A bilingual (Russian/English) edition of selected poems by the great 20th-century Russian poet Sergei Yesenin, translated by acclaimed Russian-American poet Anton Yakovlev.

Sergei Yesenin was a Russian poet who, in 1925, hanged himself after writing his farewell poem in blood. Jim Harrison's "correspondence" with Yesenin is an American masterwork. In the early 1970s, Harrison was living in poverty on a hard-scrabble farm, suffering from depression and suicidal urges. He began to write daily prose-poem letters to Yesenin, confiding to his unlikely friend about sex, drunkenness, family, politics - about living for another day. Although "the rope" remained ever present, Harrison listened to his poems: "My year-old daughter's red robe hangs from the doorknob shouting Stop."

Pulitzer Prize winner Sylvia Plath’s complete poetic works, edited and introduced by Ted Hughes. By the time of her death on 11, February 1963, Sylvia Plath had written a large bulk of poetry. To my knowledge, she never scrapped any of her poetic efforts. With one or two exceptions, she brought every piece she worked on to some final form acceptable to her, rejecting at most the odd verse, or a false head or a false tail. Her attitude to her verse was artisan-like: if she couldn’t get a table out of the material, she was quite happy to get a chair, or even a toy. The end product for her was not so much a successful poem, as something that had temporarily exhausted her ingenuity. So this book contains not merely what verse she saved, but—after 1956—all she wrote. — Ted Hughes, from the Introduction

An acclaimed translation of the best work of the passionate Russian poet An admired contemporary of Rilke, Akhmatova, and Mandelstam, Marina Tsvetaeva was a witness to the political turmoil and the social devastation wrought by the Russian Revolution and a powerfully inspired chronicler of a difficult life and exile sustained by poetry. Pasternak "was immediately overcome by the immense lyrical power of her poetic form. It... had spring living from experience—personal, and neither narrow-chested nor short of breath from line to line but rich and compact and enveloping" For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

One of America's leading novelists and poets, "Jim Harrison is a writer with immortality in him."-The Sunday Times

James McGavran’s new translation of Vladimir Mayakovsky’s poetry is the first to fully capture the Futurist and Soviet agitprop artist’s voice. Because of his work as a propagandist for the Soviet regime, and because of his posthumous enshrinement by Stalin as “the best and most talented poet of our Soviet epoch,” Mayakovsky has most often been interpreted—and translated—within a political context. McGavran’s translations reveal a more nuanced poet who possessed a passion for word creation and linguistic manipulation. Mayakovsky’s bombastic metaphors and formal élan shine through in these translations, and McGavran’s commentary provides vital information on Mayakovsky, illuminating the poet’s many references to the Russian literary canon, his contemporaries in art and culture, and Soviet figures and policies.