the transition to integrated circuits, the price dynamic processes. Although the graphics systems operating in real time were not designed for artistic purposes, they nonethe of hardware was reduced to an amazingly low level: this has de less open the most exciting aspects to the visual arts. While the finitely been an impulse of great importance to the expansion of computer technology, as well as to areas far removed from tech static computer picture was still a realization in line with the nology.

A Philosophy of Computer Art

A Philosophy of Computer Art
Title A Philosophy of Computer Art PDF eBook
Author Dominic Lopes
Publisher Routledge
Pages 160
Release 2009-09-10
Genre Art
ISBN 1135277435

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In A Philosophy of Computer Art Dominic Lopes argues that computer art challenges some of the basic tenets of traditional ways of thinking about and making art and that to understand computer art we need to place particular emphasis on terms such as ‘interactivity’ and ‘user’.

Cybernetic Serendipity

Cybernetic Serendipity
Title Cybernetic Serendipity PDF eBook
Author Jaisa Reichard
Publisher
Pages 101
Release 2018
Genre
ISBN 9781948764001

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Computers and the Visual Arts

Computers and the Visual Arts
Title Computers and the Visual Arts PDF eBook
Author Sierra Nevada Museum of Art
Publisher
Pages 28
Release 1979
Genre Art and computers
ISBN

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Art in the Age of the Internet

Art in the Age of the Internet
Title Art in the Age of the Internet PDF eBook
Author Eva Respini
Publisher Yale University Press
Pages 317
Release 2018-01-01
Genre Art
ISBN 0300228252

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Art in the Age of the Internet, 1989 to Today is the first major thematic group exhibition in the United States to examine the radical impact of internet culture on visual art. Featuring 60 artists, collaborations, and collectives, the exhibition is comprised of over 70 works across a variety of mediums, including painting, performance, photography, sculpture, video, web-based projects, and virtual reality. The exhibition is divided into five sections that explore themes such as emergent ideas of the body and notions of human enhancement; the internet as a site of both surveillance and resistance; the circulation and control of images and information; the possibilities for exploring identity and community afforded by virtual domains; and new economies of visibility accelerated by social media. Throughout, the work in the exhibition addresses the internet-age democratization of culture that comprises our current moment. The earliest work in the exhibition is from 1989, the year that Tim Berners-Lee invented the World Wide Web. This development, and others that followed in quick succession, modernized the internet, and in the process radically changed our way of life--from how we access and generate information, make friends and share experiences, to how we imagine our future bodies and how nations police national security. 1989 also marked a watershed moment across the globe, with significant shifts in politics, geographies, and economies. Events such as the fall of the Berlin Wall and protests in Tiananmen Square signaled the beginning of our current globalized age, which cannot be imagined without the internet.