Grounding this study in tourist theory, Melton explores how, in five travel books, Twain captures the birth and growth of a new creature who would go on to change the map of the world: the American tourist."--BOOK JACKET.

This unique collection presents the complete travel writings of Mark Twain – including 'The Innocents Abroad', 'Roughing It', 'A Tramp Abroad', 'Following the Equator' and 'Some Rambling Notes of an Idle Excursion' - presented in a single volume. Based on a series of letters Mark Twain wrote from Europe for San Francisco and New York newspapers as a roving correspondent, The Innocents Abroad, published in 1869, is a caricature of the sentimental travel books popular in the mid-nineteenth century. Mark Twain's fresh and humorous perspective on hallowed European landmarks lacked reverence for the past, and was as mocking about American manners as it was about European attitudes. Mark Twain was the pen name of Samuel Clemens (1835–1910), the American author whose classic works of fiction are notable for their narrative voice, humour and social criticism.

Reprint of the original, first published in 1869.

This critical study analyzes major concepts in the travel literature of Mark Twain and notes how his oeuvre (including his classic works of fiction) revolves around travel as a central issue. The book focuses especially on his representations of time, place, and identity in the travel works Roughing It, A Tramp Abroad, The Innocents Abroad, Life on The Mississippi, and Following the Equator. All receive an in-depth analysis, noting Twain's strong sense of nostalgia for the disappearing American frontier, his growing concern over the assimilation of Native American cultures, and his continual search for a sense of personal and national identity. One appendix provides a complete list of the travel literature contained in Twain's personal library.

For a man who liked being called the American, Mark Twain spent a surprising amount of time outside the continental United States. Biographer Roy Morris, Jr., focuses on the dozen years Twain spent overseas and on the popular travel books—The Innocents Abroad, A Tramp Abroad, and Following the Equator—he wrote about his adventures. Unintimidated by Old World sophistication and unafraid to travel to less developed parts of the globe, Twain encouraged American readers to follow him around the world at the dawn of mass tourism, when advances in transportation made leisure travel possible for an emerging middle class. In so doing, he helped lead Americans into the twentieth century and guided them toward more cosmopolitan views. In his first book, The Innocents Abroad (1869), Twain introduced readers to the “American Vandal,” a brash, unapologetic visitor to foreign lands, unimpressed with the local ambiance but eager to appropriate any souvenir that could be carried off. He adopted this persona throughout his career, even after he grew into an international celebrity who dined with the German Kaiser, traded quips with the king of England, gossiped with the Austrian emperor, and negotiated with the president of Transvaal for the release of war prisoners. American Vandal presents an unfamiliar Twain: not the bred-in-the-bone Midwesterner we associate with Huck Finn and Tom Sawyer but a global citizen whose exposure to other peoples and places influenced his evolving positions on race, war, and imperialism, as both he and America emerged on the world stage.

For deft plotting, riotous inventiveness, unforgettable characters, and language that brilliantly captures the lively rhythms of American speech, no American writer comes close to Mark Twain. This sparkling anthology covers the entire span of Twain’s inimitable yarn-spinning, from his early broad comedy to the biting satire of his later years. Every one of his sixty stories is here: ranging from the frontier humor of “The Celebrated Jumping Frog of Calaveras County,” to the bitter vision of humankind in “The Man That Corrupted Hadleyburg,” to the delightful hilarity of “Is He Living or Is He Dead?” Surging with Twain’s ebullient wit and penetrating insight into the follies of human nature, this volume is a vibrant summation of the career of–in the words of H. L. Mencken–“the father of our national literature.”