In compiling her Collected Poems, Kathleen Raine drew from six decades of poetry to decide the canon by which she wished to be judged and remembered. The result was this definitive edition, now published by Faber & Faber, which on first release in 2001 was welcomed both by Raine's admirers and by those newly discovering a poet who has unfailingly given voice to a vision of life in which the temporal, in all its modes and places, is imbued with the numinous and the eternal.

In compiling her 'Collected Poems', Kathleen Raine was uniquely placed to look back on more than six decades of her poetry and to decide the canon by which she wished to be judged and remembered. From its first appearance her poetry has been recognised as possessing a rare imaginative integrity, remaining faithful to a formal purity of voice, as well as to an imagery whose resonances are at once her own voice yet speak as if from the heart of the human condition itself.

Exploring the life of Kathleen Raine, who played an important role in the literary history of 20th-century England, this authorized biography tells how she developed from a small girl who only wanted to be a poet into a world-renowned poet and literary scholar. Starting with Kathleen’s struggle against the constrictions of her suburban childhood, the story of her life then continues with her exciting days at Girton College in the 1920s, where she became friends with many brilliant writers, artists, and scientists. She published Blake and Tradition, marking her as a leading William Blake scholar, and works on Coleridge, Yeats, and Thomas Taylor subsequently followed. Late in life, she founded the journal Temenos with the help of Prince Charles and was honored with the Queen’s Gold Medal for poetry. Using letters, documents, and personal interviews, the extensive research shows how a woman from a modest background used her talents and ambition, in spite of the problems that they may cause, to achieve worldwide distinction in her chosen field. This complete picture of a complex and brilliant individual sympathetically assesses Kathleen Raine's work while throwing a critical light on her private life, which was often at odds with her achievements.

Pulitzer Prize winner Sylvia Plath’s complete poetic works, edited and introduced by Ted Hughes. By the time of her death on 11, February 1963, Sylvia Plath had written a large bulk of poetry. To my knowledge, she never scrapped any of her poetic efforts. With one or two exceptions, she brought every piece she worked on to some final form acceptable to her, rejecting at most the odd verse, or a false head or a false tail. Her attitude to her verse was artisan-like: if she couldn’t get a table out of the material, she was quite happy to get a chair, or even a toy. The end product for her was not so much a successful poem, as something that had temporarily exhausted her ingenuity. So this book contains not merely what verse she saved, but—after 1956—all she wrote. — Ted Hughes, from the Introduction

Since her first collection of poems published in 1943, Kathleen Raine has been writing a kind of mystical nature poetry all her own, a poetry immersed in the quiet air of solitude and imagination. Vita Sackville-West, writing in the Observer, spoke of her "curious purity": "Her poems are like drops of water, clear, self-contained, and sometimes iridescent with the elusive colors of mysticism". Collected Poems is the lifework of a visionary, a celebration of the miracles of nature and man's place among them. Now in her ninety-second year she has chosen this work from eleven published collections and from other uncollected and unpublished sources. The earliest poems were written in the mid-thirties, the latest in the late nineties.