After escaping from forced residency on an island off the coast of Italy, Malatesta made his way to London and eventually Paterson, New Jersey, in 1899. Here, among thousands of weavers in the burgeoning silk industry, Malatesta contributed to the anarchist press and was caught up in intrigue with fellow Italian anarchists—resulting in a bullet to the leg on September 3, 1899. From the columns of Questione Sociale, he addressed the themes of organization, the anarchist program, freedom as a method, the problem of love, bourgeois influences of anarchism, and much more. Incorporating Malatesta’s articles on the American situation, unpublished interviews, and reports on French and Spanish conferences—such as those held in Cuba in March 1900—this volume demonstrates the transnational dimension of Malatesta's activity, the breadth of his views and experiences, and his prominent role in labor and anarchist movements on both sides of the Atlantic. Includes an introduction by the late historian Nunzio Pernicone.

The first in AK Press's ten-volume Complete Works of Malatesta. This one (volume three chronologically) focuses on two very important years in Errico Malatesta's life, when he returned to Italy to edit L'Agitazione. This volume begins the series with a bang.

Anarchists were among the earliest modern thinkers to offer a systemic critique of criminal justice and among the first to directly criticize academic criminology while formulating a critical criminology. They identified the sources of social problems in social structures and relations of inequality and recognized that the institutions preferred by mainstream criminologists as would-be solutions to social problems were actually the causes or enablers of those harms in the first place. This volume collects critical writings on criminology from radicals and thinkers like William Godwin, Pierre-Joseph Proudhon, Mikahil Bakunin, Peter Kropotkin, Lucy Parsons, Emma Goldman, and many others.

The original Anarchy in the U.K. This volume focuses on the crucial years in Errico Malatesta’s life when he was exiled in London. Responding to what he saw as the unrealistic insurrectionism and isolation into which anarchism had fallen, Malatesta advocated “a long and patient work to prepare and organize the people,” through which anarchism would operate in broad daylight to entrench itself in the workers’ movement. Among the concerns Malatesta addresses in this volume are the assassinations of King Humbert of Italy and President McKinley in the US. The emerging radical labor movement that was taking off in England, France, and Spain at the time, and his own imprisonment in England.

After escaping from forced residency on an island off the coast of Italy, Malatesta made his way to London and eventually Paterson, New Jersey, in 1899. Here, among thousands of weavers in the burgeoning silk industry, Malatesta contributed to the anarchist press and was caught up in intrigue with fellow Italian anarchists—resulting in a bullet to the leg on September 3, 1899. From the columns of Questione Sociale, he addressed the themes of organization, the anarchist program, freedom as a method, the problem of love, bourgeois influences of anarchism, and much more. Incorporating Malatesta’s articles on the American situation, unpublished interviews, and reports on French and Spanish conferences—such as those held in Cuba in March 1900—this volume demonstrates the transnational dimension of Malatesta's activity, the breadth of his views and experiences, and his prominent role in labor and anarchist movements on both sides of the Atlantic. Includes an introduction by the late historian Nunzio Pernicone.

While the stock image of the anarchist as a masked bomber or brick thrower prevails in the public eye, a more representative figure should be a printer at a printing press. In Letterpress Revolution, Kathy E. Ferguson explores the importance of printers, whose materials galvanized anarchist movements across the United States and Great Britain from the late nineteenth century to the 1940s. Ferguson shows how printers—whether working at presses in homes, offices, or community centers—arranged text, ink, images, graphic markers, and blank space within the architecture of the page. Printers' extensive correspondence with fellow anarchists and the radical ideas they published created dynamic and entangled networks that brought the decentralized anarchist movements together. Printers and presses did more than report on the movement; they were constitutive of it, and their vitality in anarchist communities helps explain anarchism’s remarkable persistence in the face of continuous harassment, arrest, assault, deportation, and exile. By inquiring into the political, material, and aesthetic practices of anarchist print culture, Ferguson points to possible methods for cultivating contemporary political resistance.