Bestselling author Allison Hobbs delivers the sequel to Insatiable in this story of two women whose lives are consumed by their rivalry for the same man—a man who might not be alive. A seductive tale of lust and revenge, The Climax charts the entangled lives of two women—Terelle and Kai—who have both suffered irrecoverable losses in their pursuit of Marquise, who is believed to be dead. Kai is in prison, and Terelle suffered from a mental breakdown after losing her fiancé. After two years of catatonia, Terelle is awakened by a sweet and mysterious kiss, and the voice of her lost love. As Terelle recovers, she clings to the idea that Marquise—who is the father of her child—is still alive and out there, waiting to reunite with her. She goes into grueling rehabilitation in order to find a way back to him, all the while enduring the concern of loved ones, who think she is delusional. At the same time, Kai is jailed for a murder she didn't commit, but that doesn't stop her wanton behavior. Not a day goes by that Kai doesn't plot a wicked revenge on Terelle. Throughout steamy prison encounters, and despite a lifetime sentence, Kai vows that Terelle will never know a moment of peace, so long as she lives. Both women teeter on the edge of insanity as they suffer the loss of love. One woman’s quest to figure out if her man is merely a figment of imagination might leave her toppling over the edge, while the other will learn that the cost of vengeance could be death.

The Apocalypse of John is a work of immense importance and learning. Yet among the major works of early Christianity included in the New Testament it has received relatively little scholarly attention.This work is a significant contribution to remedying this neglect. The author examines the meticulous literary artistry, creative imagination, radical political critique and profound theology of the Apocalypse of John. It is a sustained enterprise to understand both the form and the message of the Apocalypse in its literary and historical contexts.An invaluable and illuminating work for students, scholars and ministers

Malevich's sudden and startling realization of a non-objective way of painting – which he termed Suprematism – stands as a seminal moment in the history of twentieth-century art. Rainer Crone and David Moos trace the artist's development from his beginnings in the Ukraine and early years in Moscow – where he was closely involved in the Futurist circle – through to the late 1920s and beyond. The authors of this book convincingly demonstrate that it is only through a close and sustained reading of Malevich's late – and still widely misunderstood – painterly oeuvre that his extraordinarily inventive stance can truly be comprehended. Crone and Moos trace the close relationship between Malevich's practice and other contemporary non-political revolutions in physics, linguistics and poetry. They present Malevich as a uniquely creative artist, embodying in his work many of the insights and discoveries that define the twentieth century and the condition of modern life.

How did the United States become the twentieth century's dominant economy? What is special about America and the American way of capitalism, that favoured such a rapid climb to wealth and power? And, as the old postwar certainties begin to crumble, is the climax of American capitalism already over? These are the themes addressed in this engrossing book, which gives a chronological, analytical account of the American economy from the late nineteenth century to the end of the Reagan era and beyond.

Book Award Finalist for Urban Design Group Awards 2020 Human settlements are the result of a mix of self-organisation and planning. Planners are fighting a losing battle to impose order on chaotic systems. Connections between the process of urban growth and the fields of complexity theory are of increasing importance to planners and urbanists alike; the idea that cities are emergent structures created not by design but from the interplay of relatively simple rules and forces over time. From the the small Tuscan hill town to the megacities of Asia: the struggle between the planned and the unplanned is universal. Based on years of international research, Climax City is a critical exploration of the growth of cities and masterplanning. Challenging the idea that the city can be entirely planned on paper, this book implores you to work with chaos when planning cities. Beautifully illustrated with striking hand-drawn plans of global cities, this is a vital and accessible contribution to urban theory and planning. It’s the perfect title for practitioners and academics across planning and urban design looking to make sense out of chaos.

From debut author Lisa Moore Ramée comes this funny and big-hearted debut middle grade novel about friendship, family, and standing up for what’s right, perfect for fans of Angie Thomas’s The Hate U Give and the novels of Renée Watson and Jason Reynolds. Twelve-year-old Shayla is allergic to trouble. All she wants to do is to follow the rules. (Oh, and she’d also like to make it through seventh grade with her best friendships intact, learn to run track, and have a cute boy see past her giant forehead.) But in junior high, it’s like all the rules have changed. Now she’s suddenly questioning who her best friends are and some people at school are saying she’s not black enough. Wait, what? Shay’s sister, Hana, is involved in Black Lives Matter, but Shay doesn't think that's for her. After experiencing a powerful protest, though, Shay decides some rules are worth breaking. She starts wearing an armband to school in support of the Black Lives movement. Soon everyone is taking sides. And she is given an ultimatum. Shay is scared to do the wrong thing (and even more scared to do the right thing), but if she doesn't face her fear, she'll be forever tripping over the next hurdle. Now that’s trouble, for real. "Tensions are high over the trial of a police officer who shot an unarmed Black man. When the officer is set free, and Shay goes with her family to a silent protest, she starts to see that some trouble is worth making." (Publishers Weekly, "An Anti-Racist Children's and YA Reading List")