The author was raised in the San Fernando Valley of Southern California, when the Valley was a wide-open area of orange groves, homes and estates. The large estates were owned by the movie stars such as Roy Rogers and other stars in their heyday. After marriage, my husband and I desired to raise our family in a country atmosphere with a minuscule population. We sold our first home in the valley in order to move to the tiny town of Acton, in the mountainous countryside sixty miles north of Los Angeles. The time line of book is 1928 to 2011 with many odd happening in our lives and unusual memories and pleasant days in the country. We cleared the land, put down a well, and built our home ourselves and raised a family of four children. Upon completion of the house it was necessary to move the home if we wished to continue living in it. It was a new home and yes we wanted it, but this proved to be frightening experience and a near tragic disaster! This is only one of the many unusual happenings in our life in the country. Unwanted animals are freely given to people who live in the country from friends. In this manner, we acquired a burro that soon gave birth to a strong baby burro (on its first day of birth, kicked our young son and knocked him down), several dogs, a beautiful horse and another burro. Life in the country was always surprising and a pleasant place to raise a family, sometimes difficult but nice! We knew friends in a circle of twenty miles in every direction. Our two sons still live in Acton, our daughters have moved to the beach cities in California.

"I sometimes think that if, as the result of an accident, I were to lose my knowledge of Japanese, there would not be much left for me. Japanese, which at first had no connection with my ancestors, my literary tastes, or my awareness of myself as a person, has become the central element of my life." In this eloquent and wholly absorbing memoir, the renowned scholar Donald Keene shares more than half a century of his extraordinary adventures as a student of Japan. Keene begins with an account of his bittersweet childhood in New York; then he describes his initial encounters with Asia and Europe and the way in which World War II complicated that experience. He captures the sights, scents, and sounds of Japan as they first enveloped him, and talks of the unique travels and well-known intellectuals who later shaped the contours of his academic career. Keene traces the movement of his passions with delicacy and subtlety, deftly weaving his love for Japan into a larger narrative about identity and home and the circumstances that led a Westerner to find solace in a country on the opposite side of the world. Chronicles of My Life is not only a fascinating tale of two cultures colliding, but also a thrilling account of the emotions and experiences that connect us all, regardless of our individual origins.

“As a bookseller, I loved Shelf Life for the chance to peer behind the curtain of Diwan, Nadia Wassef’s Egyptian bookstore—the way that the personal is inextricable from the professional, the way that failure and success are often lovers, the relationship between neighborhoods and books and life. Nadia’s story is for every business owner who has ever jumped without a net, and for every reader who has found solace in the aisles of a bookstore.” —Emma Straub, author of All Adults Here “Shelf Life is such a unique memoir about career, life, love, friendship, motherhood, and the impossibility of succeeding at all of them at the same time. It is the story of Diwan, the first modern bookstore in Cairo, which was opened by three women, one of whom penned this book. As a bookstore owner I found this fascinating. As a reader I found it fascinating. Blunt, honest, funny.” —Jenny Lawson, author of Broken (in the best possible way) The warm and winning story of opening a modern bookstore where there were none, Shelf Life: Chronicles of a Cairo Bookseller recounts Nadia Wassef’s troubles and triumphs as a founder and manager of Cairo-based Diwan The streets of Cairo make strange music. The echoing calls to prayer; the raging insults hurled between drivers; the steady crescendo of horns honking; the shouts of street vendors; the television sets and radios blaring from every sidewalk. Nadia Wassef knows this song by heart. In 2002, with her sister, Hind, and their friend, Nihal, she founded Diwan, a fiercely independent bookstore. They were three young women with no business degrees, no formal training, and nothing to lose. At the time, nothing like Diwan existed in Egypt. Culture was languishing under government mismanagement, and books were considered a luxury, not a necessity. Ten years later, Diwan had become a rousing success, with ten locations, 150 employees, and a fervent fan base. Frank, fresh, and very funny, Nadia Wassef’s memoir tells the story of this journey. Its eclectic cast of characters features Diwan’s impassioned regulars, like the demanding Dr. Medhat; Samir, the driver with CEO aspirations; meditative and mythical Nihal; silent but deadly Hind; dictatorial and exacting Nadia, a self-proclaimed bitch to work with—and the many people, mostly men, who said Diwan would never work. Shelf Life is a portrait of a country hurtling toward revolution, a feminist rallying cry, and an unapologetic crash course in running a business under the law of entropy. Above all, it is a celebration of the power of words to bring us home.

After journalist Jessica DuLong was laid off from her dot-com job, her life took an unexpected turn. A volunteer day aboard an antique fireboat, the John J. Harvey, led to a job in the engine room, where she found a taste of home she hadn’t realized she was missing. Working with the boat’s finely crafted machinery, on the waters of the storied Hudson, made her wonder what America is losing in our shift away from hands-on work. Her questions crystallized after she and her crew served at Ground Zero, where fireboats provided the only water available to fight blazes. Vivid and immediate, My River Chronicles is a journey with an extraordinary guide—a mechanic’s daughter and Stanford graduate who bridges blue-collar and white-collar worlds, turning a phrase as deftly as she does a wrench. As she searches for the meaning of work in America, DuLong shares her own experiences of learning to navigate a traditionally male world, masterfully interweaving unforgettable present-day characters and events with four centuries of Hudson River history. A celebration of craftsmanship, My River Chronicles is a deeply personal story of a unique woman’s discovery of her own roots—and America’s—that raises important questions about our nation’s future.