No one can deny that the world is in trouble. Tragedy stalks our streets. Violence and bloodshed fill the news. How do we explain so much chaos? Is there any hope for peace in our time? Dr. David Jeremiah's dramatic narrative on the Book of Revelation answers these and many more challenging questions, by unraveling the imagery and explaining the significance of the events described in the last book of the Bible. Within its pages are the hope and encouragement we need to lift us from the gloom of present events to the promise of a brilliant future.

A stunning evocation of gay desire in the moment just before AIDs by the acclaimed author of City of Night: “Taut writing and unapologetic sexual energy” (The Dallas Morning News). It is 1981, a hot summer night, and an unscripted ritual is about to take place. Jesse, “the kid,” is celebrating one year on the dazzling gay scene and plans to lose himself in its transient pleasures. Clint has fled New York with a sense of unease in the wake of a vicious gay-bashing. Buzz, Boo, Toro, Fredo, and Linda are cruising the city looking for danger, and so is Dave, a “leatherman” devoted to S&M and testing limits. And a priest is searching the streets for a young hustler named Angel, determined to bring him to Jesus. In this city of night we meet a black cowboy, a bodybuilder obsessed with his sexual prowess, a drag-queen porn director hired to rehearse her stars for a closeted Hollywood mogul, and a middle-aged romantic hiding from a new gay world increasingly obsessed with youth and beauty. As the Santa Ana winds, renowned for stirring up desires and violence, breathe fire down the hills of Los Angeles, this cast of characters circles ever closer to the night—and to a confrontation as astonishing as it is inevitable. The Coming of the Night is an ode to the golden age of promiscuity and an unflinching exploration of the dark side of desire. “As exciting as it is chilling,” it proves once again that John Rechy, the trenchant chronicler of gay life, has no parallel (Los Angeles Times).

The poetry of Dylan Thomas has long been heralded as amongst the greatest of the Modern period, and along with his play, Under Milk Wood, his books are amongst the best-loved works in the literary canon. This new selection of his poetry contains all of his best-loved verse - including 'I See the Boys of Summer', 'And Death Shall Have No Dominion', 'The Hand that Signed the Paper' and, of course, 'Do Not Go Gentle into that Good Night' - as well as some of his lesser-known lyrical pieces, and aims to show the great poet in a new light. '[Then] the greatest living poet in the English language.' (Observer) 'He is unique, for he distils an exquisite mysterious moving quality which defies analysis.' (Sunday Times)

Bold and inventive in style, City of Night is the groundbreaking 1960s novel about male prostitution. Rechy is unflinching in his portrayal of one hustling 'youngman' and his search for self-knowledge among the other denizens of his neon-lit world. As the narrator moves from Texas to Times Square and then on to the French Quarter of New Orleans, Rechy delivers a portrait of the edges of America that has lost none of its power. On his travels, the nameless narrator meets a collection of unforgettable characters, from vice cops to guilt-ridden married men eaten up by desire, to Lance O'Hara, once Hollywood's biggest star. Rechy describes this world with candour and understanding in a prose that is highly personal and vividly descriptive.

Winner of the 2016 Whiting Award One of Publishers Weekly's "Most Anticipated Books of Spring 2016" One of Lit Hub's "10 must-read poetry collections for April" “Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition. His poems are by turns graceful and wonderstruck. His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion.”—The New Yorker "Night Sky with Exit Wounds establishes Vuong as a fierce new talent to be reckoned with...This book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence."—Buzzfeed's "Most Exciting New Books of 2016" "This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level...A stunning introduction to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world.”—2016 Whiting Award citation "Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power."—LitHub "Vuong’s powerful voice explores passion, violence, history, identity—all with a tremendous humanity."—Slate “In his impressive debut collection, Vuong, a 2014 Ruth Lilly fellow, writes beauty into—and culls from—individual, familial, and historical traumas. Vuong exists as both observer and observed throughout the book as he explores deeply personal themes such as poverty, depression, queer sexuality, domestic abuse, and the various forms of violence inflicted on his family during the Vietnam War. Poems float and strike in equal measure as the poet strives to transform pain into clarity. Managing this balance becomes the crux of the collection, as when he writes, ‘Your father is only your father/ until one of you forgets. Like how the spine/ won’t remember its wings/ no matter how many times our knees/ kiss the pavement.’”—Publishers Weekly "What a treasure [Ocean Vuong] is to us. What a perfume he's crushed and rendered of his heart and soul. What a gift this book is."—Li-Young Lee Torso of Air Suppose you do change your life. & the body is more than a portion of night—sealed with bruises. Suppose you woke & found your shadow replaced by a black wolf. The boy, beautiful & gone. So you take the knife to the wall instead. You carve & carve until a coin of light appears & you get to look in, at last, on happiness. The eye staring back from the other side— waiting. Born in Saigon, Vietnam, Ocean Vuong attended Brooklyn College. He is the author of two chapbooks as well as a full-length collection, Night Sky with Exit Wounds. A 2014 Ruth Lilly Fellow and winner of the 2016 Whiting Award, Ocean Vuong lives in New York City, New York.

Somber poems deal with the end of summer, winter dawn, travel, mortality, childhood, education, nature and the spiritual aspects of life.