Presents a guide for dealing with grief and loss, detailing five steps of healing that can lead to a lifestyle alignment with personal values and new possibilities for a re-engaged life. --Publisher's description.

Despite Jesus' prayer that all Christians "be one," divisions have been epidemic in the body of Christ. Though we may think we know why this happens, Christena Cleveland says we probably don't. Learn the hidden reasons behind conflict and divisions, the unseen dynamics at work that tend to separate us from others. Here are the tools we need to build bridges.

A rebellious Indian proclaiming noble ancestry and entitlement, a military lieutenant foreshadowing the coming of revolution, a blasphemous Creole embroiderer in possession of a bundle of sketches brimming with pornography. All shared one thing in common. During the late eighteenth century, they were deemed to be mad and forcefully admitted to the Hospital de San Hipolito in Mexico City, the first hospital of the New World to specialize in the care and custody of the mentally disturbed. Christina Ramos reconstructs the history of this overlooked colonial hospital from its origins in 1567 to its transformation in the eighteenth century, when it began to admit a growing number of patients transferred from the Inquisition and secular criminal courts. Drawing on the poignant voices of patients, doctors, friars, and inquisitors, Ramos treats San Hipolito as both a microcosm and a colonial laboratory of the Hispanic Enlightenment—a site where traditional Catholicism and rationalist models of madness mingled in surprising ways. She shows how the emerging ideals of order, utility, rationalism, and the public good came to reshape the institutional and medical management of madness. While the history of psychiatry's beginnings has often been told as seated in Europe, Ramos proposes an alternative history of madness's medicalization that centers colonial Mexico and places religious figures, including inquisitors, at the pioneering forefront.

In this timely, much-needed book, theologian, social psychologist, and activist Christena Cleveland recounts her personal journey to dismantle the cultural “whitemalegod” and uncover the Sacred Black Feminine, introducing a Black Female God who imbues us with hope, healing, and liberating presence. For years, Christena Cleveland spoke about racial reconciliation to congregations, justice organizations, and colleges. But she increasingly felt she could no longer trust in the God she’d been implicitly taught to worship—a white male God who preferentially empowered white men despite his claim to love all people. A God who clearly did not relate to, advocate for, or affirm a Black woman like Christena. Her crisis of faith sent her on an intellectual and spiritual journey through history and across France, on a 400-mile walking pilgrimage to the ancient shrines of Black Madonnas to find healing in the Sacred Black Feminine. God Is a Black Woman is the chronicle of her liberating transformation and a critique of a society shaped by white patriarchal Christianity and culture. Christena reveals how America’s collective idea of God as a white man has perpetuated hurt, hopelessness, and racial and gender oppression. Integrating her powerful personal story, womanist ideology, as well as theological, historical, and social science research, she invites us to take seriously the truth that God is not white nor male and gives us a new and hopeful path for connecting with the divine and honoring the sacredness of all Black people.

Narratives of displacement -- Life in the Sudan camps -- A patchwork of emplacements -- The household food economy as the locus of community construction -- "We have each lost a child": birth, death and the role of life-cycle rituals in emplacing the individual within the community -- Ada Bai's place in the wider world -- Conclusion: forced migration, anthropology and the politics of international assistance -- Epilogue: the Ethiopian-Eritrean war as felt in Ada Bai.

The Love Story of JFK Jr. and Christina Haag • New York Times bestseller When Christina Haag was growing up on Manhattan’s Upper East Side, John F. Kennedy, Jr., was just one of the boys in her circle of prep school friends, a skinny kid who lived with his mother and sister on Fifth Avenue and who happened to have a Secret Service detail following him discreetly at all times. A decade later, after they had both graduated from Brown University, Christina and John were cast in an off-Broadway play together. It was then that John confessed his long-standing crush on her, and they embarked on a five-year love affair. Glamorous and often in the public eye, but also passionate and deeply intimate, their relationship was transformative for both of them. Exquisitely written, Come to the Edge is an elegy to first love, a lost New York, and a young man with an enormous capacity for tenderness, and an adventurous spirit, who led his life with surprising and abundant grace.

Grenada's Bianca C, Martinique's Roraima, British Virgin Island's Rhone, USVI's Wit Shoal, Aruba's Antilla, Bonaire's Windjammer... these are some of the most spectacular historic shipwrecks of the Caribbean. Bursting with colour, underwater fauna adorn these large metallic vessels. The glistening light from the surface transforms these wrecks into sunken cathedrals. With camera and paint brush in hand, the diving duo of Cathy Salisbury and Dominique Serafini search out and explore these legendary vessels. Through their paintings, photography and stories, they capture the mysterious beauty of these shipwrecks for scuba divers and non-divers alike.