"Hogg left a written record of three of his many journeys to the Highlands, those of 1802, 1803 and 1804, and in Highland Journeys he offers a thoughtful and deeply-felt response to the Highland Clearances. He gives vivid pictures of his experiences, including a narrow escape from a Navy press-gang, and a Sacrament day with one minister preaching in English and another in Gaelic. Hogg also explains aspects of Gaelic culture such as the waulking songs, and he describes the trade in kelp, lucrative to the landowners but back-breaking and ill-paid for the workers. Highland Journeys makes a refreshing contribution to our understanding of early nineteenth-century travel writing"--Publisher description.

"Hogg left a written record of three of his many journeys to the Highlands, those of 1802, 1803 and 1804, and in Highland Journeys he offers a thoughtful and deeply-felt response to the Highland Clearances. He gives vivid pictures of his experiences, including a narrow escape from a Navy press-gang, and a Sacrament day with one minister preaching in English and another in Gaelic. Hogg also explains aspects of Gaelic culture such as the waulking songs, and he describes the trade in kelp, lucrative to the landowners but back-breaking and ill-paid for the workers. Highland Journeys makes a refreshing contribution to our understanding of early nineteenth-century travel writing"--Publisher description.

This study argues for Hogg's centrality to British Romanticism, resituating his work in relation to many of his more famous Romantic contemporaries. Hogg creates a unique literary style which, the author argues, is best described as 'kaleidoscopic' in view of its similarities with David Brewster's kaleidoscope, invented in 1816.

"Hogg left a written record of three of his many journeys to the Highlands, those of 1802, 1803 and 1804, and in Highland Journeys he offers a thoughtful and deeply-felt response to the Highland Clearances. He gives vivid pictures of his experiences, including a narrow escape from a Navy press-gang, and a Sacrament day with one minister preaching in English and another in Gaelic. Hogg also explains aspects of Gaelic culture such as the waulking songs, and he describes the trade in kelp, lucrative to the landowners but back-breaking and ill-paid for the workers. Highland Journeys makes a refreshing contribution to our understanding of early nineteenth-century travel writing"--Publisher description.

Brought up by a strict Calvinist pastor, Robert Wringham believes he is one of the elect, predestined for salvation while all others - including his real father and brother - are cursed. Convinced he is indestructible and above the law, Robert commits terrible crimes under the influence of Gil-Martin - his physical double - who claims they are acting in God's name to purify the world. But does this mysterious tempter actually exist? Could he be an agent of the devil? Subversive and unsettling, The Private Memoirs and Confessions of a Justified Sinner (1824) is a compelling psychological depiction of religious bigotry and the seductive effects of power on a tormented soul.

re-positioning at the centre of nineteenth-century Scottish literary-critical scrutiny over the past few years.' Susan Manning, Eighteenth-Century Scotland --Book Jacket.

"Hogg left a written record of three of his many journeys to the Highlands, those of 1802, 1803 and 1804, and in Highland Journeys he offers a thoughtful and deeply-felt response to the Highland Clearances. He gives vivid pictures of his experiences, including a narrow escape from a Navy press-gang, and a Sacrament day with one minister preaching in English and another in Gaelic. Hogg also explains aspects of Gaelic culture such as the waulking songs, and he describes the trade in kelp, lucrative to the landowners but back-breaking and ill-paid for the workers. Highland Journeys makes a refreshing contribution to our understanding of early nineteenth-century travel writing"--Publisher description.