Discusses the fashion of wearing wigs in colonial America, how wigs were made, and a wigmaker's role in the colonies.

Colonial wigmakers made hairpieces for all manner of people, including soldiers, government officials, and more. Learn about how they practiced their craft.

Describes the shops, working methods, and products of the different types of tradesmen and craftsmen who shaped the early American economy.

In what is probably the fullest and most vivid extant account of the American Colonial frontier, The Carolina Backcountry on the Eve of the Revolution gives shape to the daily life, thoughts, hopes, and fears of the frontier people. It is set forth by one of the most extraordinary men who ever sought out the wilderness--Charles Woodmason, an Anglican minister whose moral earnestness and savage indignation, combined with a vehement style, make him worthy of comparison with Swift. The book consists of his journal, selections from the sermons he preached to his Backcountry congregations, and the letters he wrote to influential people in Charleston and England describing life on the frontier and arguing the cause of the frontier people. Woodmason's pleas are fervent and moving; his narrative and descriptive style is colorful to a degree attained by few writers in Colonial America.

Colonial blacksmiths not only fashioned objects from iron, but they were also sometimes involved in other trades, such as veterinary medicine. Readers will follow a day in the life of a blacksmith in this graphic book. Based on the life of a real blacksmith of record.

As America's first historical society, the Massachusetts Historical Society has collected family materials since 1791, including long-cherished pieces of clothing that were acquired alongside papers such as letters and diaries. Because of the different storage requirements for textiles and manuscripts, these survivors-many of them hundreds of years old-have largely been divorced from their familial ties. Fashioning the New England Family, an initiative encompassing a fall 2018 exhibition and this companion volume, reconnects the textiles with the associated stories carried in the family papers. Generously illustrated with full-color photographs of garments, fabrics, and accessories, including exquisite detail shots, the book creates a lasting overview of the exhibition but also delves into specific topics. The chapters cover a spam of more than three hundred years, tracing the history of New England clothing from the colonial seventeenth century, through the Revolutionary eighteenth century, and into the national nineteenth. In these pages, readers will find a fragment of Mayflower passenger Priscilla Mullins Alden's dress; Governor John Leverett's bloodstained buff coat, which saw battle in the English Civil War; and the luxurious Spitalfields green silk damask wedding dress and shoes that Rebecca Tailer Byles wore at her 1747 wedding in Boston. Across these examples and more, the text traces patterns of global production and local consumption and reuse, demonstrating how New Englanders used costume to establish their situation, especially in terms of class and gender, and also to express their political affiliations. Patriots and loyalists-Hancocks, Adamses, Dawses, and Olivers-make many appearances, as they are so well represented in the society's rich holdings. Manuscripts drawn from the collections-receipts, daybooks, account books, diaries-further amplify the historical insights, even at times making it possible to interpret the way in which a specific garment may have embodied one individual's sense of identity. Distributed for the Massachusetts Historical Society

A new analysis of the origins of the Haitian Revolution, revealing the consciousness, solidarity, and resistance that helped it succeed.