Depicts a young Ethiopian Jewish boy and his family, including their typical daily routine followed by preparation for and celebration of the Sabbath.

The first in a series of eight books that explores every lyric from the band's 1970s canon, Black Sabbath: The Illustrated Lyrics Vol 1 provides an in-depth examination of Black Sabbath's iconic debut album, including seven "lost" songs from their early days as Earth. Accompanying these are over 170 powerful and haunting images from some of the most acclaimed names in the world of art, from visionary contemporaries to arcane masters of old. For decades, Black Sabbath's lyrics have been misheard, misunderstood and misinterpreted. Here, at last, is the definitive analysis of the band's soul-searing message and themes, their dark warnings, strident protest songs, and apocalyptic visions of the future! Black Sabbath: The Illustrated Lyrics goes beneath the surface where few have gone before to uncover the truth behind the greatest musical force to ever storm the earth!

"A biography of British heavy metal band Black Sabbath"--Provided by publisher.

Literary Nonfiction. LGBTQIA Studies. Autobiography. Translated from the French by Richard Howard. Witches' Sabbath is the remarkable autobiographical chronicle of French author Maurice Sachs (1906-1945). To Sachs, the work was "a statement of account, a moral memo. Or should I say immoral?" He recounts how, as a young man, he befriended Jean Cocteau and Coco Chanel, both of whom he stole from, as he stole from many others in his life (Sachs would later propose writing a book entitled Confessions of a Thief). He tells of when, in 1925, he converted to Catholicism and entered a seminary, only to be expelled because of his homosexuality. He tells of when he drifted through America, of when he nearly drank himself to death, of his many failed love affairs. In addition to being a compelling, honest portrait of a unique character, Witches' Sabbath is also notable for its engagement with literature. Every period of Sachs' life is marked by his dialogue with living and dead authors; Charles Baudelaire, Marcel Proust, Stendhal, all are featured. Thanks to his lifelong obsession with literature, Sachs developed a style all his own: peppered with keen, acerbic portraits of his contemporaries, sometimes picaresque, introspective and often full of irony.

Failing to notice God in daily life may be what keeps us from experiencing the full joy of God's presence. In Hiding in Plain Sight, Molly Wolf shows that, by relating God-talk to the practical and the everyday, we can find love, joy, and God right where we are: "hiding in plain sight." These short, lively pieces pull together the sacred and the human, looking for God in such ordinary things as lilacs, mud season, turtles, dancing ants, a handful of sheep's wool, the turn of the season, and plumbing?all places where Wolf suggests God can be found "not locked in the tabernacle, not hiding behind a mass of complex concepts, not absent from our pain, not out of reach, but here with us, in us, and among us, in the laundry, the scutwork, and the landscape we walk through." Intelligent, often humorous, always inspiring, Hiding in Plain Sightis the perfect book to keep handy for reflection. Essays are included under the following headings "Herbs of Grace," "Staring at the Cat Bowl," "'Shall We Gather at the River,'" "Three Landscapes," "Come Wind, Come Weather," "Portraits, Chiefly Fictional," "Living in Sin," "The Hand of the Potter," "Outward and Visible," "Living into Grace," and "The Spinner."

This tender and moving memoir by the great Yiddish writer Chaim Grade takes us to the very source of his widely praised novels and poems—the city of Vilna, the "Jerusalem of Lithuania," during the years before World War II. Centered on the figure of Grade's mother, Vella—simple, pious, hard-working—this is a richly detailed account of the ghetto of his youth, of the lives of the rabbis, the wives, the tradesmen, the peddlers, and the scholars. We see Vella, desperate after losing her husband, become a fruit-peddler, struggling to survive poverty and to remain true to her faith in the face of human pettiness and cruelty. We follow Grade as he walks in the footsteps of his scholar father, a champion of enlightenment; we see him entering marriage, and his mother finding some peace of mind in a marriage of her own—all of this in a world recalled with extraordinary physical and emotional intensity. Then, World War II. The partition of Poland between the Soviet Union and Germany is followed by the new German invasion of June 1941. Grade—believing, as do so many others, that the Nazis pose a danger chiefly to able-bodied men like himself—flees into Russia. In his travels on foot and by train he meets a fascinating, kaleidoscopic array of characters: the disillusioned Communist Lev Kogan; the durachok, or simpleton, a young prisoner who, mistaken for a German spy, is shot when he jumps from a train; the once-prosperous lawyer, Orenstein, who virtually becomes a beggar, dies and is buried by strangers in a remote Central Asian village. With the war's end, Grade returns to Vilna—to find the ghetto in ruins, to learn that his wife and his mother have gone to their deaths—and he is left with nothing but memories. But it is here, amid the devastation of a people, that he finds the compulsion and the passion to commit to paper the world that has been lost.

The convent of the Sisters of the Precious Blood guard their terrible secrets.