For the first time all 112 of Stephen Crane’s short stories and sketches—including several that have not been included in any previous collection and two that are now in print for the first time—have been brought together in one volume. Critics call Stephen Crane, who is best known for his Civil War novel, The Red Badge of Courage, the first “modern” American writer. Crane was only twenty-eight when he died, but his work had a profound influence on American letters. He helped to kill sentimentality in American writing, giving this country’s fiction renewed strength and dignity as an art form. Crane is considered the American counterpart of such European Nationalists as Zola, Tolstoy, and Flaubert. He refused to bow to the conventions of the day or to popular taste, but wrote about life as he saw it in the closing years of the nineteenth century. And “honest vision of life” was the foundation stone of his artistic aims, and so he sought first-hand experiences and personal involvement in his themes. He lived the life of “The Open Boat” before he wrote the story. His stories of war and conflict, such as “A Mystery of Heroism” and “Virtue in War,” reflect his experiences as a war correspondent. Crane strove for originality in his writing; “his style—tense, darting, abrupt, ironic—blends perfectly with an impressionistic technique to give emotional, psychological, and symbolic significance to a series of astutely observed and richly colored episodes.” The stories and sketches that were a product of his one-man literary revolution are as “modern” today as ever. This collection includes an authoritative introduction by the editor, in which he evaluates the artistic significance of Crane’s work. The stories ad sketches are presented in chronological order and have been carefully edited to ensure that they are in their original form.

Two-volume set that presents an introduction to American short fiction from the 19th century to the present.

Surveys the life and literary career of the American author, focusing on his religious imagery, linguistic styles, and thematic innovations

The publication of The Red Badge of Courage in 1895 brought Stephen Crane instant fame at age 23. At 28, he was dead. In the brief span of his literary career, Crane enjoyed a significant measure of renown as well as notoriety, but his reputation rested almost entirely upon his war novel, and he felt that his talent had ultimately been misjudged. From his adolescence until his death, Crane was a professional journalist. To this day, most educated American readers know him only as the author of the most realistic Civil War novel ever written, three or four action-packed short stories, and a handful of iconoclastic free-verse poems. Crane was befriended and admired by some of the most important literary figures of his time, such as William Dean Howells, Willa Cather, Joseph Conrad, Henry James, and H. G. Wells. He has also been called a realist, a naturalist, an impressionist, a symbolist, and an existentialist. This reference book provides a more complete picture of Crane's short but furiously creative life and encourages a more extensive appreciation of his works. The volume includes hundreds of entries for members of Crane's immediate and extended family; close friends and associates; educational institutions that he attended; places where he resided; publishers and syndicates by whom he was employed; literary movements with which he is usually associated; and the works of fiction, poetry, and journalism that he wrote. Thus the book shows that he was a pioneer in the development of a number of genres in modern American fiction and poetry; that he was the first literary chronicler of the burgeoning slums of urban America who refused to sentimentalize his materials; that his Western stories reveal the steady retreat of the American frontier before the encroachments of a modern Europeanized civilization; and that his short stories and poems engage a number of enduring themes. Many of the entries cite works for further reading, and the volume includes a chronology and a bibliography of the most important studies of his life and writing.

This volume offers a distillation of the large body of historical and critical information available on Stephen Crane's short stories. -- From preface.

The scholarship devoted to American literary realism has long wrestled with problems of definition: is realism a genre, with a particular form, content, and technique? Is it a style, with a distinctive artistic arrangement of words, characters, and description? Or is it a period, usually placed as occurring after the Civil War and concluding somewhere around the onset of World War I? This volume aims to widen the scope of study beyond mere definition, however, by expanding the boundaries of the subject through essays that reconsider and enlarge upon such questions. The Oxford Handbook of American Literary Realism aims to take stock of the scholarly work in the area and map out paths for future directions of study. The Handbook offers 35 vibrant and original essays of new interpretations of the artistic and political challenges of representing life. It is the first book to treat the subject topically and thematically, in wide scope, with essays that draw upon recent scholarship in literary and cultural studies to offer an authoritative and in-depth reassessment of major and minor figures and the contexts that shaped their work. Contributors here tease out the workings of a particular concept through a variety of authors and their cultural contexts. A set of essays explores realism's genesis and its connection to previous and subsequent movements. Others examine the inclusiveness of representation, the circulation of texts, and the aesthetic representation of science, time, space, and the subjects of medicine, the New Woman, and the middle class. Still others trace the connection to other arts--poetry, drama, illustration, photography, painting, and film--and to pedagogic issues in the teaching of realism. As a whole, this volume forges exciting new paths in the study of realism and writers' unending labor to represent life accurately.

A comprehensive anthology of the 112 short stories and sketches of the 19th century American author.