People relate to popular music, and this book helps you use popular music to draw readers into the Gospel. The material in this book will provide insight that ties popular song lyrics to Scripture in such a way that non-believers will be drawn to the relevance and power of God's Word. The author, Tony Rufo, is a communications/ministry executive, marketing consultant, writer, and broadcaster who has over 20 years of experience working in the Christian and general markets. His published works include media and music articles, book reviews, radio and television commercials and scripts, and evangelistic essays. True Tunes Newsfeatured his article, "The Gospel According to John, Paul, George, and Ringo—Good Time Rock 'n Roll or Religion for the Undiscerning?" which was the inspiration for this book. He also authored the "Media Mix" column for the semimonthly Horizon Internationalmagazine, which included installments on popular music and the Beatles. Tony lives in the suburbs of Chicago with his family. Features: Alphabetically arranged topic guide Excerpts from 200 songs from the 1950s, 1960s, 1970s to today Profiles of the artists and the culture during the time-period of the song's release A great resource for relevant cultural anecdotes!

Filled with quotes from all facets of Bowie's career, from celebrity fans and musical collaborators, to Hollywood stardom and making a comeback.

Volume two concentrates exclusively on music activity in the United States in the nineteenth century. Among the topics discussed are how changing technology affected the printing of music, the development of sheet music publishing, the growth of the American musical theater, popular religious music, black music (including spirituals and ragtime), music during the Civil War, and finally "music in the era of monopoly," including such subjects as copyright, changing technology and distribution, invention of the phonograph, copyright revision, and the establishment of Tin Pan Alley.

An incredibly wide-ranging critical account of popular music. The book is an essential resource for all staff and students in the field′ - John Storey, Centre for Research in Media and Cultural Studies, University of Sunderland Organized in accessible sections and covering the main themes of research and teaching it examines: • The key approaches to understanding popular music • The main settings of exchange and consumption • The role of technology in the production of popular music • The main genres of popular music • The key debates of the present day Barbazon writes with verve and penetration. Her approach starts with how most people actually consume music today and transfers this onto the plain of study. The book enables teachers and students to shuffle from one topic to the other whilst providing an unparalleled access the core concepts and issues. As such, it is the perfect study guide for undergraduates located in this exciting and expanding field. Tara Brabazon is Professor of Communication at University of Ontario Institute of Technology (UOIT).

Stephen King is one of the finest and most successful novelists in the history of American literature. Here, for the first time, is a one-of-a-kind collection of quotations by King on subjects as varied as writing, Hollywood, God and religion, his work, popular culture, critics, success, money, the supernatural, censorship, and Stanley Kubrick's film adaptation of The Shining. These bon mots were culled from hundreds of print and television interviews, as well as essays and assorted works of nonfiction. Edited by Andrew J. Rausch, The Wit and Wisdom of Stephen King contains an entertaining selection of observations both comic and profound.

The 1970s was an exciting decade for musical theatre. Besides shows from legends Stephen Sondheim (Company, Follies, A Little Night Music, and Sweeney Todd) and Andrew Lloyd Webber (Jesus Christ Superstar and Evita), old-fashioned musicals (Annie) and major revivals (No, No, Nanette) became hits. In addition to underappreciated shows like Over Here! and cult musicals such as The Grass Harp and Mack and Mabel, Broadway audiences were entertained by black musicals on the order of The Wiz and Raisin. In The Complete Book of 1970s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1970s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Tony Bennett, Lena Horne, Bette Midler, and Gilda Radner. Each entry includes the following information: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1970s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.