Rudolf Hoess was the notorious Commandant of Auschwitz. Imprisoned and awaiting execution after the war, Hoess wrote a long memoir, a self- serving account of his life and approaches to management.

Rudolf Hoess was the first commandant at Auschwitz concentration camp in Poland. Imprisoned and awaiting execution after the war, Hoess wrote a large-scale autobiography, which Jurg Amann has artfully edited to produce a monstrous monologue in Hoess's own words - The Commandant. In addition to Hoess's early childhood and ascent through the ranks of the SS, it presents the atrocities and mass executions at Auschwitz from the perspective of the camp's highest overseer. This firsthand account provides disturbing insight into Hitler's 'final solution' and into the nature of evil itself.

“Being kissed by Karl Jager was devastating. And beautiful. War makes you do dangerous things.” Hanna Mendel liked to know what was going to happen next. She was going to be a famous concert pianist. She was going to wear her yellow dress to the dance on Saturday night. But she didn’t plan on her street being turned into a ghetto. She didn’t plan on being rounded up and thrown in a cattle truck. She didn’t plan on spending her sixteenth birthday in Auschwitz, in a wooden barrack with 200 other prisoners. Most of all, Hanna didn’t plan on falling in love with the wrong boy. What happens when a Jewish girl falls in love with the German son of the camp commander? Award-winning Australian author Suzy Zail’s young adult fiction book, The Wrong Boy, paints a story of identity, romance, hate and loyalty alongside the historical backdrop of the Holocaust. This gripping novel about a teenage girl coming to terms with first love amid the confronting realities of a war-torn world will leave readers wanting more. Short-listed in the Older Reader’s category of the 2013 Children’s Book Council of Australia Book of the Year Awards “A compelling picture of life in a prison camp from the point of view of a determined but naïve teenage girl. Recommended.” – Aussie Reviews “Four stars … From its opening page, the reader will feel empathy and heartache for those who suffered during this violent era.” – Read Plus “A roller-coaster ride … This is a must read for any teenager or adult interested in the past, the tragedy of war or what happens when humans believe they are superior.” – Kids Book Review “Compelling reading … Zail uses a deft hand.” – Buzz Words magazine “An addictive read, well-written and, in spite of the horrow, warm-hearted.” – ­Around the Bookshops

After the Nazis invaded Poland in 1939, they quickly began persecuting anyone who was Jewish. Millions were shoved into ghettos and forced to live under the swastika. Death camps were built and something called "Operation Reinhard" was set into motion. Its goal? To murder all the Jews of Poland. The Commandant of Lubizec is a harrowing account of a death camp that never actually existed but easily could have in the Nazi state. It is a sensitive, accurate retelling of a place that went about the business of genocide. Told as a historical account in a documentary style, it explores the atmosphere of a death camp. It describes what it was like to watch the trains roll in, and it probes into the mind of its commandant, Hans-Peter Guth. How could he murder thousands of people each day and then go home to laugh with his children? This is not only an unflinching portrayal of the machinery of the gas chambers, it is also the story of how prisoners burned the camp to the ground and fled into the woods. It is a story of rebellion and survival. It is a story of life amid death. With a strong eye towards the history of the Holocaust, The Commandant of Lubizec compels us to look at these extermination centers anew. It disquiets us with the knowledge that similar events actually took place in camps like Bełzec, Sobibór, and Treblinka. The history of Lubizec, although a work of fiction, is a chillingly blunt distillation of real life events. It asks that we look again at "Operation Reinhard". It brings voice to the silenced. It demands that we bear witness.

The Commandant is an unforgettable tale of power, duty and humanity. He jumped down to the wharf and walked alone out of the torchlight to stand behind Letty. Frances looked from his face to her sister’s, and once again felt the weakening flush of fear. She was too much at the mercy of her company, and was about to discover which of her unpredictable selves would advance to meet these two strangers. The penal colony of Moreton Bay is under the command of Patrick Logan, a man not afraid of brutal discipline. But his rule is being questioned and the arrival of his sister-in-law Frances will change everything.

WITH NOTHING ELSE TO LOSE Anne Forestier finds herself in the wrong place at the wrong time when she blunders into a raid on a jeweller's on the Champs-Élysées. Bludgeoned beyond recognition, she is lucky to survive. But her ordeal has only just begun. HE CAN BREAK ALL THE RULES Lying helpless in her hospital bed, with her assailant still at large, Anne is in mortal danger. Only one thing gives her hope: Commandant Camille Verhoven. TO PROTECT THE WOMAN HE LOVES For Verhoven it's a case of history repeating itself. He cannot lose Anne as he lost his wife. This time he faces an adversary whose greatest strength appears to be Verhoven's matchless powers of intuition.

What if the people closest to us are not what they seem? What happens when someone takes control of your life and your relationships? And what is hiding in the darkness? In Bernard Minier's Don't Turn Out the Lights, you won’t see who’s coming after you. “You did nothing.” Christine Steinmeyer thought the anonymous suicide note she found in her mailbox on Christmas Eve wasn’t meant for her. But the man calling in to her radio show seems convinced otherwise. “You let her die. . . .” That’s only the beginning. Bit by bit, her life is turned upside down. But who among her friends and family hates her enough to want to destroy her? And why? It’s as if someone has taken over her life, and everything holding it together starts to crumble. Soon all that is left is an unimaginable nightmare. Martin Servaz is on leave in a clinic for depressed cops, haunted by his childhood sweetheart Marianne’s kidnapping by his nemesis, the psychopath Julian Hirtmann. One day, he receives a key card to a hotel room in the mail—the room where an artist committed suicide a year earlier. Someone wants him to get back to work, which he’s more than ready to do, despite his mandatory sick leave. Servaz soon uncovers evidence of a truly terrifying crime. Could someone really be cruelly, consciously hounding women to death?