Háfiz is honored as the greatest lyric poet of Iran and the D'ván-i Háfiz, his collected poetry, is without doubt one of the world's greatest literary achievements. Translated here from the edition of Parv'z Nát'l Khánlar', the 486 poems have been rendered as literally as possible while trying to convey some sense of the original poetry to the reader who lacks knowledge of Persian. The ghazals are introduced and presented with extensive annotation by one of today's most eminent scholars of Persian literature.

Hafiz was a Persian lyric poet (1315/17-1390) whose collected works, or "Divan," are as sacred to most Iranians as the Qur'an. He was highly acclaimed during his lifetime, and is by far the most popular poet in Iran, where they celebrate Hafiz Day on October 12. Although he was influenced by Islam, Hafiz is widely respected by Hindus, Christians and others for his beautiful turn of a phrase and for his regard of the universal soul. "The Collected Poems of Hafiz" touch on themes of love, faith and exposing hypocrisy, and many people find personal guidance within its pages. Since Hafiz' work was first translated into English in 1771, scholars in the Western world have been conflicted between literal and mystical interpretations of the poems. Nevertheless, they provide fascinating details on life and culture in Persia, and to some, it brings valuable insight toward mysticism and the ineffable.

Despite his towering presence in premodern Persian letters, Shams al-Din Muhammad Hafiz of Shiraz (d. 1390) remains an elusive and opaque character for many. In order to look behind the hyperbole that surrounds Hafiz's poetry and penetrate the quasi-hagiographical film that obscures the poet himself, this book attempts a contextualisation of Hafiz that is at once socio-political, historical, and literary. Here, Hafiz's ghazals (short, monorhyme, broadly amorous lyric poems) are read comparatively against similar texts composed by his less-studied rivals in the hyper competitive, imitative, and profoundly intertextual environment of fourteenth-century Shiraz. By bringing Hafiz's lyric poetry into productive, detailed dialogue with that of the counterhegemonic satirist, 'Ubayd Zakani (d. 1371), and the marginalised Jahan-Malik Khatun (d. after 1391; the most prolific female poet of premodern Iran), our received understanding of this most iconic of stages in the development of the Persian ghazal is disrupted, and new avenues for literary exploration open up. Looking beyond the particular milieu of Shiraz, this study re-assesses Hafiz's place in the Persian poetic canon through reading his poems alongside those produced by professional poets in other major centres of Persian literary activity who enjoyed comparable fame in the fourteenth century. Recognising the aesthetic achievements of his contemporaries does not diminish the splendour of Hafiz's, rather it forces us to accept that Hafiz was but one member of a band of poets who jostled for the limelight in competing, often intersecting, patronage and reception networks that facilitated intense cultural exchange between the cities of post-Mongol Iran and Iraq. Hafiz's ghazals, characterised as they are by conscious and deliberate hybridity, ambiguity, and polysemy, are products of a creative mind bent on experimenting with genre. While in no way seeking to deny the mystical stratum of the Persian ghazal in its fourteenth-century manifestation, this study emphasises the courtly and profane dimensions of the form, and regards Hafiz through a sober lens with keen attention to his dynamic role at the heart of a vibrant poetic community that was at once both fiercely local and boldly cosmopolitan.

Life lessons from one of the greatest poets of all time in all new translations by a master poet and translator. This is the perfect introduction to Hafiz for all lovers of poetry and seekers of love, spirituality, and meaning. "Hafiz's poetry aims to close the gap between mortal humans and the divine and this book opens a door to the poet's gardens. From the first page, you are invited to settle into a sublime sanctuary and partake in enchantment until you feel the Beloved inside your beating heart and running through your veins."--Ari Honarvar, author of A Girl Called Rumi I have this gem And it's looking for a beholder Hafiz's Little Book of Life is a lush collection of more than 250 poems by Hafiz, commonly known as the Tongue of the Hidden. In Iran, ordinary people memorize poetry of Hafiz. Lines from his poems are quoted as proverbs in everyday life. Stars can be heard singing his poetry on the radio. A copy of his collected work (divan) can be found in any average household. Translated by native Persian speaker, Erfan Mojib and the award-winning translator Gary Gach, this collection will be sure to strike a chord with Hafiz lovers everywhere. Let the unforgettable words of Hafiz shine through you with their love, depth, and celebration of life. This collection of mystical poetry focuses on the issues we encounter in everyday life. The book unfolds as Garden of the World, Garden of Love, and The Garden of Bliss. These encompass a range of experiences a person is likely to encounter in a lifetime. World includes personal and social themes, such as solitude, hypocrisy, and hope. Love spans separation, longing, and union. Bliss, the capper, is the briefest. Also included is a small biography of Hafiz, translators' notes, and a section on using Hafiz's work for divination. A typical Hafiz Oracle occurs every year at a Yalda celebration (the longest night of the year). During the evening, someone might make a wish and open a book of Hafiz and read a poem out loud. They then pass the book to the next person.