Contributions by Kenneth Baker, Jaqueline Berndt, Albert Boime, John Carlin, Benoit Crucifix, David Deitcher, Michael Dooley, Damian Duffy, M. C. Gaines, Paul Gravett, Diana Green, Karen Green, Doug Harvey, Charles Hatfield, M. Thomas Inge, Leslie Jones, Jonah Kinigstein, Denis Kitchen, John A. Lent, Dwayne McDuffie, Andrei Molotiu, Alvaro de Moya, Kim A. Munson, Cullen Murphy, Gary Panter, Trina Robbins, Rob Salkowitz, Antoine Sausverd, Art Spiegelman, Scott Timberg, Carol Tyler, Brian Walker, Alexi Worth, Joe Wos, and Craig Yoe Through essays and interviews, Kim A. Munson’s anthology tells the story of the over-thirty-year history of the artists, art critics, collectors, curators, journalists, and academics who championed the serious study of comics, the trends and controversies that produced institutional interest in comics, and the wax and wane and then return of comic art in museums. Audiences have enjoyed displays of comic art in museums as early as 1930. In the mid-1960s, after a period when most representational and commercial art was shunned, comic art began a gradual return to art museums as curators responded to the appropriation of comics characters and iconography by such famous pop artists as Andy Warhol and Roy Lichtenstein. From the first-known exhibit to show comics in art historical context in 1942 to the evolution of manga exhibitions in Japan, this volume regards exhibitions both in the United States and internationally. With over eighty images and thoughtful essays by Denis Kitchen, Brian Walker, Andrei Molotiu, Paul Gravett, Art Spiegelman, Trina Robbins, and Charles Hatfield, among others, this anthology shows how exhibitions expanded the public dialogue about comic art and our expectation of “good art”—displaying how dedicated artists, collectors, fans, and curators advanced comics from a frequently censored low-art medium to a respected art form celebrated worldwide.

One-of-a-kind collection of Latinx comics that sheds light on Latinx experiences, exploring language, culture, history, and more.

Foreword by Glenn D. Lowry. Text by Roxana Marcoci.

Presents the work of America's most popular and influential comic artists, and includes critical essays accompanying each artist's drawings.

Written by Gardner Fox, Bob Kanigher and John Broome Art by Sheldon Moldoff, Carmine Infantino and Chic Stone Cover by Carmine Infantino & Joe Giella The 1960s Batman and Robin adventures continue in this second volume reprinting, in black and white, the original stories created for Batman #175-188 and Detective ComicS #343-358. Witness the first appearances of the behemoth Blockbuster, the pernicious Poison Ivy, the obscure Outsider, and more! Advance-solicited; on sale June 27 - 512 pg, B&W, $16.99 US

Since 1970, when a small group of comic book lovers organized the first show, Comic-Con International has been the place to check out the latest comics creations and connect with legions of fans. Comic-Con documents this cultural phenomenon. Lavishly illustrated pages feature rarely seen photos and images from the Comic-Con archives. Quotes, anecdotes, and profiles of luminaries make for a veritable who's who of the entertainment world.