Eric Orner’s groundbreaking comic strip, “The Mostly Unfabulous Social Life of Ethan Green”, debuted in 1990 and appeared in papers in a hundred cities across the US, Canada and the UK. Now, for the first time, every subversive, laugh-out-loud funny, and occasionally surreal episode from the gay everyman’s 15 years in print is in one deluxe collection. Includes behind-the-scenes stories from the author, bonus strips, and a foreword by New York Times bestselling author David Ebershoff. Released by Northwest Press, which has been publishing quality LGBT-inclusive comics and graphic novels since 2010.

Eric Orner, the acclaimed cartoonist of the country’s earliest and longest-running gay comic strip, The Mostly Unfabulous Social Life of Ethan Greene, presents his debut graphic novel—a dazzling, irreverent biography of the iconic and iconoclastic Barney Frank, the first gay and out congressman and front-line defender of civil rights. What are the odds that a disheveled, zaftig, closeted kid with the thickest of Jersey accents might wind up running Boston on behalf of a storied Irish Catholic political machine, drafting the nation’s first gay rights laws, reforming Wall Street after the Great Recession, and finding love, after a lifetime assuming that he couldn't and wouldn’t? In Smahtguy: The Life and Times of Barney Frank, America’s first out member of Congress and gay and civil rights crusader for an era is confirmed as a hero of our age. But more than a biography of an indispensable LGBTQ pioneer, this funny, beautifully rendered, warts-and-all graphic account reveals the down-and-dirty inner workings of Boston and DC politics. As Frank’s longtime staff counsel and press secretary, Eric Orner lends his first-hand perspective to this extraordinary work of history, paying tribute to the mighty striving of committed liberals to defend ordinary Americans from an assault on their shared society.

Featuring breathtaking panoramas and revelatory, unforgettable images, Battle Lines is an utterly original graphic history of the Civil War. A collaboration between the award-winning historian Ari Kelman and the acclaimed graphic novelist Jonathan Fetter-Vorm, Battle Lines showcases various objects from the conflict (a tattered American flag from Fort Sumter, a pair of opera glasses, a bullet, an inkwell, and more), along with a cast of soldiers, farmers, slaves, and well-known figures, to trace an ambitious narrative that extends from the early rumblings of secession to the dark years of Reconstruction. Employing a bold graphic form to illuminate the complex history of this period, Kelman and Fetter-Vorm take the reader from the barren farms of the home front all the way to the front lines of an infantry charge. A daring presentation of the war that nearly tore America apart, Battle Lines is a monumental achievement.

No Straight Lines showcases major names such as Alison Bechdel, Howard Cruse, and Ralf Koenig (one of Europe’s most popular cartoonists), as well as high-profile, crossover creators who have dabbled in LGBT cartooning, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention. Queer cartooning encompasses some of the best and most interesting comics of the last four decades, with creators tackling complex issues of identity and a changing society with intelligence, humor, and imagination. This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all. Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades. These comics have forged their aesthetics from the influences of underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. They have analyzed their own communities, and their relationship with the broader society. They are smart, funny, and profound. No Straight Lines has been heralded by people interested in comics history, and people invested in LGBT culture will embrace it as a unique and invaluable collection.

Set in Namibia just after independence in the early 1990s, Peter Orner's first novel is a chronicle of the long days, short loves, and cold nights at Goas, an all-boys Catholic primary school so deep in the veld that "even the baboons feel sorry for us." Though physically isolated in semi-desert beneath a relentless sun, the people of Goas create an alternate, more fertile universe through the stories they tell each other. The book's central character is Mavala Shikongo, a combat veteran who fought in Namibia's long war for independence against South Africa. She has recently returned to the school -- with a child, but no husband. Mavala is modern, restless, and driven, in sharp contrast to conservative Goas. All the male teachers (including a bumbling but observant volunteer from Cincinnati) try not to fall in love with her. Everyone fails -- immediately and miserably. This extraordinary first novel explores the history of a place through the stories of its people. But above all it's about the fleetingness of love and the endurance of fellowship.