The master of wit and irony Published here alongside their evocative original illustrations, these fairy tales, as Oscar Wilde himself explained, were written “partly for children, and partly for those who have kept the childlike faculties of wonder and joy.”

In this new edition, which contains all of Wilde's fairy tales, his rich prose is evoked beautifully with the sumptuous, intricate work of artist Isabelle Brent.

The master of wit and irony Published here alongside their evocative original illustrations, these fairy tales, as Oscar Wilde himself explained, were written “partly for children, and partly for those who have kept the childlike faculties of wonder and joy.”

The Complete Fairy Tales of Oscar Wilde includes the two definitive story collections The Happy Prince and Other Tales (1888) and A House of Pomegranates (1891). This volume collects exquisite and poignant tales of true beauty, selfless love, generosity, loyalty, brilliant wit, and moral aestheticism, such as "The Birthday of the Infanta," "The Selfish Giant," The Nightingale and the Rose," and "The Happy Prince," among others. A true classic of wonder for all ages.

Oscar Wilde, best known for his acerbic, witty plays and urbane nonfiction, was also a master of the fairy tale. This volume brings together all of Wilde's tales from his two collections--"The Happy Prince" and "The House of Pomegranates"--and retains the evocative illustrations done for the original editions.

During his prolific career, Oscar Wilde also wrote several stories for children and fairy tales. In these stories Wilde really expressed his affection for aesthetic writing. His children's tales are assembled in his two short story collections: The Happy Prince and Other Tales: The Happy Prince The Nightingale and the Rose The Devoted Friend The Selfish Giant The Remarkable Rocket A House of Pomegranates: The Young King The Birthday of the Infanta The Fisherman and His Soul The Star-Child

Oscar Wilde's two collections of children's literature, The Happy Prince and Other Stories (1888) and A House of Pomegranates (1891), have often been marginalised in critical accounts as their apparently conservative didacticism appears at odds with the characterisation of Wilde as an amoral aesthete. In this, the first full-length study of Wilde's fairy tales for children, Jarlath Killeen argues that Wilde's stories are neither uniformly conservative nor subversive, but a blend of both. Killeen contends that while they should be read in relation to a literary tradition of fairy tales that emerged in nineteenth century Europe; Irish issues heavily influenced the work. These issues were powerfully shaped by the 'folk Catholicism' Wilde encountered in the west of Ireland. By resituating the fairy tales in a complex nexus of theological, political, social, and national concerns, Killeen restores the tales to their proper place in the Wilde canon.