Reading like a riveting true crime thriller, The Cocaine Wars moves from the jungles of South America where coca leaves are grown to the streets of America where the white powder is sold. The inside story of how the powerful cocaine business has become America's number one problem.

When best friends become arch enemies - it's murder ... In March 2000 Gardai raided a central Dublin hotel and uncovered a 1.7 million drug-mixing factory. Three men were arrested at the scene, but just two were charged. The third, Declan Gavin, was labelled a 'rat'. Within eighteen months he was dead and the Crumlin/Drimnagh feud was born. Childhood friends and neighbours were forced to take sides. One faction supported Gavin's successor, 'Fat' Freddie Thompson, and the other sided with his arch enemy, Brian Rattigan. War was declared, and over the course of eleven years, sixteen young men have been brutally murdered in tit-for-tat killings. Cocaine Wars chronicles the shocking story behind Ireland's deadliest gangland feud: from the growth of the gang under the tutelage of notorious criminals John Gilligan and Martin 'The Viper' Foley, to the brutal way in which they established themselves as Dublin's most feared drugs mob. For the first time, the stories behind the feud are revealed: the mother who has lost two sons to the relentless violence, the criminal who orchestrates murders from the prison cell he shares with his beloved pet budgie, and the women who remain loyal to the ruthless gangsters.

Inaugurated in 1984, America's "War on Drugs" is just the most recent skirmish in a standoff between global drug trafficking and state power. From Britain's nineteenth-century Opium Wars in China to the activities of Colombia's drug cartels and their suppression by U.S.-backed military forces today, conflicts over narcotics have justified imperial expansion, global capitalism, and state violence, even as they have also fueled the movement of goods and labor around the world. In Drug Wars, cultural critic Curtis Marez examines two hundred years of writings, graphic works, films, and music that both demonize and celebrate the commerce in cocaine, marijuana, and opium, providing a bold interdisciplinary exploration of drugs in the popular imagination. Ranging from the writings of Sigmund Freud to pro-drug lord Mexican popular music, gangsta rap, and Brian De Palma's 1983 epic Scarface, Drug Wars moves from the representations and realities of the Opium Wars to the long history of drug and immigration enforcement on the U.S.-Mexican border, and to cocaine use and interdiction in South America, Middle Europe, and among American Indians. Throughout Marez juxtaposes official drug policy and propaganda with subversive images that challenge and sometimes even taunt government and legal efforts. As Marez shows, despite the state's best efforts to use the media to obscure the hypocrisies and failures of its drug policies-be they lurid descriptions of Chinese opium dens in the English popular press or Nancy Reagan's "Just Say No" campaign-marginalized groups have consistently opposed the expansion of state power that drug traffic has historically supported. Curtis Marez is assistant professorof critical studies at the University of Southern California School of Cinema-Television.

Examines how and why the US government went from regulating illicit drug traffic and consumption to declaring war on both.

Illuminating a hidden and fascinating chapter in the history of globalization, Paul Gootenberg chronicles the rise of one of the most spectacular and now illegal Latin American exports: cocaine. Gootenberg traces cocaine's history from its origins as a medical commodity in the nineteenth century to its repression during the early twentieth century and its dramatic reemergence as an illicit good after World War II. Connecting the story of the drug's transformations is a host of people, products, and processes: Sigmund Freud, Coca-Cola, and Pablo Escobar all make appearances, exemplifying the global influences that have shaped the history of cocaine. But Gootenberg decenters the familiar story to uncover the roles played by hitherto obscure but vital Andean actors as well--for example, the Peruvian pharmacist who developed the techniques for refining cocaine on an industrial scale and the creators of the original drug-smuggling networks that decades later would be taken over by Colombian traffickers. Andean Cocaine proves indispensable to understanding one of the most vexing social dilemmas of the late twentieth-century Americas: the American cocaine epidemic of the 1980s and, in its wake, the seemingly endless U.S. drug war in the Andes.