These stories of heroism and magic, and of terrifying encounters with Baba Yaga, Zmei the serpent and Koschchei the Immortal, represent at least one example of every wondertale type known in Russia.

These stories of heroism and magic, and of terrifying encounters with Baba Yaga, Zmei the serpent and Koschchei the Immortal, represent at least one example of every wondertale type known in Russia.

This is the concluding installment of a splendid multi-volume work that makes available to English readers a rich folktale tradition that has not been easily accessible or well-known in the West. Compared to other European traditions, the East Slavs have an extremely large number of tale types. Using the Aarne-Thompson index to folktale types, and drawing on both archival and written sources dating back to the early sixteenth century, J.V. Haney has assembled and translated examples of the full range of tales. Nearly all of these tales appear here in translation for the first time. The tales in this volume center on the so-called fool, the village simpleton. However, Ivan, the Russian everyman, turns out to have far more sense than his would-be oppressors. The greedy priests and landlords and dim-witted demons who try to take advantage of him are easily outsmarted. In the end it is they who are shown to be the fools as Ivan outwits or outlasts them. In these unequal contests lies the pleasure of the tales.

"The Complete Russian Folktale" makes available to English readers a rich folk tradition that has not been easily accessible or well known in the West. Compared to other European traditions, the East Slavs have an extremely large number of tale types. Using the Russian version of the Aarne-Thompson index to folktale types, and drawing on both archival and written sources dating back to the early sixteenth century, J.V. Haney has assembled and translated examples of the full range of tales. Nearly all of these tales will appear here in translation for the first time. Volume 6 presents tales classified 850-999, which describe the travails of young people who are seeking happiness and love. They portray acts of fate, prophecy, and even divine justice, in a village context of social misery, folk tradition, the aggravations of family life, and the heartaches of the lovelorn. J.V. Haney's extensive introduction and annotations explain the structure of the tales, their place in the A-T system and in folklore studies, and the specifics of their Russian provenance.

This introduction to the Russian folktale considers the origin, structure and language of folktales; tale-tellers and their audiences; the relationship of folktales to Russian ritual life; and the folktale types which are translated in subsequent volumes of "The Complete Russian Folktale".

Richly represented in the Russian folktale tradition, the legends are religious tales (types 750-849 in the Aame-Thompson index) in a peasant village setting. Among the standard themes is the return of Christ, who wanders through rural Russia with his disciples. Satan appears here too, as do a cast of spirits and lesser devils. Pre-Christian gods may be recognized in tales of saints Ilya and Nikolai (Elijah and Saint Nicholas). The hapless peasant in these tales - cheated, betrayed, impoverished, foolish, orphaned, crippled - take the reader deep into the traditional village culture of Russia and into the imperfect human quest for moral choice and justice on this earth.

This introduction to the Russian folktale considers the origin, structure and language of folktales; tale-tellers and their audiences; the relationship of folktales to Russian ritual life; and the folktale types which are translated in subsequent volumes of "The Complete Russian Folktale".