The first comprehensive book about the Washington, D.C., art world, this study features humorous and unique stories about the artists and art districts of one of the U.S.'s most visited cities. The city's many firsts include are the first modern art museum, the first African-American gallery, and the first art fair. Important in the feminist art movement, it hosted the opening of the National Museum of Women in the Arts. Chapters are arranged by decade beginning with 1900, and highlight trends in portraits and landscapes, galleries and museums, nonprofits, cooperatives, art fairs, family stories and the Artomatic experience.

On Memorial Day weekend in 2004, the National World War II Memorial on the Mall in Washington will officially open to the public. What began as a casual conversation between a Congresswoman and one of her constituents in 1987 grew into a struggle that lasted more than four times longer than it took America to fight the war itself. Its rocky progress to completion is a compelling story about how America chooses to memorialize its past and how we view World War II.Nicolaus Mills recounts the development of the Washington Mall, from its time as swampland to Southern outrage over the Lincoln Memorial to Maya Lin's controversial Vietnam Veterans' Memorial. The World War II Memorial would prove just as controversial; it took the support of WW II vet Bob Dole and actor Tom Hanks to overrule the strong objections of interest groups, self-appointed art critics, and others.In Their Last Battle, a story vividly narrated through interviews with politicians and vets, architects and citizens, Mills discovers what a public monument can tell us about America and the values it honors.

The National Mall in Washington, D.C., has held an important place in the American psyche since the early nineteenth century. Home to monuments and museums dedicated to the ideals upon which the United States rests, the Mall serves as a gathering place for public protest and celebration. But as the nation ages and the population diversifies, demands for additional structures and uses have sparked debates over the Mall's future and the necessity of preserving its legacy and the vision of its designers. The National Mall addresses these issues with a novel and compelling collection of essays, the work of leading design professionals, historians, and social scientists. Supplemented by eye-catching illustrations and photographs, this cross-disciplinary examination follows the discussion over the Mall's design and use, from its conceptual origins as part of Pierre Charles L'Enfant's vision for the capital to the 1902 McMillan Plan to the present day and beyond. It assesses how architectural, societal, and political changes have altered the park-like space between the Capitol and the Lincoln Memorial and explores the influence that disparate interest groups and creeping corporatism have already had on—and are likely to exert upon—America's public square. The National Mall presents an overarching account of how a democratic society plans, creates, and expands a national ceremonial space, opening the way for a broadly based inquiry into the Mall as it was, is, and will become. Urban planners, architectural and design historians, and engaged citizens will be challenged and well served by the thoughtful essays collected by Nathan Glazer and Cynthia R. Field.