Greg Bear is one of the greatest science fiction writers of the late twentieth century. He has a powerful voice, combining the intense rationality of science with the intensely passionate characters that can only be created by a writer who loves humanity. Bear’s novel Moving Mars won the Nebula Award in 1994, and he did it again, in 2000, with Darwin’s Radio. He has been honored with Hugo and Nebula nominations for novel-length work eight more times. But Greg Bear’s short fiction is even more astounding, as this powerful career retrospective demonstrates. This collection contains Bear’s earliest published fiction from the late 1960s and early 1970s as well his remarkable award-winning work from the ‘80s and ‘90s—stories like the Hugo and Nebula Award-winning novella- length version of “Blood Music” and the Hugo and Nebula Award-winner “Tangents.” This Collection is enhanced by brand-new introductions for each story, commentary, and reminiscences by Greg Bear.

The New York Times Book Review hails this collection of thirteen dazzling stories and a rare screenplay by Hugo and Nebula Award–winning author Greg Bear as a “solid introduction to the oeuvre of a classic writer.” Greg Bear—author of Queen of Angels, Eon, and Hull Zero Three, among many other hugely popular novels—has an ability to transform challenging scientific concepts into gripping fiction that has won him numerous awards and an avid following. He has written novels about interstellar war, human evolution, intelligent bacteria, international terrorism, and the exploration of deep space—but he doesn’t stop there. This brilliant collection of Bear’s stories, each newly revised by the author, proves he is a master of the short form as well. Just Over the Horizon offers thirteen mind-bending explorations of the near future . . . or just beyond the border of conventional reality. The volume includes: · “Blood Music,” a Hugo and Nebula award–winning classic and the basis for the novel of the same name—and the first science-fictional exploration of nanotechnology; · “Sisters,” in which high school students find maturity and family by confronting a tragic genetic destiny; · “Tangents,” winner of the Hugo and Nebula Awards, about a persecuted scientist who seeks refuge in a better world; · “Dead Run,” a tale of union truck drivers ferrying souls through Death Valley into Hell, adapted for an episode of the television series The Twilight Zone; · “Sleepside Story,” which Bear calls one of his favorite pieces, an urban fantasy tale that takes a music student by Night Metro to the Sleepside mansion of a magical woman of the night, inverting “Beauty and the Beast” in a very modern mirror; · “Genius,” the screenplay written for the television series Outer Limits, but never produced. Just Over the Horizon combines Bear’s intense concern with the human condition with a deep understanding of science, resulting in a collection long to be remembered.

Science fiction-roman.

Collecting six stories in old paradigms, Sleepside features Greg Bear's outstanding fantasy writing: "Webster," "The White Horse Child," "Sleepside Story," "Dead Run," "Through Road No Whither," and "Petra." This edition also includes the special introduction by the author: "On Losing the Taint of Being a Cannibal." Greg Bear, author of more than twenty-five books that have been translated into seventeen languages, has won science fiction's highest honors and is considered the natural heir to Arthur C. Clarke. The recipient of two Hugos and four Nebulas for his fiction, he has been called "the best working writer of hard science fiction" by The Science Fiction Encyclopedia. Many of his novels, such as Darwin's Radio, are considered to be this generations' classics. Bear is married to Astrid Anderson, daughter of science fiction great Poul Anderson, and they are the parents of two children, Erik and Alexandria. His recent thriller novel, Quantico, was published in 2007 and the sequel, Mariposa, followed in 2009. He has since published a new, epic science fiction novel, City at the End of Time and a generation starship novel, Hull Zero Three.

The “reigning master of hard-edge science fiction takes a chilling look at the plausible near-future” in this cyberpunk sequel to Queen of Angels (Seattle Post-Intelligencer). In the second half of the twenty-first century, nanotechnology has transformed every aspect of society. Humans can now change their abilities, their appearance, their very bodies on microscopic level. Advanced psychotherapy seems to have wiped away violence and illness. The world is sane and in balance. However, that balance teeters with the grisly murder of two prostitutes and a series of suicides. Soon, public defender Mary Cho’s investigation finds a dark danger lurking in the recesses of the “dataflow.” Entertainment, virtual pornography, neo-Luddite separatists, an unknown artificial intelligence—everything seems to be intertwined in a vast conspiracy. As technology fails so too does the society perched high atop it. Perfection is a high pedestal from which to fall.

Multiple Hugo and Nebula award-winning author, Greg Bear is one of science fiction’s most accomplished writers. Bold scientific speculation, riveting plots, and a fierce humanism reflected in characters who dare to dream of better worlds distinguish his work. Now Bear has written a mind-bendingly epic novel that may well be his masterpiece. Do you dream of a city at the end of time? In a time like the present, in a world that may or may not be our own, three young people–Ginny, Jack, and Daniel–dream of a doomed, decadent city of the distant future: the Kalpa. Ginny’s and Jack’s dreams overtake them without warning, leaving their bodies behind while carrying their consciousnesses forward, into the minds of two inhabitants of the Kalpa–a would-be warrior, Jebrassy, and an inquisitive explorer, Tiadba–who have been genetically retro-engineered to possess qualities of ancient humanity. As for Daniel: He dreams of an empty darkness–all that his future holds. But more than dreams link Ginny, Jack, and Daniel. They are fate-shifters, born with the ability to skip like stones across the surface of the fifth dimension, inhabiting alternate versions of themselves. And each guards an object whose origin and purpose are unknown: gnarled, stony artifacts called sum-runners that persist unchanged through all versions of time. Hunted by others with similar powers who seek the sum-runners on behalf of a terrifying, goddess-like entity known as the Chalk Princess, Ginny, Jack, and Daniel are drawn, despite themselves, into an all but hopeless mission to rescue the future–and complete the greatest achievement in human history.