The first book in the Treasures of the Nile series Anippe has grown up in the shadows of Egypt’s good god Pharaoh, aware that Anubis, god of the afterlife, may take her--or her siblings--at any moment. She watched him snatch her mother and infant brother during childbirth, a moment which awakens in her a terrible dread of ever bearing a child. When she learns that she is to be become the bride of Sebak, a kind but quick-tempered Captain of Pharaoh Tut’s army, Anippe launches a series of deceptions with the help of the Hebrew midwives—women ordered by Tut to drown the sons of their own people in the Nile—in order to provide Sebak the heir he deserves and yet protect herself from the underworld gods. When she finds a baby floating in a basket on the great river, Anippe believes Egypt’s gods have answered her pleas, entrenching her more deeply in deception and placing her and her son Mehy, whom handmaiden Miriam calls Moses, in mortal danger. As bloodshed and savage politics shift the balance of power in Egypt, the gods reveal their fickle natures and Anippe wonders if her son, a boy of Hebrew blood, could one day become king. Or does the god of her Hebrew servants, the one they call El Shaddai, have a different plan for them all?

A fictionalized account of the Biblical tale in which a Hebrew infant, rescued by the daughter of the Pharaoh, passes through a turbulent adolescence to eventually become a prophet of his people while his sister finds her true self as a priestess to the Egyptian gods.

The Hebrews call me prophetess, the Egyptians a seer. But I am neither. I am simply a watcher of Israel and the messenger of El Shaddai. When He speaks to me in dreams, I interpret. When He whispers a melody, I sing. At eighty-six, Miriam had devoted her entire life to loving El Shaddai and serving His people as both midwife and messenger. Yet when her brother Moses returns to Egypt from exile, he brings a disruptive message. God has a new name – Yahweh – and has declared a radical deliverance for the Israelites. Miriam and her beloved family face an impossible choice: cling to familiar bondage or embrace uncharted freedom at an unimaginable cost. Even if the Hebrews survive the plagues set to turn the Nile to blood and unleash a maelstrom of frogs and locusts, can they weather the resulting fury of the Pharaoh? Enter an exotic land where a cruel Pharaoh reigns, pagan priests wield black arts, and the Israelites cry out to a God they only think they know.

Taking an eye-opening new approach to Egyptian history, Chronicle of a Pharaoh presents a unique and intimate portrait of Amenhotep III, the man and self-proclaimed god who presided over the zenith of Egypt's greatness. Through an unprecedented wealth of details--from the day-to-day running of a huge empire to his clothes, cats, and bedroom habits--the private and public faces of a pharaoh are vividly brought to life as never before. Joann Fletcher explores Amenhotep's private and public life in a compelling year-by-year account, drawing on firsthand and previously unpublished material. Among the many subjects covered are his daily schedule, such as bedchamber ceremonies and meetings with ministers; his relations with rulers of other ancient superpowers, recorded in a lively correspondence covering topics from new wives to the price of silver; his family life, including the remarkable role of his wife, Queen Tiy; the superlative art of the reign; and his monumental construction projects--among them the great temple of Luxor. Amenhotep III also established the cult of Aten, the sun disk, and after Amenhotep's death his son, the rebel pharaoh Akhenaten, became fanatically obsessed with the god. Illustrated with spectacular full-color photographs, maps, and artifacts, many of which are published here for the first time, Chronicle of a Pharaoh provides the full context for understanding the monarch who presided over the magnificent flowering of Egyptian civilization.

Egypt, 1400s BC. The pharaoh’s pampered second daughter, lively, intelligent Hatshepsut, delights in racing her chariot through the marketplace and testing her archery skills in the Nile’s marshlands. But the death of her elder sister, Neferubity, in a gruesome accident arising from Hatshepsut’s games forces her to confront her guilt...and sets her on a profoundly changed course. Hatshepsut enters a loveless marriage with her half brother, Thut, to secure his claim to the Isis Throne and produce a male heir. But it is another of Thut’s wives, the commoner Aset, who bears him a son, while Hatshepsut develops a searing attraction for his brilliant adviser Senenmut. And when Thut suddenly dies, Hatshepsut becomes de facto ruler, as regent to her two-year-old nephew. Once, Hatshepsut anticipated being free to live and love as she chose. Now she must put Egypt first. Ever daring, she will lead a vast army and build great temples, but always she will be torn between the demands of leadership and the desires of her heart. And even as she makes her boldest move of all, her enemies will plot her downfall.... Once again, Stephanie Thornton brings to life a remarkable woman from the distant past whose willingness to defy tradition changed the course of history.

There would be no Moses, no crossing of the Red Sea, no story of breaking the chains of slavery if it weren’t for the women in the Exodus narrative. Women on both sides of the Nile exhibited a subversive strength resisting Pharaoh and leading an entire people to freedom. Defiant explores how the Exodus women summoned their courage, harnessed their intelligence, and gathered their resources to enact justice in many small ways and overturned an empire. Women find themselves in similar circumstances today. The Women’s March stirred the conscience of a nation and prompted women to organize with and for their neighbors, it is worth reflecting on the resistance literature of Exodus and what it has to offer women. Defiant is about the deep work women do to create conditions for liberation in their church, community, and country. The women of Exodus defied Pharaoh, raised Moses, and plundered Egypt. We are invited to consider what the midwives, mothers of Moses, Miriam, Zipporah and her sisters demonstrate under the oppressive regime of Pharaoh and what it might unlock for us as we imagine our mandate under modern systems of injustice. Kelley Nikondeha presents a fresh paradigm for women, highlighting a biblical mandate to join the liberation work in our world. Women’s work involves more than tending to our own family and home. According to Exodus, it moves us beyond the domestic territory and into relationship with women across the river, confronting injustice and working to liberate our neighborhoods so all mothers and children are free. Nikondeha calls women to continue to be active agents in heralding liberation as we organize and march together for one another’s freedom.

===epub format=== . The legends of Ireland and Scotland tell a fantastic tale of an Egyptian queen and her Greek husband, who were exiled from Egypt to Ireland at some point during the second millennium BC. It is said that it was from this Queen Scota and King Gaythelos that the modern titles for the Scottish and Gaelic people were derived. But what are we to make of this ancient story “ is it based more upon fact or fiction? Historians have, as one might expect, taken the story to be complete fiction; but Ralph Ellis has taken a lateral look at this mythology, and found many links and associations that lead to one inescapable conclusion “ that the extraordinary tale of Queen Scota and King Gaythelos is probably true. ... See also, "Eden in Egypt". L