Have you ever heard of the The Society for Creative Anachronism or perhaps been to a Renaissance Festival? Imagine a future where the SCA owns a large valley in California. If you choose to live there you step back in time to the middle ages, not the way they were, but the way they should have been (indoor plumbing for starters). A murderer on the run from the police gets fake id papers and joins the community. Will he be able to climb the social ladder without giving himself away? Phil Farmer began this novel in the early 1970s, writing the first chapters and an outline of the remainder, and his grand-nephew Danny Adams finished writing the story in 2005.

Collected Studies CS1062 This volume brings together a selection of the major articles of Alexandra F. Johnston, which along with similar volumes by the late David Mills, Peter Meredith and Meg Twycross makes up a set of "Shifting Paradigms in Early English Drama Studies". Alexandra Johnston, the founding director of the research project, Records of Early English Drama, is one of these four key scholars whose work has had a profound influence on the study of medieval and early modern English drama. This collection of essays focuses especially on the York plays: on the Mercers’ documents that initiated the project itself; on the theology and christology of the plays; on the relationship between the plays and contemporary administrative bodies, both civic and national; and on the performance of the York plays in modern times. A further group of articles considers documentary evidence for the wide range of drama and mimetic ceremony in the Midlands and the West Country, reinforcing our understanding that these events took place predominately on a local parish level. The collection is rounded out with a survey of the immense changes that our reading of early English drama have undergone over the past half century.

Why technology is most transformative when it is playful, and innovative spatial design happens only when designers are both tinkerers and dreamers. In Urban Play, Fábio Duarte and Ricardo Álvarez argue that the merely functional aspects of technology may undermine its transformative power. Technology is powerful not when it becomes optimally functional, but while it is still playful and open to experimentation. It is through play--in the sense of acting for one's own enjoyment rather than to achieve a goal--that we explore new territories, create new devices and languages, and transform ourselves. Only then can innovative spatial design create resonant spaces that go beyond functionalism to evoke an emotional response in those who use them. The authors show how creativity emerges in moments of instability, when a new technology overthrows an established one, or when internal factors change a technology until it becomes a different technology. Exploring the role of fantasy in design, they examine Disney World and its outsize influence on design and on forms of social interaction beyond the entertainment world. They also consider Las Vegas and Dubai, desert cities that combine technology with fantasies of pleasure and wealth. Video games and interactive media, they show, infuse the design process with interactivity and participatory dynamics, leaving spaces open to variations depending on the users' behavior. Throughout, they pinpoint the critical moments when technology plays a key role in reshaping how we design and experience spaces.

Daisy Thistledown’s epic adventure continues in the spellbinding sequel to the New York Times bestseller Greenwild, which A.F. Steadman (bestselling author of Skandar and the Unicorn Thief) praised as "Phenomenal . . . If you don’t believe in magic, you will after you’ve read Greenwild." In a land ruled by water, treachery runs deep, and Daisy Thistledown’s journey is just beginning... Desperate to join the expedition searching for her mother and the other missing Botanists, Daisy and her friends abandon the safety of magical Mallowmarsh. Facing danger on the high seas, they find themselves pursued across the waves by ruthless Grim Reapers. But they will need help to defeat these dangerous enemies. Their greatest hope: to find the legendary Iffenwild, a mysterious city hidden beyond the sea and lost to time. New discoveries await, and a strange botanical magic stirs beneath the waves. It will take all of Daisy’s courage and determination—and the trust of an unexpected new friend—if she is to save the Greenwild from a terrible fate. Don't miss out on this exciting trilogy! • Book 1 - Greenwild: The World Behind the Door • Book 2 - Greenwild: The City Beyond the Sea • Book 3 - Coming soon!

How is popular music culture connected with the life, image, and identity of a city? How, for example, did the Beatles emerge in Liverpool, how did they come to be categorized as part of Liverpool culture and identity and used to develop and promote the city, and how have connections between the Beatles and Liverpool been forged and contested? This book explores the relationship between popular music and the city using Liverpool as a case study. Firstly, it examines the impact of social and economic change within that city on its popular music culture, focusing on de-industrialization and economic restructuring during the 1980s and 1990s. Secondly, and in turn, it considers the specificity of popular music culture and the many diverse ways in which it influences city life and informs the way that the city is thought about, valued and experienced. Cohen highlights popular music's unique role and significance in the making of cities, and illustrates how de-industrialization encouraged efforts to connect popular music to the city, to categorize, claim and promote it as local culture, and harness and mobilize it as a local resource. In doing so she adopts an approach that recognizes music as a social and symbolic practice encompassing a diversity of roles and characteristics: music as a culture or way of life distinguished by social and ideological conventions; music as sound; speech and discourse about music; and music as a commodity and industry.

Cinema is often perceived as a metropolitan medium – an entertainment product of the big city and for the big city. Yet film exhibitors have been bringing moving pictures to towns and villages since the early days of itinerant shows. This volume presents for the first time an exploration of the social, cultural and economic dynamics of film culture in the European countryside. Spanning more than a century of film exhibition from the early twentieth-century to the present day, Cinema Beyond the City examines the role that movie-going has played in small-town and rural communities across Europe. It documents an amazing diversity of sites and situations that are relevant for understanding historical and current patterns in film consumption. In chapters written by leading scholars and young academics, interdisciplinary research is used to address key questions about access, economic viability, audience behaviour, film programming and the cultural flows between cities and hinterlands. With its wide range of regional studies and innovative methodological approaches, the collection will be of interest not only to film historians, but also to scholars in the fields of urban history, rural studies and cultural geography.