Here are Susan Ketchin's discerning interviews with twelve southerners living and writing in the South, and along with a piece of fiction by each are her penetrating commentaries about the impact of southern religious experience on their work. A little more than a generation ago Flannery O'Connor made a startling observation about herself and her fellow southerners: “By and large,” she said, “people in the South still conceive of humanity in theological terms. While the South is hardly Christ-centered, it is most certainly Christ-haunted. The southerner who isn't convinced of it is very much afraid that he may have been formed in the image and likeness of God.” Guided by O'Connor's perceptive commentary about southerners in general, Susan Ketchin has created a deeply revealing collection that mirrors the pervasive role of religion in the literature by the recent generation of notable southern writers. Ketchin confirms that “old-time religion” remains a potent force in the literature of the contemporary South.

Presents Susan Ketchin's discerning interviews with twelve southerners living and writing in the South. Along with a piece of fiction by each are her penetrating commentaries about the impact of southern religious experience on their work.

For those looking to deepen their appreciation of Flannery O'Connor, Wood shows how this literary icon's stories, novels, and essays impinge on America's cultural and ecclesial condition.

Offers a new interpretation of the lynching of Sam Hose through the lens of the religious culture in the evangelical American South.

From hand-rendered folk signs to high-dollar church marquees, religious messages and imagery saturate the landscape of the American South. In With Signs Following, photographer and southern studies scholar Joe York introduces readers to the role of artistic, witty advertising in southern churches. In seventy black-and-white images of religious signs and other ephemera, he simultaneously presents the factual while encouraging reflection and introspection. Though York's pictures speak volumes, With Signs Following features an equally compelling essay by York. This piece seeks the stories of the sign makers through informal interviews. The combination of images and text offers an insightful, humorous, historically grounded perspective on one of the South's most familiar scenes. In collecting images of religious roadside signs from across the region and interviews with the evangelicals who put them there, Joe York shows us the "Christ-haunted" South as it has never before been considered. Joe York is a freelance photographer and a producer and director of documentary films for the Center for Documentary Projects and the Southern Foodways Alliance at the University of Mississippi. Charles Reagan Wilson is director of the Center for the Study of Southern Culture at the University of Mississippi.

This is an introduction to the literature of contemporary American writer Clyde Edgerton. A North Carolina native, Edgerton has been compared to Mark Twain for his easy, humorous style, which is based in oral tradition. Like Twain and other humorous writers, Edgerton's work often contains both biting satire and exploration of very large questions about the human condition. The book contains an overview of each of his novels and his memoir in addition to offering critical commentary on theme, craft, and structure. Pedagogical support is offered with specific strategies that will encourage authentic engagement and learning. Teachers will find specific companion pieces of literature for introducing Edgerton's vivid and challenging work. This book presents the case for including more of Clyde Edgerton's work in our secondary and college English language arts classrooms as a means of revitalizing curricula and challenging the ways we traditionally think about teaching.

“I was married eleven years before I started imagining how different life could be if my husband were dead. . . .” At thirty-eight, Jessie Maddox subscribes to House Beautiful, Southern Living, even Psychology Today. She has a comfortable life in Glenville, Georgia, with Turner, the most reliable, responsible husband in the world. But after the storybook romance, “happily ever after” never came. Now the housewife who once wanted to be Martha Stewart before there was a Martha Stewart is left to wonder: Where did the marriage go wrong? Why can’t she stop picturing herself as the perfect grieving widow? As Jessie dives headlong into her midlife crisis, she is aided and abetted by a colorful cast of characters in the true Southern tradition: her best friend and next door neighbor Donna, who is having a wild adulterous affair with a younger man; Wanda McNab, the sweater-knitting, cookie-baking grandmother who is charged with killing her abusive husband. Then there’s Jessie’s eccentric family. Her younger sister Ellen, born to be a guest on Jerry Springer, has taken her seven-year-old son and squawking pet birds and left her husband “for good this time” . . . while their mother crosses the dirty words out of library books and alerts everyone to the wonderful bargains at Winn-Dixie, often at the same time. And then there’s the stuffed green headless duck . . . When a trip home to the small town of her childhood raises more questions than it answers, Jessie is forced to face the startling truth head-on–and confront the tragedy that has shadowed her heart and shaken her faith in love . . . and the future. From a brilliant new voice in fiction, here is a darkly comic novel full of revelation and insight. The danger of secrets and the power of confession . . . The pull of family, no matter how crazy. . . The fate of wedlock when one can’t find the key . . . Jeanne Braselton weaves these potent themes into a funny, poignant, utterly engaging story of a woman at the crossroads–and the unforgettable journey she must take to get back home.