Volume 4, Studies in Theology, is the concluding volume in theCollected Writings of John Murray.Like the preceding volumes it presents a selection of the finest work, produced mainly during his long and distinguished ministry as Professor of Systematic Theology at Westminister Theological Seminary, Philadelphia. Volume 4 includes articles dealing with several areas of doctrine which lay close to Murray's heart. Among them is the hitherto unpublished work, 'Jesus, the Son of God', which is possibly thr last piece of theological writing. Its chief characteristic - as with all of Murray's writings - lies in the way in which the text of Scripture suffuses everything he says. This concern to be thoroughly biblical applied also to his doctrine of Scripture, to Christology, and to his understanding of the proclamation of the gospel and the Christian ethic. Outstanding articles in each of these areas may be found in these pages.

Writings on art from 1941 to 1988.

Writing, for Michael Snow, is as much a form of “art-making” as the broad range of visual art activities for which he is renowned, including the “Walking Woman” series and the film Wavelength. Conversely, many of the texts included in this anthology are as significant visually as they are at the level of content — they are meant to be looked at as well as read. Situated somewhere between a repository of contemporary thought by one of our leading Canadian artists and a history book as it brings to light some important moments in the cultural life of Canada since the 1950s, these texts tell their own story, marking the passage of time, ideas and attitudes. The works included here, ranging from essays and interviews and record album cover notes to filmscripts and speeches (which, in Snow’s hands, often fall into the category of performance art), are not only “built for browsing,” they offer insights into both the professional and the private Snow. Together, they expand the context of Snow’s work and show the evolution of a great Canadian artist, beginning with his early attempts at defining art, to his emergence and recognition on the international art scene. This book is one of four books that are part of the Michael Snow Project. Initiated by the Art Gallery of Ontario and The Power Plant Gallery, the project also includes four exhibitions of his visual art and music.

This collection of writings by Harry Tiebout, one of the first psychiatrists to describe alcoholism as a disease, are seminal documents in the history, treatment, and understanding of alcoholism. One of the first psychiatrists to describe alcoholism as a disease rather than a moral failing or criminal activity, Harry M. Tiebout was also one of the first to wholeheartedly endorse Alcoholics Anonymous as an effective force in the struggle against compulsive drinking. This volume brings together, for the first time, some of Tiebout's most influential writings. Many of these pieces--from explorations of the therapeutic approach to alcoholism to instructive discussions of the act of surrender so crucial to recovery--are seminal documents in the history, treatment, and understanding of alcoholism. Together, they represent the significant contribution of one man to the countless lives shaken by alcoholism and steadied with the help of Alcoholics Anonymous, psychiatric intervention, and the foresight and commitment of doctors like Harry Tiebout.

God’s Word has always had enemies, but in recent years the inspiration and authority of Scripture have been attacked with renewed vigor. Respected scholar D. A. Carson has written widely on the nature of Scripture over the past thirty years, and here presents a timely collection of his work in two parts. In part 1, Carson selects essays written on such themes as how to interpret the Bible, recent developments in the doctrine of Scripture, unity and diversity in the New Testament, and redaction criticism. Presenting a theologically balanced and confessional perspective, Carson defines the terms of a number of debates, critiques interpretive methods and theories, and suggests positive guidelines for future action. Part 2 presents critical reviews of nine books dealing with the inspiration and authority of Scripture. Though substantial in content, Carson’s detailed reviews will foster careful thought and perspective in those who are relatively new to the debates surrounding biblical inspiration and authority. This volume is a diverse collection that will prove to be a helpful resource to both seasoned pastors and scholars and those who are just starting serious study of the Bible.

Winner of the Popular Culture Association's Susan Koppelman Award for the Best Anthology, Multi-Authored, or Edited Book in Feminist Studies in Popular and American Culture. The Collected Writings of Assia Wevill marks a significant development in literary recovery efforts related to Assia Wevill (1927–1969), who remains a critically important figure in the life and work of the Pulitzer Prize–winning poet Sylvia Plath and the British Poet Laureate Ted Hughes. Editors Julie Goodspeed-Chadwick and Peter K. Steinberg located over 150 texts authored by Assia Wevill and curated them into a collected scholarly edition of her letters, journals, poems, and other creative writings. These documents chronicle her personal and professional lives, her experiences as a single working mother in 1960s London, her domestic life with Hughes, and her celebrated translations of poetry by Yehuda Amichai. The Collected Writings of Assia Wevill offers an invaluable documentary resource for understanding a woman whose life continues to captivate readers and scholars.