A visionary new horror novel in the style of Wells' creepiest and most enduring fictions - a future history following the descendants of the Island of Dr Moreau. In H G Wells’ The Island of Dr Moreau, a shipwrecked traveller finds himself alone on an island ruled by a mad doctor and inhabited by creatures who are at once both beast and human. He escapes…but that is only the beginning of the story. The City of Dr Moreau is a sprawling history of the islanders, and an alternative vision of our own times. Spanning more than a century, criss-crossing across numerous places and many lives, we witness the growth of Moreau’s legacy, from gothic experiments to an event which changes the world. From the depths of Victorian London to a boarding house with an inhuman resident to an assassin on a twentieth-century train ordered to kill the one man who knows the truth, we follow secret skirmishes and hidden plots which emerge, eventually and violently, into the open.

'The creatures I had seen were not men, had never been men. They were animals, humanised animals...' A shipwrecked Edward Prendick finds himself stranded on a remote Noble island, the guest of a notorious scientist, Doctor Moreau. Disturbed by the cries of animals in pain, and by his encounters with half-bestial creatures, Edward slowly realises his danger and the extremes of the Doctor's experiments. Saturated in pain and disgust, suffused with grotesque and often unbearable images of torture and bodily mutilation, The Island of Doctor Moreau is unquestionably a shocking novel. It is also a serious, and highly knowledgeable, philosophical engagement with Wells's times, with their climate of scientific openness and advancement, but also their anxieties about the ethical nature of scientific discoveries, and their implications for religion. Darryl Jones's introduction places the book in both its scientific and literary context; with the Origin of Species and Gulliver's Travels, and argues that The Island of Doctor Moreau is, like all of Wells's best fiction, is fundamentally a novel of ideas

Religious Horror and the Ecogothic explores the intersections of Anglophone Christianity and the Ecogothic, a subgenre that explores the ecocritical in Gothic literature, film, and media. Acknowledging the impact of Christian ideologies upon interpretations of human relationships with the environment, the Ecogothic in turn interrogates spiritual identity and humanity’s darker impulses in relation to ecological systems. Through a survey of Ecogothic texts from the eighteenth century to the present day, this book illuminates the ways in which a Christianized understanding of hierarchy, dominion, fear, and sublimity shapes reactions to the environment and conceptions of humanity’s place therein. It interrogates the discourses which inform environmental policy, as well as definitions of the “human” in a rapidly changing world.

This sweeping literary encounter with the Western idea of the city moves from the early novel in England to the apocalyptic cityscapes of Thomas Pynchon. Along the way, Richard Lehan gathers a rich entourage that includes Daniel Defoe, Charles Dickens, Emile Zola, Bram Stoker, Rider Haggard, Joseph Conrad, James Joyce, Theodore Dreiser, F. Scott Fitzgerald, and Raymond Chandler. The European city is read against the decline of feudalism and the rise of empire and totalitarianism; the American city against the phenomenon of the wilderness, the frontier, and the rise of the megalopolis and the decentered, discontinuous city that followed. Throughout this book, Lehan pursues a dialectic of order and disorder, of cities seeking to impose their presence on the surrounding chaos. Rooted in Enlightenment yearnings for reason, his journey goes from east to west, from Europe to America. In the United States, the movement is also westward and terminates in Los Angeles, a kind of land's end of the imagination, in Lehan's words. He charts a narrative continuum full of constructs that "represent" a cycle of hope and despair, of historical optimism and pessimism. Lehan presents sharply etched portrayals of the correlation between rationalism and capitalism; of the rise of the city, the decline of the landed estate, and the formation of the gothic; and of the emergence of the city and the appearance of other genres such as detective narrative and fantasy literature. He also mines disciplines such as urban studies, architecture, economics, and philosophy, uncovering material that makes his study a lively read not only for those interested in literature, but for anyone intrigued by the meanings and mysteries of urban life.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Mad surgeon-turned-vivisectionist performs ghoulish experiments that transform animals into men. Early Wells personification of the scientific quest to control the natural world and, ultimately, human nature.