This special publication is one of several to mark the occasion of the reopening of the restored church of the Venerable English College in Rome. It is in three parts. The first section is historical, a collection of articles on subjects related to the origins of the College, its church and the significance of the Martyrs' Picture and Martyrs' Cycle frescoes in the tribune; the second part is photographic: a celebration in images of the finished church; the final chapters and the enclosed DVD explain the work of the architects and artists, covering divers issues from project management to the philosophy behind the chosen degree of restoration and level of intervention.

The annual Lenten pilgrimage to dozens of Rome’s most striking churches is a sacred tradition dating back almost two millennia, to the earliest days of Christianity. Along this historic spiritual pathway, today’s pilgrims confront the mysteries of the Christian faith through a program of biblical and early Christian readings amplified by some of the greatest art and architecture of western civilization. In Roman Pilgrimage, bestselling theologian and papal biographer George Weigel, art historian Elizabeth Lev, and photographer Stephen Weigel lead readers through this unique religious and aesthetic journey with magnificent photographs and revealing commentaries on the pilgrimage’s liturgies, art, and architecture. Through reflections on each day’s readings about faith and doubt, heroism and weakness, self-examination and conversion, sin and grace, Rome’s familiar sites take on a new resonance. And along that same historical path, typically unexplored treasures—artifacts of ancient history and hidden artistic wonders—appear in their original luster, revealing new dimensions of one of the world’s most intriguing and multi-layered cities. A compelling guide to the Eternal City, the Lenten Season, and the itinerary of conversion that is Christian life throughout the year, Roman Pilgrimage reminds readers that the imitation of Christ through faith, hope, and love is the template of all true discipleship, as the exquisite beauty of the Roman station churches invites reflection on the deepest truths of Christianity.

It has traditionally been held that Robert Southwell’s poetry offers a curious view of Elizabethan England, one that is from the restricted perspective of a priest-hole. This book dismantles that idea by examining the poetry, word by word, discovering layers of new meanings, hidden emblems, and sharp critiques of Elizabeth’s courtiers, and even of the ageing queen herself. Using both the most recent edition of Southwell’s poetry and manuscript materials, it addresses both poetry and private writings including letters and diary material to give dramatic context to the radicalisation of a generation of Southwell’s countrymen and women, showing how the young Jesuit harnessed both drama and literature to give new poetic poignancy to their experience. Bringing a rigorously forensic approach to Southwell’s ‘lighter’ pieces, Sweeney can now show to what extent Southwell engaged exclusively through them in direct artistic debate with Spenser, Sidney, and Shakespeare, placing the poetry firmly in the English landscape familiar to Southwell’s generation. Those interested in early modern and Elizabethan culture will find much of interest, including new insights into the function of the arts in the private Catholic milieu touched by Southwell in so many ways and places.

Anti-Catholic sentiment was a major social, cultural, and political force in Victorian England, capable of arousing remarkable popular passion. Hitherto, however, anti-Catholic feeling has been treated largely from the perspective of parliamentary politics or with reference to the propaganda of various London-based anti-Catholic religious organizations. This book sets out to Victorian anti-Catholicism in a much fuller and more inclusive context, accounting for its persistence over time, disguishing it from anti-Irish sentiment, and explaining its social, economic, political, and religious bases locally as well as nationally. The author is principally concerned with determining what led ordinary people to violent acts against Roman Catholic targets, violent acts against Roman Catholic petitions, joining anti-Catholic organizations, and reading anti-Catholic literature. All too often, English history, and even British history, turns out to be the history of what was happening in the West End. One of the special distinctions of this book is that it shows the interplay between national issues and their local conditions. The book covers the period ca.

Centred on a study of the early archives of the Venerabile Collegio Inglese in Rome, the predecessor of the English College of today, this book is more than a study of the beginnings of English institutions in Rome. It attempts to place the English community there between 1362, when the first English hospice for poor people and pilgrims was founded, and 1420 in its political, commercial and religious setting. It includes a portrait of a group of English merchants, with their wives and widows, as well as members of the papal curia in Rome (from 1376), including a study of Cardinal Adam Easton, a well-known scholar and opponent of John Wycliffe. The book also uncovers a notable although unsuccessful attempt to forward English participation in commerce with Rome before 1420, revealing important links between the English laity in Rome and the city of London.