Thomas J. Walsh, Democratic senator from Montana from 1913 to 1933, fought throughout his long career against corruption and monopoly power. His most celebrated coup was breaking open the Teapot Dome scandal of 1923 -- 24, revealing that the secretary of the interior had accepted "loans" from oil men in return for leases of U.S. naval oil reserves.

This is the first book devoted to Montana's long history of industrial newspaper ownership and the consequences for democracy. The work also reveals the costs paid by owners and their journalists, whose credibility eroded as their increasingly constricted newspapers lapsed into ambivalence and indifference. The story offers a timeless study of the conflict between commerce and the notion of a free and independent press.

“Why are Kazakhstan and Montana the same place?” asks one chapter of Kate Brown’s surprising and unusual journey into the histories of places on the margins, overlooked or erased. It turns out that a ruined mining town in Kazakhstan and Butte, Montana—America’s largest environmental Superfund site—have much more in common than one would think thanks to similarities in climate, hucksterism, and the perseverance of their few hardy inhabitants. Taking readers to these and other unlikely locales, Dispatches from Dystopia delves into the very human and sometimes very fraught ways we come to understand a particular place, its people, and its history. In Dispatches from Dystopia, Brown wanders the Chernobyl Zone of Alienation, first on the Internet and then in person, to figure out which version—the real or the virtual—is the actual forgery. She also takes us to the basement of a hotel in Seattle to examine the personal possessions left in storage by Japanese-Americans on their way to internment camps in 1942. In Uman, Ukraine, we hide with Brown in a tree in order to witness the annual male-only Rosh Hashanah celebration of Hasidic Jews. In the Russian southern Urals, she speaks with the citizens of the small city of Kyshtym, where invisible radioactive pollutants have mysteriously blighted lives. Finally, Brown returns home to Elgin, Illinois, in the midwestern industrial rust belt to investigate the rise of “rustalgia” and the ways her formative experiences have inspired her obsession with modernist wastelands. Dispatches from Dystopia powerfully and movingly narrates the histories of locales that have been silenced, broken, or contaminated. In telling these previously unknown stories, Brown examines the making and unmaking of place, and the lives of the people who remain in the fragile landscapes that are left behind.

During the late-nineteenth and early-twentieth century a growing number of ordinary citizens had the feeling that all was not as it should be. Men who were making money made prodigious amounts, but this new wealth somehow passed over the heads of the common people. As this new breed of journalists began to examine their subjects with scrutiny, they soon discovered that those individuals were essentially “simple men of extraordinary boldness.” And it was easy to understand how they were able to accomplish their sinister purposes: “at first abruptly and bluntly, by asking and giving no quarter, and later with the same old determination and ruthlessness but with educated satellites who were glad to explain and idealize their behavior.”[i] “Nothing is lost save honor,” said one infamous buccaneer, and that was an attitude that governed the amoral principles and extralegal actions of many audacious scoundrels. Relying on secondary sources, magazine and newspaper articles, and personal accounts from those involved, this volume captures some of the sensational true stories that took place in the western United States during the late-nineteenth and early-twentieth century. The theme that runs through each of the stories is the general contempt for the law that seemed to pervade the culture at the time and the consuming desire to acquire wealth at any cost—what Geoffrey C. Ward has called “the disposition to be rich.” End Notes Introduction [i]Louis Filler, Crusaders for American Liberalism (Yellow Springs, OH: Antioch Press, 1964), 14.

Robert M. La Follette (1855–1925), the Republican senator from Wisconsin, is best known as a key architect of American Progressivism and as a fiery advocate for liberal politics in the domestic sphere. But "Fighting Bob" did not immediately come to a progressive stance on foreign affairs. In The Education of an Anti-Imperialist, Richard Drake follows La Follette's growth as a critic of America's wars and the policies that led to them. He began his political career with conventional Republican views of the era on foreign policy, avidly supporting the Spanish-American and Philippine-American Wars. La Follette's critique of empire emerged in 1910, during the first year of the Mexican Revolution, as he began to perceive a Washington–Wall Street alliance in the United States' dealings with Mexico. La Follette subsequently became Congress's foremost critic of Woodrow Wilson, fiercely opposing United States involvement in World War I. Denounced in the American press as the most dangerous man in the country, he became hated and vilified by many but beloved and admired by others. La Follette believed that financial imperialism and its necessary instrument, militarism, caused modern wars. He contended they were twin evils that would have ruinous consequences for the United States and its citizens in the twentieth century and beyond. “An excellent book. . . . As Drake fully documents, La Follette's warnings about [World War I] profiteers and the lust for power were fully justified. Then as now, the American people were lied to by the government and media and manipulated into the stink and blood of war."—Mark Taylor, The Daily Call “Scholars will . . . value the insights into La Follette's foreign policy education.”—The Historian