In addition to the 54 original and collaborative works presented in this impressive volume, Scott Joplin: The Collected Piano Works includes 34 pages of scholarly insight and history that help the pianist determine performance practices and authentically reproduce the sound and style Joplin intended. With editions of 19 publishers reproduced in this volume, a colorful variety of music typefaces and printing styles is offered. Together with the evocative original cover designs, they present a vivid panorama of the Ragtime Era. Because study of the original publications has revealed great numbers of errata of various kinds, and since this edition is primarily intended for study and performance, the editors have incorporated corrections into the facsimile pages rather than perpetuate original errors for antiquarian interest. Titles include: Maple Leaf Rag * The Entertainer * The Chrysanthemum * Rosebud * Eugenia * Gladiolus Rag * Wall Street Rag * Solace * Paragon Rag * Lily Queen * Heliotrope Bouquet * Kismet Rag * School of Ragtime * Swan Rag * Treemonisha and more.

The piano rag is musical form unlike any other. Although melodious, ragtime's excitement and appeal derives from its syncopated rhythms. Ragtime music achieved notoriety through its greatest composer, Scott Joplin (1868-1917). At an early age he studied with an old German musician who introduced him to the piano and music theory. While still in his early teens he earned his way playing piano in the honky-tonks of villages and towns in the Mississippi Valley. He was intrigued with the folk music of his people and the jig piano style of the self-taught pianists with whom he worked. Take a musical journey through Scott Joplin's prolific career and perform these time-honored ragtime piano pieces as they are transcribed here for solo guitar. Written in standard notation only with fingerings and historical/ performance notes.

As a member of the first generation of African Americans who were born just after the end of slavery, Scott Joplin faced a world of unique challenges. His musical family scraped out a living by sharecropping and cleaning houses—but Scott was exceptionally gifted, and his mother made sure he got piano lessons. Classically trained, he spent several years playing in churches and saloons. While for a time he wanted to compose classical music, he was drawn to ragtime, an early form of jazz that featured African folk tunes and syncopated rhythms. After his first composition, "Maple Leaf Rag," was published in 1899, Scott Joplin was able to keep ragtime popular for the next two decades. In fact, ragtime influences can be heard in later forms of music, such as jazz, blues, and even rock and roll. Scott Joplin, the Father of Ragtime, whose compositions cut across geography, race, and class, was truly a Master of Music.