First published in 1969, The Compass of Irony is a detailed study of the nature, qualities, classifications, and significance of irony. Divided into two parts, the book offers first a general account of the formal qualities of irony and a classification of the more familiar kinds. It then explores newer forms of irony, its functions, topics, and cultural significance. A wide variety of examples are drawn from a range of different authors, such as Musil, Diderot, Schlegel, and Thomas Mann. The final chapter considers the detachment and seeming superiority of the ironist and discusses what this means for the morality of irony. The Compass of Irony will appeal to anyone with an interest in the history of irony as both a literary and a cultural phenomenon.

Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.

This book challenges entrenched literary views that promote the impracticality of linguistic, stylistic and functional approaches to the analysis and translation of irony. It considers these scientific fields of enquiry as the building blocks on which ironic devices in English and Arabic are grounded, and according to which the appropriateness of the methods of translation in the literature is assessed in a quest to pin down an interactive model for the interpretation and translation of irony. The book ventures into contrastive linguistic and stylistic analyses of irony in Arabic and English from literary, linguistic and discourse perspectives. It sheds light on the interpretation and the linguistic realisation of irony in Arabic and English through an interdisciplinary approach, and, consequently, identifies similarities and discrepancies in the form and function of ironic devices between these languages. As such, it will appeal to professional translators, instructors and students of translation, as well as language learners, language teachers and researchers in cross-cultural and inter-pragmatic disciplines.

Despite attracting the admiration of Modernists like Nabokov and Borges, Stevenson remains for many an apologist for the lost world of the romance. This is not only to misread and simplify his fiction, it is greatly to undervalue his lively, forward-looking literary essays. Strenously resisting the authority of the literary 'fathers' (though haunted by the complexities of paternity), Stevenson reveals strong affinities with emergent Modernism. It is from this perspective that Alan Sandison's latest book (the first to appear for nearly thirty years) conducts a lively and readable re-examination of this often underrated writer.

Intellect Encounters Faith – A Synthesis is a Festschrift crafted to honor a renaissance man: a literary tribute to Dr. Jay Harold Ellens that has been long overdue. While attending the 2014 International Meeting of the Society of Biblical Literature at the University of Vienna (July 6–10), Professor Ellens celebrated his eighty-second birthday. He is still a most engaged and active scholar, practicing clinical psychologist, and military chaplain (with the rank of Colonel). He publishes widely in Second Temple Judaism, and works that are on the cusp between religious studies/history of religions and psychology, as well as spirituality. He is a marvel to behold and is an excellent, indefatigable Vorbild for both professional colleagues, as well as an ever-growing number of aspiring scholars he mentors. He is the model of the modern peripatetic scholar. The Festschrift acknowledges the major foci of Professor Doctor Ellens’ own work: Psychology, Religious Literature, and Military History. Moreover, there are included in this volume several personal reflections by some of his friends and colleagues, also. The essays/chapters contained herein are works of deep and broad scholarship. Yet, they are deeply personal tributes to a master pedagogue who has touched many lives in many walks of life. All, however, reflect Professor Ellens’ influence on the contributors as if one is looking at them through their writings and seeing him. The reader will find this a most informative volume, and will return to it often as an up-to-date reference work on trends in religious studies, psychology, psychology of religion(s), and even the archaeology of the Second Jewish Temple period. One will discover between these covers a rare and valuable reference work that honors a rare, prolific, and generous man.

This book offers a systematic, bottom-up account of irony across both everyday contexts and literary and linguistic texts, using an empirically rigorous approach in distinguishing between central irony, non-central ironies, and non-ironies and highlighting a new way forward for irony research. The volume considers the current landscape of irony, in which the term is used with increasing frequency with the knock-on effect of a loosening of its meaning. Pattison addresses this challenge by applying a systematic form of analysis, rooted in frameworks from pragmatics and complementary disciplines, to a database of over 500 irony candidates from a wide range of sources. The book uses these examples to illustrate the features of central ironies as well as the attributes used to differentiate between central ironies, non-central ironies, and non-ironies. These attributes are mapped across four key domains, including: difference and opposition; the role of context; how ironies are signaled; and speaker attitude and intention. Taken together, the volume puts forth a credible account for more clearly characterizing examples of irony and equips researchers with a comprehensive step-by-step method for undertaking future research. This book is key reading for scholars in stylistics, pragmatics, literary studies, and psycholinguistics.