Jack discovers new abilities, travels to exciting lands, and thwarts a conspiracy brewing deep within the ministries in this epic addition to the action-packed Section 13 series. Jack Buckles is on trial for his life. The Ministries of Secrets and Guilds, led by Ignatius Gall, are conspiring to put the Ministry of Trackers down for good—starting with Jack’s very existence as a Section 13. His only hope is to prove that Gall is the real danger, not him, and it leads Jack and Gwen from the back streets of London, through the Austrian Alps, to the great reaches of central China. Joined by their new friend Liu Fai, Jack and Gwen set out to stop Gall before he can uncover ancient Chinese artifacts, said to grant immortality. But a clockwork monster threatens them at every turn, and its ticking gears only serve as a reminder that Jack’s judgment day is fast approaching—and that he’s running out of time.

Blithe Li is a wellspring—a vessel containing magic that can only be used by a magi. The only problem is, women aren’t supposed to be wellsprings. In a world where powerful female magic workers rule, and vulnerable male wellsprings must follow the rigid social norms meant to keep their magic pure from corruption, Blythe doesn’t fit in anywhere. She can’t actually use magic, the way a woman should. Wellsprings can’t own property and have very little in the way of basic rights. And Blythe has no hope of making a fortuitous match and becoming a magi’s favored lover and pet, the way a male wellspring would. Instead, she’s an embarrassment and burden to her parents, who already have a house full of normal boy wellsprings to marry off. Blythe’s world is turned upside down when a commission for a clockwork dragon ends with a proposal she never could have imagined—and leaves her bonded to the future queen of the Imperial American States. But this is no Cinderella story. Blythe’s future wife, Raina, is engaged in a quiet, deadly battle of politics and power with the current regent as she approaches her coming of age and her ascension to the throne. Blythe soon finds herself fighting alongside Raina for every freedom she’s ever dared dream of, as they try to completely remake a kingdom. But will Raina’s efforts to gather the support of a misfit court with the magic of only a pair of newly bonded wellsprings be enough to save them all from accusations of treason, murder, and all-out war? Clockwork Dragon is an “outside the box” romance of monarchy and mayhem. It is set against a rich steampunk regency backdrop in an alternate world where magic has influenced the development of technologies and nations, and where Regency and Victorian era gender norms are reversed. It features a clockwork dragon guard dog, an irreverent and intimidating future queen, a metal-worker-turned-consort, and a poly relationship with a vessel of fire and air. Oh, and airships…plenty of airships. This story includes diverse characters and LGBTQIA elements, including lesbian, bisexual, and poly romance, as well as reversed and fluid gender norms. Author's Note: This isn't your usual reverse harem. It isn't your usual steampunk book. And these aren't your usual victorian/regency gender norms.... *99,000 words without any extra “fluff” at the end. *This book is not a serious historical book. It is a fantasy and liberties have been taken! *The initial/main romance in this book is F/F, however it later develops into a poly relationship with M/F, F/F, M/M, and M/F/F scenes. *There may be mentions of trauma, though this isn’t explicit on the page stuff. *There is some mild-moderate violence. *No, I can’t send you your own Sparrow. Sorry. *This book is intended to be a stand-alone story. Whether there are any more books in this world will depend entirely upon demand and the graces of the writer muse.

When Tom, a young toymaker, offers to rid the kingdom of a ferocious dragon, the king just laughs in his face. But then Tom meets Lizzie, and together they come up with an extraordinary plan. They build a clockwork dragon and set out to defeat Flamethrottle. The two children wind up in athrilling adventure. . . and the dastardly dragon finally meets his match. Succeeding where many grown-up knights have failed, Tom and Lizzie are rewarded handsomely by the king. This is a gripping, empowering, action-packed story that will appeal to both boys and girls.

Jack and Gwen are back in this dynamic follow-up to The Lost Property Office. It’s been a year since Jack Buckles discovered the Keep beneath Baker Street, an underground tower no Section Thirteen was ever supposed to see; a year since his dad fell into a coma. Nothing has been the same since. Jack’s tracker abilities are on the fritz, Gwen’s not speaking to him and, what’s worse, there’s a pounding voice in his head calling for “the flame.” Then, Jack and Gwen are framed for the theft of a historic crown jewel—the Black Prince’s Ruby, one of three cursed rubies said to bring knowledge, loyalty, and the command of nations to whomever wields them all. Now, they must retrieve the other jewels before the true thief does, or risk unleashing a reign of terror unlike anything history’s ever seen.

In this steampunk sequel to The Impossible Cube, two adventurers must find a way inside a kingdom on the brink of war to save themselves and the world. As Gavin Ennock pilots his airship, the Lady of Liberty, to China, his fiancée, Lady Alice Michaels prays they make it in time. The Clockwork Plague consumes Gavin’s body and mind, driving him increasingly mad—and driving a wedge between him and Alice. Their only hope lies in China with the Dragon Men. But a power-hungry general has seized the Chinese throne, intending to conquer Asia, Britain, and the world. He has also closed the country’s borders to foreigners. Meanwhile, the former ruling dynasty is plotting to return the throne’s rightful heir to power. Seeing their opportunity, the two travelers dive into a political power struggle where one false move could spell doom for Gavin and the entire world. “[The Dragon Men] continues to demonstrate its original premise and to showcase the inventive pair who strive to save a world.” —Library Journal “My favorite book in the series yet. I’m not sure whether that’s because I’ve become so enamored with the world of the Clockwork Empire as a whole, or that the action sequences are nearly relentless, which a definite plus in this case.” —That’s What I’m Talking About

The New York Times bestseller and basis for the Tony-winning hit musical, soon to be a major motion picture starring Cynthia Erivo and Ariana Grande With millions of copies in print around the world, Gregory Maguire’s Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum’s 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film starring Margaret Hamilton (and Judy Garland). In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination. Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin—no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz’s most promising young citizens. But Elphaba’s Oz is no utopia. The Wizard’s secret police are everywhere. Animals—those creatures with voices, souls, and minds—are threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animals—even if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas. Recognized as an iconoclastic tour de force on its initial publication, the novel has inspired the blockbuster musical of the same name—one of the longest-running plays in Broadway history. Popular, indeed. But while the novel’s distant cousins hail from the traditions of magical realism, mythopoeic fantasy, and sprawling nineteenth-century sagas of moral urgency, Maguire’s Wicked is as unique as its green-skinned witch.