This third volume of the ground-breaking eyewitness narrative that has been called a “masterpiece” traces events from January 1863 to March 1864—a crucial period in the American Civil War Spanning the crucial months from January 1863 to March 1864, this third volume of The Library of America’s highly acclaimed four volume series presents an incomparable portrait of a nation at war with itself while illuminating the military and political events that brought the Union closer to victory and slavery closer to destruction. It brings together more than 140 contemporary letters, diary entries, speeches, articles, messages, and poems by more than eighty participants and observers, among them Abraham Lincoln, Jefferson Davis, Ulysses S. Grant, William T. Sherman, Robert E. Lee, Frederick Douglass, Walt Whitman, Herman Melville, Mary Chesnut, Clement Vallandigham, Henry Adams, Charlotte Forten, Joshua Lawrence Chamberlain, and George Templeton Strong, as well as Union officers Robert Gould Shaw, Charles B. Haydon, and Henry Livermore Abbott; Confederate diarists Catherine Edmondston, Kate Stone, and Judith McGuire; and Alabama soldier Samuel Pickens, Iowa housewife Catharine Peirce, Kentucky preacher George Richard Browder, and Kansas clergyman Richard Cordley. The selections include vivid and haunting eyewitness narratives of some of the war’s most famous battles—Chancellorsville, Gettysburg, Vicksburg, Fort Wagner, Chickamauga, Chattanooga—as well as firsthand accounts of the merciless guerrilla war in Missouri and Kansas; the Richmond bread riot and the New York draft riots; the controversies surrounding the use of black soldiers and the Lincoln administration’s curtailment of civil liberties; and the struggles of civilians both black and white to survive increasingly harsh wartime conditions. Each volume features a detailed chronology of events, biographical notes about the writers, textual and explanatory notes, and original hand-drawn endpaper maps by expert Civil War cartographer Earl McElfresh. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Featuring hundreds of first-hand writings from the American Civil War, this final installment of the highly acclaimed four-volume series traces events from March 1864 to June 1865 After 150 years the Civil War still holds a central place in American history and self-understanding. It is our greatest national drama, at once heroic, tragic, and epic—our Iliad, but also our Bible, a story of sin and judgment, suffering and despair, death and resurrection in a “new birth of freedom.” The Civil War: The Final Year brings together letters, diary entries, speeches, articles, messages, and poems to provide an incomparable literary portrait of a nation at war with itself, while illuminating the military and political events that brought the Union to final victory and slavery and secession to their ultimate destruction. The final volume of this highly acclaimed four-volume series begins with the controversial Kilpatrick-Dahlgren raid on Richmond in March 1864 and ends with the proclamation of emancipation in Texas in June 1865. It collects 160 pieces by more than one hundred participants and observers, among them Abraham Lincoln, William T. Sherman, Ulysses S. Grant, Jefferson Davis, Robert E. Lee, Frederick Douglass, Harriet Ann Jacobs, Walt Whitman, Henry Adams, and Herman Melville, as well as Union officers Charles Harvey Brewster, James A. Connolly, and Stephen Minot Weld; Confederate diarists Catherine Edmondston, Kate Stone, and Judith W. McGuire; freed slaves Spottswood Rice, Garrison Frazier, and Frances Johnson; and Confederate soldiers J.F.J. Caldwell, Samuel T. Foster, and William Pegram. The selections include vivid and haunting firsthand accounts of battles and campaigns—the Wilderness, Spotsylvania, Cold Harbor, Atlanta, the Crater, Franklin, and Sherman’s march through Georgia and the Carolinas—as well as of the Fort Pillow massacre; the struggle to survive inside Andersonville prison; the burning of Columbia and Richmond; the passage of the Thirteenth Amendment; the surrender at Appomattox; and Lincoln’s assassination. The Civil War: The Final Year includes an introduction, headnotes, a chronology of events, biographical and explanatory endnotes, full-color endpaper maps, and an index.

An anthology that traces how Shakespeare has shaped American history and culture—featuring pieces by Founding Fathers, Orson Welles, and other noteworthy figures “The history of Shakespeare in America,” writes James Shapiro in his introduction to this groundbreaking anthology, “is also the history of America itself.” Shakespeare was a central, inescapable part of America’s literary inheritance, and a prism through which crucial American issues—revolution, slavery, war, social justice—were refracted and understood. In tracing the many surprising forms this influence took, Shapiro draws on many genres—poetry, fiction, essays, plays, memoirs, songs, speeches, letters, movie reviews, comedy routines—and on a remarkable range of American writers from Emerson, Melville, Lincoln, and Mark Twain to James Agee, John Berryman, Pauline Kael, and Cynthia Ozick. Americans of the revolutionary era ponder the question “to sign or not to sign;” Othello becomes the focal point of debates on race; the Astor Place riots, set off by a production of Macbeth, attest to the violent energies aroused by theatrical controversies; Jane Addams finds in King Lear a metaphor for American struggles between capital and labor. Orson Welles revolutionizes approaches to Shakespeare with his legendary productions of Macbeth and Julius Caesar; American actors from Charlotte Cushman and Ira Aldridge to John Barrymore, Paul Robeson, and Marlon Brando reimagine Shakespeare for each new era. The rich and tangled story of how Americans made Shakespeare their own is a literary and historical revelation. As a special feature, the book includes a foreword by Bill Clinton, among the latest in a long line of American presidents, including John Adams, John Quincy Adams, and Abraham Lincoln, who, as the collection demonstrates, have turned to Shakespeare’s plays for inspiration.

