This series of delightful storybooks is a flexible resource designed to help teachers engage and motivate young learners in the classroom ─ an ideal way to support children in the early stages of learning English. Beautiful illustrations appeal to children and introduce them to the enjoyment of reading. Language is carefully chosen so that children learn simple but natural structures and vocabulary, and repetition of words builds children's confidence in listening and speaking. Each storybook features a list of the key vocabulary, in the order in which it appears in the book, with German translations.

What is fascism? By focusing on the concrete: what the fascists did, rather than what they said, the esteemed historian Robert O. Paxton answers this question. From the first violent uniformed bands beating up “enemies of the state,” through Mussolini’s rise to power, to Germany’s fascist radicalization in World War II, Paxton shows clearly why fascists came to power in some countries and not others, and explores whether fascism could exist outside the early-twentieth-century European setting in which it emerged. "A deeply intelligent and very readable book. . . . Historical analysis at its best." –The Economist The Anatomy of Fascism will have a lasting impact on our understanding of modern European history, just as Paxton’s classic Vichy France redefined our vision of World War II. Based on a lifetime of research, this compelling and important book transforms our knowledge of fascism–“the major political innovation of the twentieth century, and the source of much of its pain.”

Mythic discourses in the present day show how vernacular heritage continues to function and be valuable through emergent interpretations and revaluations. At the same time, continuities in mythic images, motifs, myths and genres reveal the longue durée of mythologies and their transformations. The eighteen articles of Mythic Discourses address the many facets of myth in Uralic cultures, from the Finnish and Karelian world-creation to Nenets shamans, offering multidisciplinary perspectives from twenty eastern and western scholars. The mythologies of Uralic peoples differ so considerably that mythology is approached here in a broad sense, including myths proper, religious beliefs and associated rituals. Traditions are addressed individually, typologically, and in historical perspective. The range and breadth of the articles, presenting diverse living mythologies, their histories and relationships to traditions of other cultures such as Germanic and Slavic, all come together to offer a far richer and more developed perspective on Uralic traditions than any one article could do alone.

Thunder Rose vows to grow up to be more than just big and strong, thank you very kindly--and boy, does she ever But when a whirling storm on a riotous rampage threatens, has Rose finally met her match?

In theory the CMPS was set up to enshrine the human and social studies that were at the heart of Enlightenment culture. Staum illustrates, however, that the Institute helped transform key ideas of the Enlightenment in order to maintain civil rights while upholding social stability, and that the social and political assumptions on which it was based affected notions of social science. He traces the careers of individual members and the factions within the Institute, arguing that the discord within the CMPS reflects the unravelling of Enlightenment culture. Minerva's Message presents a valuable overview of the intellectual life of the period and brings together new evidence about the social sciences in their nascent period.

Anguish Language: Writing & Crisis considers language as a core aspect of the present social crisis. Initiated in a week-long workshop in Berlin in 2013, the Anguish Language Project surveys and develops the variety of forms of self-publishing, poetry, criticism, experimental writing, declamation and political speech that arose in the wake of the 20072008 financial crisis as a form of social struggle in response to crisis. The amply illustrated softcover publication includes workshop discussions, practices of crisis literature in seminars, presentations, walks, poetry, readings, drawing, writing experiments and performance. Contributors include Sean Bonney, Pier Paolo Pasolini, Lisa Robertson, Anne Boyer, Anke Hennig, Karolin Meunier & Mattin, Jacob Bard-Rosenberg, Frere Dupont, Amy DeAth, Catherine Wanger, Neinsager, Danny Hayward, Martin Hause, Wealth of Negations, and the Anguish Language Berlin and Copenhagen Groups. Edited by London-based writer/researcher John Cunningham, fiction and critical theory writer Anthony Iles, and writers Mira Mattar and Marina Vishmidt.

This work draws upon the full range of Wallerstein's social scientific scholarship, from his research on contemporary African politics, to his study of the modern world-system and essays on the new structures of knowledge emerging from the crisis of the capitalist world-economy. His singular focus on the way in which change in one part of the globe affects the whole is all the more relevant as the world grows increasingly inter-dependant.