This collection demonstrates the varied ways in which Edward Lear pursued his philosophy of life. It includes 'The Owl and the Pussy-cat', 'The Quangle Wangle's Hat', and numerous comic limericks, along with stories, letters, alphabets and recipes. This ed. originally published: 2002.

The first collected and annotated edition of Carroll's brilliant, witty poems, edited by Gillian Beer. 'Twas brillig, and the slithy toves / Did gyre and gimble in the wabe...' wrote Lewis Carroll in his wonderfully playful poem of nonsense verse, 'Jabberwocky'. This new edition collects together the marvellous range of Carroll's poetry, including nonsense verse, parodies, burlesques, and more. Alongside the title piece are such enduringly wonderful pieces as 'The Walrus and the Carpenter', 'The Mock Turtle's Song', 'Father William' and many more. This edition also includes notes, a chronology and an introduction by Gillian Beer that discusses Carroll's love of puzzles and wordplay and the relationship of his poetry with the Alice books 'Opening at random Gillian Beer's new edition of Lewis Carroll's poems, Jabberwocky and Other Nonsense, guarantees a pleasurable experience - not all of it nonsensical' - Times Literary Supplement Lewis Carroll was the pen-name of the Reverend Charles Lutwidge Dodgson. Born in 1832, he was educated at Rugby School and Christ Church, Oxford, where he was appointed lecturer in mathematics in 1855, and where he spent the rest of his life. In 1861 he took deacon's orders, but shyness and a stammer prevented him from seeking the priesthood. His most famous works, Alice's Adventures in Wonderland (1865) and Through the Looking-Glass (1872), were originally written for Alice Liddell, the daughter of the Dean of his college. Charles Dodgson died of bronchitis in 1898. Gillian Beer is King Edward VII Professor Emeritus of English at the University of Cambridge and past President of Clare Hall College. She is a Fellow of the British Academy and of the Royal Society of Literature. Among her works are Darwin's Plots (1983; third edition, 2009), George Eliot (1986), Arguing with the Past: Essays in Narrative from Woolf to Sidney (1989), Open Fields: Science in Cultural Encounter (1996) and Virginia Woolf: The Common Ground (1996).

Edward Lear began his career as an ornithological illustrator, becoming one of the first major artists to draw birds from living models. During this period he was employed to paint the birds from the private menagerie owned by Edward Stanley, the 13th Earl of Derby and one of Lear’s closest friends. In 1837, Lear’s health started to decline. His deteriorating eyesight and failing lungs forced him to abandon the detailed painting required for depicting birds, and, with the help of the earl, he moved to Rome where he established himself as a poet of literary nonsense. While Lear was visiting the Earl of Derby, he wrote poems and drew silly sketches to entertain the earl’s children. In 1846, he collected together his pile of limericks and illustrations and published his first poetical book, titled A Book of Nonsense and dedicated to the Earl of Derby and his children. He decided to publish under the pseudonym Derry down Derry, but after he started making plans for more books, he republished under his real name. His next book, Nonsense Songs, Stories, Botany, and Alphabets wasn’t published until 24 years later, in 1870. Lear then released More Nonsense, which contains more limericks, in 1872, and Laughable Lyrics in 1877. This final book in the series contains many of Lear’s most famous fantastical creatures, such as the Quangle Wangle. The influence of Lear’s poetry in the twentieth-century can be seen in styles like the surrealism movement and the theater of the absurd.

The absurd and fanciful verses of Edward Lear-from "The Owl and the Pussy-cat" to "The Jumblies," from "The Scroobious Pip" to countless limericks-have enchanted generations of readers, children and adults alike. This delightful collection, the most comprehensive ever compiled of his work, presents all of Lear's verse and other nonsense writings, including stories, letters, and illustrated alphabets, as well as previously unpublished material. Featuring Lear's own line drawings throughout and an introduction by leading Lear authority Vivien Noakes, this captivating volume reveals a complex man of ample talents, achievements, and influence-and is teeming with timeless nonsense.