“Each wears his cynicism like a bulletproof jockstrap—each has his horror story, his bad dream, his nightshriek. He is afraid of his friends—he is afraid of himself.”—New York Times Partners in the Los Angeles Police Department, they’re haunted by terrifying dark secrets of the nightwatch–shared predawn drink and sex sessions they call choir practice. “A master storyteller . . . authenticity oozes from this book . . . freewheeling and chilling and certainly Wambaugh's best.”—Houston Chronicle

“Each wears his cynicism like a bulletproof jockstrap—each has his horror story, his bad dream, his nightshriek. He is afraid of his friends—he is afraid of himself.”—New York Times Partners in the Los Angeles Police Department, they’re haunted by terrifying dark secrets of the nightwatch–shared predawn drink and sex sessions they call choir practice. “A master storyteller . . . authenticity oozes from this book . . . freewheeling and chilling and certainly Wambaugh's best.”—Houston Chronicle

No Choirboy takes readers inside America's prisons, and allows inmates sentenced to death as teenagers to speak for themselves. In their own voices—raw and uncensored—they talk about their lives in prison, and share their thoughts and feelings about how they ended up there. Susan Kuklin also gets inside the system, exploring capital punishment itself and the intricacies and inequities of criminal justice in the United States. This is a searing, unforgettable read, and one that could change the way we think about crime and punishment. No Choirboy: Murder, Violence, and Teenagers on Death Row is a 2009 Bank Street - Best Children's Book of the Year.

"An exhilarating, multi-layered new play."—The Guardian "Stirring and stylishly told . . . McCraney's crispest and most confident work."—Daily News "Greatly affecting. . . . It takes a brave writer to set his language against the plaintive beauty of the hymns and spirituals . . . but McCraney's speech holds its own, locating poetry even in casual vernacular and again demonstrating his gift for simile and metaphor."—The Village Voice The Charles R. Drew Prep School for Boys is dedicated to the creation of strong, ethical black men. Pharus wants nothing more than to take his rightful place as leader of the school's legendary gospel choir, but can he find his way inside the hallowed halls of this institution if he sings in his own key? Known for his unique brand of urban lyricism, Tarrell Alvin McCraney follows up his acclaimed trilogy The Brother/Sister Plays with this affecting portrait of a gay youth trying to find the courage to let the truth about himself be known. Set against the sorrowful sounds of hymns and spirituals, Choir Boy premiered at the Royal Court in London before receiving its Off-Broadway premiere in summer 2013 to critical and popular acclaim. Tarell Alvin McCraney is author of The Brother/Sister Plays: The Brothers Size, In the Red and Brown Water, and Marcus; Or the Secret of Sweet. Other works include Wig Out!, set in New York's drag clubs, and The Breach, which deals with the aftermath of Hurricane Katrina. His awards include the 2009 Steinberg Playwrights Award and the Paula Vogel Playwriting Award.

Choir Boy is the story of Berry, a 12 year old choirboy who wants to hold his voice back from changing at almost any cost. Berry tries unsuccessfully to castrate himself, then convinces a clinic to treat him as a transsexual. The pills Berry takes keep his voice from changing, but they also open a door Berry can't close. He faces a world of gender issues that he hadn't expected, and explores a universe way larger than anything he's experienced so far. Full of bizarre humour and surreal touches, this is Günther Grass' The Tin Drum mixed with Eugenides' Middlesex.

"Young singers through the centuries have occupied a central position in a variety of religious institutional settings: urban cathedrals, collegiate churches, monasteries, guilds, and confraternities." "The training of singers for performance in religious services shaped the very structures of ecclesiastical institutions, which developed to meet the need for educating their youngest members. The development of musical repertories and styles also directly reflected the ubiquitous participation of children's voices in both chant and polyphony. There was even, frequently, a future for choristers after their voices broke."--BOOK JACKET.

The hunt forthe most prolific American arsonist of the twentieth century—in this Edgar Award–winning true crime story that’s “stranger than fiction” (The New York Times). From Joseph Wambaugh, the #1 New York Times–bestselling author of such classics as The Onion Field and The Choirboys, comes the extraordinary story of the chase for the “Pillow Pyro,” led by one ambitious firefighter. Growing up in Los Angeles, John Orr idolized law enforcement. However, after being rejected by both the LAPD and LAFD, he settled for a position with the Glendale Fire Department. There, he rose through the ranks, eventually becoming a fire captain and one of Southern California’s best-known and most respected arson investigators. But Orr led another, unseen life, one that included womanizing and an insatiable thirst for recognition. While Orr busted a slew of petty arsonists, there was one serial criminal he could not track down. Nothing was safe from the so-called Pillow Pyro’s obsession. Homes, retail stores, and fields of dry brush all went up in flames. His handiwork led to millions of dollars worth of property damage and the deaths of four innocent bystanders. But after years of evading the police, he made a mistake—one that would turn Orr’s life upside down. The Washington Post raves, “When [Joseph Wambaugh] talks about the culture of cops versus the culture of firemen, we get no speculation, only hard-earned details.” Based on meticulous research, interviews, case records, and thousands of pages of court transcripts, Fire Lover is Wambaugh at his best.