The Christchurch Fusee Chain Gang offers a fascinating insight into the origin of clocks and watches and what this industry meant to the people of Christchurch.

The Christchurch Fusee Chain Gang offers a fascinating insight into the origin of clocks and watches and what this industry meant to the people of Christchurch.

The eighteenth century has been hailed for its revolution in consumer culture, but Material Literacy in Eighteenth-Century Britain repositions Britain as a nation of makers. It brings new attention to eighteenth-century craftswomen and men with its focus on the material knowledge possessed not only by professional artisans and amateur makers, but also by skilled consumers. This edited collection gathers together a group of interdisciplinary scholars working in the fields of art history, history, literature, and museum studies to unearth the tactile and tacit knowledge that underpinned fashion, tailoring, and textile production. It invites us into the workshops, drawing rooms, and backrooms of a broad range of creators, and uncovers how production and tacit knowledge extended beyond the factories and machines which dominate industrial histories. This book illuminates, for the first time, the material literacies learnt, enacted, and understood by British producers and consumers. The skills required for sewing, embroidering, and the textile arts were possessed by a large proportion of the British population: men, women and children, professional and amateur alike. Building on previous studies of shoppers and consumption in the period, as well as narratives of manufacture, these essays document the multiplicity of small producers behind Britain's consumer revolution, reshaping our understanding of the dynamics between making and objects, consumption and production. It demonstrates how material knowledge formed an essential part of daily life for eighteenth-century Britons. Craft technique, practice, and production, the contributors show, constituted forms of tactile languages that joined makers together, whether they produced objects for profit or pleasure.

I grew up hearing tales of a great-great grandfather, a Catholic man of the cloth from Cork who eloped with a nun. As a child I found ancestors dead-boring, living relations bad enough.

A General History of Horology describes instruments used for the finding and measurement of time from Antiquity to the 21st century. In geographical scope it ranges from East Asia to the Americas. The instruments described are set in their technical and social contexts, and there is also discussion of the literature, the historiography and the collecting of the subject. The book features the use of case studies to represent larger topics that cannot be completely covered in a single book. The international body of authors have endeavoured to offer a fully world-wide survey accessible to students, historians, collectors, and the general reader, based on a firm understanding of the technical basis of the subject. At the same time as the work offers a synthesis of current knowledge of the subject, it also incorporates the results of some fundamental, new and original research.

The Marine Chronometers at Greenwich is the fifth, and largest, of the distinguished series of catalogues of instruments in the collections of the National Maritime Museum. Housed at the Royal Observatory Greenwich — the 'home of time' and the Prime Meridian of the world — this extraordinary collection, which includes the celebrated marine timekeepers by John Harrison (1693-1776), is generally considered to be the finest of its kind in existence. The book is however much more than just a catalogue, and includes an accessible and engaging history of the chronometer, revealing why these instruments were important in our scientific and cultural history, and explaining, in simple terms, how they worked and were used. A comprehensive Glossary and Bibliography are included to ensure any technicalities are explained and that the reader has suggestions for useful 'further reading'. Over 480 photographs and illustrations, including many fine macro-photographs and line drawings, illustrate the 'jewel-like' beauty of the chronometer's construction and explain the function and subtleties of its mechanism. A chapter on 'How the Chronometer was Made', describes the fine sub-division of labour used to create these special machines, from bare metal, right up to delivery on board ship, and brief biographies of the makers tell the human story behind this important nineteenth-century industry. Another chapter, 'The Evolution of the Chronometer', aimed at collectors, historians and curators, provides clearly structured information on assessing and dating the chronometer, something many find difficult. And, for the dedicated specialist, there is extensive tabulated data on the technical structure of this important collection, a unique resource for future research.