A Ghostly Fantasy Story (and more to come.....) 12 year-old Simon de Bruin suddenly finds himself dead, in a college full of mad ghosts, and pursued by the evil sea-witch Halbizia. A ghost story like no other, packed with colourful characters (Fi a Pirate Princess) and delicious humour. Read it if you dare...

True Tales of the ridiculous, the silly, and the just plain weird cases doctors face—lampooning the medical bureaucracy that makes practicing medicine and getting medical care such a headache. Doctors have a sick sense of humor. This is the deep, dark, and hilarious secret of the medical profession revealed by the irreverent Dr. Douglas Farrago in his popular satirical magazine, Placebo Journal—affectionately known by its thousands of fanatic readers as “Mad magazine for doctors” and called, by U.S. News.com, “raunchy, adolescent, and very funny.” Now, in The Placebo Chronicles, Dr. Farrago has compiled the best of the most outrageous and uproarious true stories to come out of the ERs and examination rooms of doctors all over the country. Submitted by actual physicians, these are the stories they tell each other at cocktail parties and in doctors’ lounges, trading sidesplitting and truly unusual tales of their most embarrassing medical moments, the grossest things they’ve ever seen in medicine, their favorite Munchausen patients, and much more, including “The X-Ray Files”—mind-boggling anecdotes and images of the oddest foreign objects doctors have removed from patients. Not for the faint of heart, the humor in The Placebo Chronicles is brutally funny—just what the doctor ordered to guard against the ill effects of an M.D.’s worst enemies: the Medical Axis of Evil, a.k.a. drug companies, HMOs, and malpractice insurers. Fully illustrated with fake advertisements—for pseudopharmaceuticals like OxyCotton Candy and Indifferex (the mediocre antidepressant)—this refreshingly honest collection invites doctors and patients alike to share the laughter, a liberal dose of the very best medicine.

A shocking and deeply reported account of the persistent plague of institutional racism and junk forensic science in our criminal justice system, and its devastating effect on innocent lives After two three-year-old girls were raped and murdered in rural Mississippi, law enforcement pursued and convicted two innocent men: Kennedy Brewer and Levon Brooks. Together they spent a combined thirty years in prison before finally being exonerated in 2008. Meanwhile, the real killer remained free. The Cadaver King and the Country Dentist recounts the story of how the criminal justice system allowed this to happen, and of how two men, Dr. Steven Hayne and Dr. Michael West, built successful careers on the back of that structure. For nearly two decades, Hayne, a medical examiner, performed the vast majority of Mississippi's autopsies, while his friend Dr. West, a local dentist, pitched himself as a forensic jack-of-all-trades. Together they became the go-to experts for prosecutors and helped put countless Mississippians in prison. But then some of those convictions began to fall apart. Here, Radley Balko and Tucker Carrington tell the haunting story of how the courts and Mississippi's death investigation system -- a relic of the Jim Crow era -- failed to deliver justice for its citizens. The authors argue that bad forensics, structural racism, and institutional failures are at fault, raising sobering questions about our ability and willingness to address these crucial issues.

Beloved, best-selling science writer Mary Roach’s “acutely entertaining, morbidly fascinating” (Susan Adams, Forbes) classic, now with a new epilogue. For two thousand years, cadavers – some willingly, some unwittingly – have been involved in science’s boldest strides and weirdest undertakings. They’ve tested France’s first guillotines, ridden the NASA Space Shuttle, been crucified in a Parisian laboratory to test the authenticity of the Shroud of Turin, and helped solve the mystery of TWA Flight 800. For every new surgical procedure, from heart transplants to gender confirmation surgery, cadavers have helped make history in their quiet way. “Delightful—though never disrespectful” (Les Simpson, Time Out New York), Stiff investigates the strange lives of our bodies postmortem and answers the question: What should we do after we die? “This quirky, funny read offers perspective and insight about life, death and the medical profession. . . . You can close this book with an appreciation of the miracle that the human body really is.” —Tara Parker-Pope, Wall Street Journal “Gross, educational, and unexpectedly sidesplitting.” —Entertainment Weekly

Sets out to reconstruct and analyze the rationality of Phineas Fletcher's use of figurality in The Purple Island (1633) - a poetic allegory of human anatomy. This book demonstrates that the analogies and metaphors of literary works share coherence and consistency with anatomy textbooks.

This timely collection examines representations of medicine and medical practices in international period drama television. A preoccupation with medical plots and settings can be found across a range of important historical series, including Outlander, Poldark, The Knick, Call the Midwife, La Peste and A Place to Call Home. Such shows offer a critique of medical history while demonstrating how contemporary viewers access and understand the past. Topics covered in this collection include the innovations and horrors of surgery; the intersection of gender, class, race and medicine on the American frontier; psychiatry and the trauma of war; and the connections between past and present pandemics. Featuring original chapters on period television from the UK, the US, Spain and Australia, Diagnosing history offers an accessible, global and multidisciplinary contribution to both televisual and medical history.

For fans of Karen Russell or Hannah Tinti, a debut collection of stories inspired by science, medicine, and the power of healing with a magical twist.