The huge international success of his latest feature, All About My Mother, has finally granted Pedro Almodovar the recognition he deserves, as the most artistically ambitious and commercially consistent film-maker in Europe.

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Pedro Almodóvar (Spain, b. 1951) single-handedlyrepresents the revival of Spanish cinema as partof the cultural flowering of the Movida Madrileñain the 1980s. New York was first to hail the unbridledimagination of this provocative director, whose films are filled with transsexuals, neurotics(Women on the Verge of a Nervous Breakdown,1988) and even d

Perhaps the best-known Spanish filmmaker to international audiences, Pedro Almodóvar gained the widespread attention of English-speaking critics and fans with the Oscar-nominated Women on the Verge of a Nervous Breakdown and the celebrated dark comedy Tie Me Up! Tie Me Down!. Marvin D'Lugo offers a concise, informed, and insightful commentary on a preeminent force in modern cinema. D'Lugo follows Almodóvar's career chronologically, tracing the director's works and their increasing complexity in terms of theme and the Spanish film tradition. Drawing on a wide range of critical sources, D'Lugo explores Almodóvar's use of melodrama and Hollywood genre film, his self-invention as a filmmaker, and his on-screen sexual politics. D'Lugo also discusses what he calls "geocultural positioning," that is, Almodóvar's paradoxical ability to use his marginal positions—in terms of his class, geographical origin, and identity—to develop an expressive language that is emotionally recognizable by audiences worldwide. Two fascinating interviews with the director round out the volume. An exciting consideration of an arthouse giant, Pedro Almodóvar mixes original interpretations into an analysis sure to reward film students and specialists alike.

A collection of interviews that documents the 22-year long cinematic career of the most internationally celebrated Spanish art-film director since Luís Buñuel

"This is an exciting and excited collection of essays by a talented group of psychoanalysts, scholars and artists who take us right into the dark, antic, ribald, mocking heart and brilliant mind of that enfant terrible of Spanish film--Pedro Almodóvar. His wildly joyous, and viciously murderous, transgressive social misfits loving and torturing each other leap out here on the edge of fragmentation - yet are held together by this analytic approach that never lectures but urges exploration. The chapters are a film festival--a carnival of his movies. Spanish history and how it holds trauma is also offered. Power, desire and intense passion is fulsomely addressed by the editors; a fascinating read." Rosemary H. Balsam, F.R.C. Psych., Assoc. Clinical Prof Psychiatry, Yale School of Medicine. Training and Supervising Analyst, Western New England Institute for Psychoanalysis. Author: Women's Bodies in Psychoanalysis, Routledge.