Tom Cruise and John Travolta say the Church of Scientology is a force for good. Others disagree. Award-winning journalist John Sweeney investigated the Church for more than half a decade. During that time he was intimidated, spied on and followed and the results were spectacular: Sweeney lost his temper with the Church's spokesman on camera and his infamous 'exploding tomato' clip was seen by millions around the world. In THE CHURCH OF FEAR Sweeney tells the full story of his experiences for the first time and paints a devastating picture of this strange organisation, from former Scientologists who tell heartbreaking stories of families torn apart and lives ruined to its current followers who say it is the solution to many of mankind's problems. This is the real story of the Church by the reporter who was brave enough to take it on.

"Based on extensive interviews with mostly former cult members, this book chronicles the history of the Church of God of Union Assembly from its beginning around World War I up to recent times. Founded by a charismatic, unlettered leader, C. T. Pratt, who forcefully broke away from the Holiness COG organization, the church eventually found its home base in Dalton, Georgia. It grew steadily at first and then more rapidly as the great Depression ravaged workers in the mostly rural area of north Georgia. The group set up communal living practices and spread branches of the church across the country, recruiting among the most displaced with a message of social uplift and anti-capitalism, even as its religious practices became increasingly authoritarian and exploitative. If C. T. Pratt exhibited some characteristics of a violent cult leader, his son, who took over the church as his father suffered from ill-health, took these tendencies to a new level that eventually caught the attention of secular authorities. His son, in turn, was even worse--and placed the church on the path to financial ruin. Amazingly, the church survived its three authoritarian leaders and still exists"--

The Process Church is one of the most controversial cults of modern times. Its apocalyptic ideas and powerful literature brought on extreme allegiances and shocking accusations. Here, the secretive group's history is finally revealed for the first time. Through its various incarnations, the Process Church has kept its history sealed for decades. Though the church was not as horrifying as some made it out to be, its actual history is truly unexpected and sensational.

Conservative evangelicalism has transformed American politics, disseminating a sometimes fearful message not just through conventional channels, but through subcultures and alternate modes of communication. Within this world is a "Religion of Fear," a critical impulse that dramatizes cultural and political conflicts and issues in frightening ways that serve to contrast "orthodox" behaviors and beliefs with those linked to darkness, fear, and demonology. Jason Bivins offers close examinations of several popular evangelical cultural creations including the Left Behind novels, church-sponsored Halloween "Hell Houses," sensational comic books, especially those disseminated by Jack Chick, and anti-rock and -rap rhetoric and censorship. Bivins depicts these fascinating and often troubling phenomena in vivid (sometimes lurid) detail and shows how they seek to shape evangelical cultural identity. As the "Religion of Fear" has developed since the 1960s, Bivins sees its message moving from a place of relative marginality to one of prominence. What does it say about American public life that such ideas of fearful religion and violent politics have become normalized? Addressing this question, Bivins establishes links and resonances between the cultural politics of evangelical pop, the activism of the New Christian Right, and the political exhaustion facing American democracy. Religion of Fear is a significant contribution to our understanding of the new shapes of political religion in the United States, of American evangelicalism, of the relation of religion and the media, and the link between religious pop culture and politics.

Fear has taken on an outsized role in our current cultural and political context. Manufactured threats are advanced with little to no evidence of danger, while real threats are exaggerated for self-interested gain. This steady diet of fear produces unhealthy moral lives, leading many Christians to focus more on the dangers we wish to avoid than the goods we wish to pursue. As a fearful people, we are tempted to make safety our highest good and to make virtues of suspicion, preemption, and accumulation. But this leaves the church ill-equipped to welcome the stranger, love the enemy, or give to those in need. This timely resource brings together cultural analysis and theological insight to explore a Christian response to the culture of fear. Laying out a path from fear to faithfulness, theologian Scott Bader-Saye explores practices that embody Jesus's call to place our trust in him, inviting Christian communities to take the risks of hospitality, peacemaking, and generosity. This book has been revised throughout, updated to connect with today's readers, and includes new discussion questions.

The Resurrection accounts of Jesus in the Gospels are the most dramatic and impactful stories ever told. One similarity unites each testimony--that none of his most loyal and steadfast followers could "see" it was him, back from the dead. The reason for this is at the very foundation of the Christian faith. She turned around and saw Jesus standing there, but she did not realize that it was Jesus. (John 20:14) Hope in the Time of Fear is a book that unlocks the meaning of Jesus's resurrection for readers. Easter is considered the most solemn and important holiday for Christians. It is a time of spiritual rebirth and a time of celebrating the physical rebirth of Jesus after three days in the tomb. For his devoted followers, nothing could prepare them for the moment they met the resurrected Jesus. Each failed to recognize him. All of them physically saw him and yet did not spiritually truly see him. It was only when Jesus reached out and invited them to see who he truly was that their eyes were open. Here the central message of the Christian faith is revealed in a way only Timothy Keller could do it--filled with unshakable belief, piercing insight, and a profound new way to look at a story you think you know. After reading this book, the true meaning of Easter will no longer be unseen.

By &"the fear of freedom&" Greer means the unconscious flight from the heavy burden of individual choice an open society lays upon its members. The miraculous represents a heavenly power brought down to earth and tied to the life of the community. Understanding how miracles were perceived in the late antiquity requires us to put aside the notion of a miracle as the violation of the natural order. &"Miracles&" for the church fathers refers to anything that evokes wonder. Rowan Greer is not concerned with conclusions about the truth or falsity of the miracles reported in the ancient sources. He is concerned with how the miracle stories shaped the way people understood Christianity in the fourth and fifth centuries. Once the Church gained the predominance in the Empire as part of the Constantinian revolution, most Christians thought that a new Christian commonwealth was in the making. The miracles associated with the cult of the saints (the martyrs and their relics) in the Christian Empire were part of this sacralization. In the Roman imperial church we find a tension between the Christian message, which revolved around virtue and the individual, and corporate piety that focused upon the empowering of the people of God. With Augustine we find Christian Platonism transformed into a &"new theology&" far more congruent with the corporate poetry that had by then developed. An emphasis upon grace and upon God's sovereignty fits a preoccupation with miracles better than the old emphasis upon human freedom and virtue and sets the stages for the Western Middle Ages and the cult of the saints, organized and made central to Christian piety. From a study of Roman imperial Christianity before the collapse of the West we discover the tendency to substitute one kind of freedom for another. Freedom as the capacity of human beings to choose the good does not, of course, disappear, but on the whole it is made subordinate to notions of God's sovereign grace and even to an insistence upon the authority of the church.