Elizabeth J. Duncan spins a charming tale of murder and intrigue in her award-winning first novel, The Cold Light of Mourning. The picturesque North Wales market town of Llanelen is shocked when Meg Wynne Thompson, a self-made beauty who has turned out to be something of an unpopular bride, goes missing on her wedding day...and turns up dead. The last person believed to have seen her is manicurist Penny Brannigan, an expatriate Canadian who has lived in North Wales for almost twenty-five years. When Penny notices that something is not quite right at the funeral of her dearest friend, she becomes emotionally invested in the case, and sets out to investigate. It seems that several people, including the bride's drunken, abusive father, had reasons to wish Meg dead, but when the trail leads to her groom's home, an explosive secret will shake the small town. With its bucolic Welsh setting and vivid, colorful characters, this mystery is sure to delight the most discerning of traditional-mystery fans.

Duncan spins a charming tale of murder and intrigue in this winning first novel. With its bucolic Welsh setting and vivid, colorful characters, this mystery is sure to delight the most discerning of traditional mystery fans.

"Beautifully written and wise … [Martin Prechtel] offers stories that are precious and life-sustaining. Read carefully, and listen deeply."—Mary Oliver, National Book Award and Pulitzer Prize winner Inspiring hope, solace, and courage in living through our losses, author Martín Prechtel, trained in the Tzutujil Maya shamanic tradition, shares profound insights on the relationship between grief and praise in our culture--how the inability that many of us have to grieve and weep properly for the dead is deeply linked with the inability to give praise for living. In modern society, grief is something that we usually experience in private, alone, and without the support of a community. Yet, as Prechtel says, "Grief expressed out loud for someone we have lost, or a country or home we have lost, is in itself the greatest praise we could ever give them. Grief is praise, because it is the natural way love honors what it misses." Prechtel explains that the unexpressed grief prevalent in our society today is the reason for many of the social, cultural, and individual maladies that we are currently experiencing. According to Prechtel, "When you have two centuries of people who have not properly grieved the things that they have lost, the grief shows up as ghosts that inhabit their grandchildren." These "ghosts," he says, can also manifest as disease in the form of tumors, which the Maya refer to as "solidified tears," or in the form of behavioral issues and depression. He goes on to show how this collective, unexpressed energy is the long-held grief of our ancestors manifesting itself, and the work that can be done to liberate this energy so we can heal from the trauma of loss, war, and suffering. At base, this "little book," as the author calls it, can be seen as a companion of encouragement, a little extra light for those deep and noble parts in all of us.

With A Killer's Christmas in Wales, Elizabeth J. Duncan delivers a delightful holiday-themed mystery. As the townsfolk of the Welsh valley town of Llanelen settle in for the snowiest winter in twenty-five years, an American stranger arrives. Harry Saunders charms the ladies, one of them in particular: Evelyn Lloyd, the town's former postmistress, who was left comfortably off after the death of her husband. After Mrs. Lloyd invests a good deal of money with him, Harry goes missing, as does her money. His body is soon discovered outside the walls of Conwy Castle, and Mrs. Lloyd is implicated in the murder. Although Penny Brannigan and her business partner, Victoria Hopkirk, are busy overseeing the grand opening of their new spa, that doesn't stop Mrs. Lloyd from desperately seeking Penny's help to prove her innocence. It's quite possible that Harry made other enemies while in Llanelen and Penny's investigation unfolds while she juggles her work at the spa, her growing relationship with Detective Inspector Davies, and the Christmas window competition that she signed up to judge.

Librarians who work with readers will find this well-loved guide to be a treasure trove of information. With descriptive annotations of thousands of genre titles mapped by genre and subgenre, this is the readers' advisor's go-to reference. Next to author, genre is the characteristic that readers use most to select reading material and the most trustworthy consideration for finding books readers will enjoy. With its detailed classification and pithy descriptions of titles, this book gives users valuable insights into what makes genre fiction appeal to readers. It is an invaluable aid for helping readers find books that they will enjoy reading. Providing a handy roadmap to popular genre literature, this guide helps librarians answer the perennial and often confounding question "What can I read next?" Herald and Stavole-Carter briefly describe thousands of popular fiction titles, classifying them into standard genres such as science fiction, fantasy, romance, historical fiction, and mystery. Within each genre, titles are broken down into more specific subgenres and themes. Detailed author, title, and subject indexes provide further access. As in previous editions, the focus of the guide is on recent releases and perennial reader favorites. In addition to covering new titles, this edition focuses more narrowly on the core genres and includes basic readers' advisory principles and techniques.

From the globally acclaimed, best-selling novelist and author of We Should All Be Feminists, a timely and deeply personal account of the loss of her father: “With raw eloquence, Notes on Grief … captures the bewildering messiness of loss in a society that requires serenity, when you’d rather just scream. Grief is impolite ... Adichie’s words put welcome, authentic voice to this most universal of emotions, which is also one of the most universally avoided” (The Washington Post). Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie's beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world, and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure. Expanding on her original New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the page—and never without touches of rich, honest humor—Adichie weaves together her own experience of her father’s death with threads of his life story, from his remarkable survival during the Biafran war, through a long career as a statistics professor, into the days of the pandemic in which he’d stay connected with his children and grandchildren over video chat from the family home in Abba, Nigeria. In the compact format of We Should All Be Feminists and Dear Ijeawele, Adichie delivers a gem of a book—a book that fundamentally connects us to one another as it probes one of the most universal human experiences. Notes on Grief is a book for this moment—a work readers will treasure and share now more than ever—and yet will prove durable and timeless, an indispensable addition to Adichie's canon.