Robert Seymour and Nineteenth-Century Print Culture is the first book-length study of the original illustrator of Dickens’s Pickwick Papers. Discussion of the range and importance of Seymour’s work as a jobbing illustrator in the 1820s and 1830s is at the centre of the book. A bibliographical study of his prolific output of illustrations in many different print genres is combined with a wide-ranging account of his major publications. Seymour’s extended work for The Comic Magazine, New Readings of Old Authors and Humorous Sketches, all described in detail, are of particular importance in locating the dialogue between image and text at the moment when the Victorian illustrated novel was coming into being.

A significant expansion of the critically acclaimed first edition, Classics Illustrated: A Cultural History, 2d ed., carries the story of the Kanter family's series of comics-style adaptations of literary masterpieces from 1941 into the 21st century. This book features additional material on the 70-year history of Classics Illustrated and the careers and contributions of such artists as Alex A. Blum, Lou Cameron, George Evans, Henry C. Kiefer, Gray Morrow, Rudolph Palais, and Louis Zansky. New chapters cover the recent Jack Lake and Papercutz revivals of the series, the evolution of Classics collecting, and the unsung role of William Kanter in advancing the fortunes of his father Albert's worldwide enterprise. Enhancing the lively account of the growth of "the World's Finest Juvenile Publication" are new interviews and correspondence with editor Helene Lecar, publicist Eleanor Lidofsky, artist Mort Kunstler, and the founder's grandson John "Buzz" Kanter. Detailed appendices provide artist attributions, issue contents and, for the principal Classics Illustrated-related series, a listing of each printing identified by month, year, and highest reorder number. New U.S., Canadian and British series have been added. More than 300 illustrations--most of them new to this edition--include photographs of artists and production staff, comic-book covers and interiors, and a substantial number of original cover paintings and line drawings.

This collection of new essays enters one of the most topical and energetic debates of our time--the subject of ethnicity. The recent vigorous debates being waged over questions raised by the phenomenon of multiculturalism in America highlight the fact that American culture has arisen out of an unusually rich and interactive ethnic mix. The essays in A Mixed Race suggest that American society was inescapably multicultural from its very beginnings and that this representation of cultural differences fundamentally defined American culture. While recent scholarship has looked extensively at the ethnic formation of modern American culture, this study focuses on the eighteenth century and colonial American values that have been previously overlooked in the debate, arguing that a culture shaped by responses to ethnic and racial difference is not merely a modern circumstance but one at the base of American history. Written by a group of first-class contributors, the essays in this collection discuss the representation of cultural differences between European immigrants and Native Americans, the circumstances of the first African-American autobiographical narratives, rhetorical negotiations among different European-American cultural groups, ethnic representation in the genre literature of jest books and execution narratives, and the ethnic conceptions of Michel de Crevecoeur, Phillis Wheatley, and Thomas Jefferson. A Mixed Race offers agile and original yet scholarly readings of ethnicity and ethnic formation from some of our best critics of early American culture. Moving from questions of race and ethnicity to varieties of ethnic representation, and finally to individual confrontations, this volume sheds light on the confrontations of ethnically diverse peoples, and launches a timely, full-scale investigation of the construction of American culture.

In its expanded third edition, this definitive work on Classics Illustrated explores the enduring series of comic-book adaptations of literary masterpieces in even greater depth, with twice the number of color plates as in the second edition. Drawing on interviews, correspondence, fanzines, and archival research, the book covers in full detail the work of the artists, editors, scriptwriters, and publishers who contributed to the success of the "World's Finest Juvenile Publication." Many previously unpublished reproductions of original art are included, along with new chapters covering editor Meyer Kaplan, art director L.B. Cole, and artist John Parker; additional information on contributions from Black artists and scriptwriters such as Matt Baker, Ezra Jackson, George D. Lipscomb, and Lorenz Graham; and a complete issue-by-issue listing of significant international series.