Egalitarian heroic fantasy. Presumptive female agency, battle-sheep, and bad, bad odds.

This collection of vividly illustrative sermons by a leading contemporary Episcopalian preacher eloquently heralds the Christian call to faith in the face of modern challenges. Widely known for their up-to-the-minute relevance to modern life, the sermons of Fleming Rutledge are always out on the edge, challenging the boundaries of contemporary thought and experience. No issue is too threatening, no event too shocking, no question too impertinent to be addressed. Following Karl Barth's dictum that sermons should be written with the Bible in one hand and the newspaper in the other, Rutledge weaves the changing events of the daily news together with the unchanging rhythms of the church seasons. Her book leads readers through the liturgical year, from All Saints to Pentecost, showing how the biblical story intersects with our own stories.

Egalitarian heroic fantasy. Experimental magical pedagogy, non-Euclidean ancestry, and some sort of horror from beyond the world.

An introduction to the Catholic faith for those who are curious to know more about Catholicism. For readers who have ever wondered what exactly the Roman Catholic Church teaches about predestination, original sin, the Virgin Mary, abortion, same-sex marriage, and other issues, the author explains all that and more in simple language.-- From the publisher.

Publisher Description

An unusual, searching, and poignant memoir of one man's quest to make sense of depression George Scialabba is a prolific critic and essayist known for his incisive, wide-ranging commentary on literature, philosophy, religion, and politics. He is also, like millions of others, a lifelong sufferer from clinical depression. In How To Be Depressed, Scialabba presents an edited selection of his mental health records spanning decades of treatment, framed by an introduction and an interview with renowned podcaster Christopher Lydon. The book also includes a wry and ruminative collection of "tips for the depressed," organized into something like a glossary of terms—among which are the names of numerous medications he has tried or researched over the years. Together, these texts form an unusual, searching, and poignant hybrid of essay and memoir, inviting readers into the hospital and the therapy office as Scialabba and his caregivers try to make sense of this baffling disease. In Scialabba's view, clinical depression amounts to an "utter waste." Unlike heart surgery or a broken leg, there is no relaxing convalescence and nothing to be learned (except, perhaps, who your friends are). It leaves you weakened and bewildered, unsure why you got sick or how you got well, praying that it never happens again but certain that it will. Scialabba documents his own struggles and draws from them insights that may prove useful to fellow-sufferers and general readers alike. In the place of dispensable banalities—"Hold on," "You will feel better," and so on—he offers an account of how it's been for him, in the hope that doing so might prove helpful to others.