If there were a mountain a thousand miles high and every thousand years a bird flew over it, just brushing the peak with the tip of its wing, in the course of inconceivable eons the mountain would be worn away. Yet all those ages would not be one second to the length of eternity.

This classic collection from Maureen Kennedy was first published in 1974. This brand new edition has been revised and edited to present classic children's songs, games, jump rope chants, and clapping games.These pieces come directly from children on the playground. Maureen has researched and collected all of these wonderful activities both as a historian and as a music educator. She has preserved them in the written notation exactly as she heard the children play them.This is a wonderful resource of all elementary teachers.A world of rhythm and melody may be going on right in your neighborhood. To tune in on what's happening, join the children on the playground or sidewalk, and listen. Chances are your local variety of play chants is being sung and clapped to or used as accompaniments to bouncing balls and jump ropes. I learned many of the songs and games in this collection from the children in my school. They sang, danced and played intricate clapping games with great gusto.Wherever children make do with improvised play space, may these songs and rhymes continue to be chanted and the games played.-Maureen Kennedy

Originally published by Homage Comics as Zero girl issues #1-5.

Shocked by 9/11, the Great Recession, digital anxiety, and ecological collapse, the West suffers from nostalgia. People everywhere yearn for a utopian version of the past that never existed. Desperate for relief, many long to escape from the present. Some will stop at nothing to achieve it. In his essential new book, Grafton Tanner, author of Babbling Corpse: Vaporwave and the Commodification of Ghosts, argues that our nostalgia today is partly a consequence of the attention economy. At a time when historical literacy is crucial, and old prejudices are percolating into the present, Big Tech’s predictive algorithms are locking us into nostalgic feedback loops. The result is a precarious society with its gaze fixed on the good old days. Spanning from the ancient Sophists to Black Mirror, The Circle of the Snake is at once a reckoning with the myth of digital utopia and an incisive analysis of nostalgia as a weapon to spread fascism.

INTERNATIONAL BESTSELLER • A bestselling dystopian novel that tackles surveillance, privacy and the frightening intrusions of technology in our lives—a “compulsively readable parable for the 21st century” (Vanity Fair). When Mae Holland is hired to work for the Circle, the world’s most powerful internet company, she feels she’s been given the opportunity of a lifetime. The Circle, run out of a sprawling California campus, links users’ personal emails, social media, banking, and purchasing with their universal operating system, resulting in one online identity and a new age of civility and transparency. As Mae tours the open-plan office spaces, the towering glass dining facilities, the cozy dorms for those who spend nights at work, she is thrilled with the company’s modernity and activity. There are parties that last through the night, there are famous musicians playing on the lawn, there are athletic activities and clubs and brunches, and even an aquarium of rare fish retrieved from the Marianas Trench by the CEO. Mae can’t believe her luck, her great fortune to work for the most influential company in the world—even as life beyond the campus grows distant, even as a strange encounter with a colleague leaves her shaken, even as her role at the Circle becomes increasingly public. What begins as the captivating story of one woman’s ambition and idealism soon becomes a heart-racing novel of suspense, raising questions about memory, history, privacy, democracy, and the limits of human knowledge.