Often compared to the works of E.E. Cummings and Elizabeth Bishop, these poems are a free-ranging exploration of outer and inner worlds, of nature and the human mind In celebration of the centenary of May Swenson’s birth, The Library of America presents a one-volume edition of all of the poems that Swenson published in her lifetime—from her first collection Another Animal (1954) to the innovative shaped poems of Iconographs (1970) to her final work In Other Words (1987)—as well as a selection of previously uncollected work. The collection reveals the sweeping compass of Swenson’s curiosity: nature poems display her keen observation of wildlife; exuberant and erotic love poems celebrate beauty and passion; place poems record her travels to the American Southwest, France, and Italy and her residence in New York City and Sea Cliff, Long Island; verse “analyses” investigate baseball, wave motion, the DNA molecule, bronco busting, James Bond movies, and the first walk on the moon. Swenson was an inveterate reviser: poems in earlier volumes were frequently reworked for inclusion in later volumes, such as To Mix with Time (1963) and New and Selected Things Taking Place (1978). While preserving the order of publication, this volume presents the author’s final or definitive version. Substantive textual variants and title changes are detailed in the notes to the volume. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

This first volume of The Library of America's three-volume edition of the complete prose works of Herman Melville includes three romances of the South Seas. Typee and Omoo, based on the young Melville's experiences on a whaling ship, are exuberant accounts of the idyllic life among the "cannibals" in Polynesia. They remained his most popular works well into the 20th century. Mardi("the world" in Polynesian) is a mixture of love story, adventure, and political allegory, set on a mythical Pacific island, that looks forward to the complexities of Moby-Dick. Together, these three romances give early evidence of the genius and daring that make Melville the master novelist of the sea and a precursor of modernist literature. Two companion volumes--Herman Melville: Redburn, White-Jacket, Moby-Dick and Herman Melville: Pierre, Israel Potter, The Piazza Tales, The Confidence Man, Uncollected Prose, and Billy Budd complete this edition of Melville's prose.

The Pulitzer Prize– and National Book Award–winning volume of writings from the author of Pale Horse, Pale Rider—now combined with little-known works of prose for the very first time Eudora Welty said that Katherine Anne Porter “writes stories with a power that stamps them to their very last detail on the memory.” Set in her native Texas and her beloved Mexico, prewar Nazi Germany and the gothic Old South, they are stories of love, outrage, betrayal, and spiritual reckoning that are severe but never cruel, and always exquisitely precise. They number fewer than thirty, but as Robert Penn Warren commented, “many are unsurpassed in modern fiction.” The Library of America now reprints the landmark 1965 volume, The Collected Stories of Katherine Anne Porter—which features tales like “Pale Horse, Pale Rider” and “Flowering Judas”—and pairs it with a completely new selection from Porter’s long-out-of-print short prose. Expanding the contents of her 1952 collection The Days Before to include both early journalism and major pieces from her final three decades, the prose works collected here are grouped in four parts: critical essays on writers she loved and learned from, including James, Cather, Lawrence, and Colette; personal essays and speeches on such topics as the craft of writing, her own work, women in myth and in history, and American politics; essays and reports on Mexican life, letters, and revolution; and two previously uncollected forays into autobiography. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

A comprehensive collection of the American humorist’s best work—including “The Secret Life of Walter Mitty”—plus original drawings and a chronology of Thurber’s own troubled life James Thurber, whimsical fantasist and deadpan chronicler of everyday absurdities, brought American humor into the 20th century. His comic persona, a modern city-dweller whose zaniest flights of free association are tinged with anxiety, remains hilarious, subtly disturbing, and instantly recognizable. Here, in over 1,000 pages, editor Garrison Keillor presents the best and most extensive collection ever assembled. Pieces include “The Secret Life of Walter Mitty” and “The Catbird Seat,” the brilliantly satirical Fables for Our Time, the classic My Life and Hard Times, and the best of The Owl in the Attic, Let Your Mind Alone!, My World—And Welcome to It, and the other famous books. Plus 500 wonderful drawings, including The Seal in the Bedroom and celebrated sequences like “The Masculine Approach” and “The War Between Men and Women.” Rounding out the volume is a selection from The Years with Ross, a memoir of the New Yorker publisher, and a number of wonderful early pieces never collected by Thurber. Only a book of this scope can do justice to Thurber’s extraordinary career and to the many unexpected turns of his comic genius. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.